Transcript of Lou's earthquake story, captured by the UC QuakeBox project.
Transcript of Stephen Bourke's earthquake story, captured by the UC QuakeBox project.
A copy of the CanCERN online newsletter published on 21 June 2013
Following the Canterbury earthquake sequence of 2010-11, a large and contiguous tract of vacated ‘red zoned’ land lies alongside the lower Ōtākaro / Avon River and is known as the Avon-Ōtākaro Red Zone (AORZ). This is the second report in the Ecological Regeneration Options (ERO) project that addresses future land uses in the AORZ. The purpose of this report is to present results from an assessment of restoration opportunities conducted in April 2017. The objectives of the assessment were to identify potential benefits of ecological restoration activities across both land and water systems in the AORZ and characterise the key options for their implementation. The focus of this report is not to provide specific advice on the methods for achieving specific restoration endpoints per se. This will vary at different sites and scales with a large number of combinations possible. Rather, the emphasis is on providing an overview of the many restoration and regeneration options in their totality across the AORZ. An additional objective is to support their adequate assessment in the identification of optimum land uses and adaptive management practices for the AORZ. Participatory processes may play a useful role in assessment and stakeholder engagement by providing opportunities for social learning and the co-creation of new knowledge. We used a facilitated local knowledge based approach that generated a large quantity of reliable and site specific data in a short period of time. By inviting participation from a wide knowledge-holder network inclusivity is improved in comparison to small-group expert panel approaches. Similar approaches could be applied to other information gathering and assessment needs in the regeneration planning process. Findings from this study represent the most comprehensive set of concepts available to date to address the potential benefits of ecological regeneration in the AORZ. This is a core topic for planning to avoid missed opportunities and opportunity costs. The results identify a wide range of activities that may be applied to generate benefits for Christchurch and beyond, all involving aspects of a potential new ecology in the AORZ. These may be combined at a range of scales to create scenarios, quantify benefits, and explore the potential for synergies between different land use options. A particular challenge is acquiring the information needed within relatively short time frames. Early attention to gathering baseline data, addressing technical knowledge gaps, and developing conceptual frameworks to account for the many spatio-temporal aspects are all key activities that will assist in delivering the best outcomes. Methodologies by which these many facets can be pulled together in quantitative and comparative assessments are the focus of the final report in the ERO series.
A powhiri performed by Ngai Tahu elders to welcome workers of the Stronger Christchurch Infrastructure Rebuild Team (SCIRT). Phil Goff is standing in the centre of the group that is being welcomed. The ceremony was held in Burwood Park.
A powhiri performed by Ngai Tahu elders to welcome workers of the Stronger Christchurch Infrastructure Rebuild Team (SCIRT). Phil Goff is standing in the centre of the group that is being welcomed. Two cameras are filming the welcome. The ceremony was held in Burwood Park.
A photograph of volunteers from the Wellington Emergency Management Office standing outside St Paul's School on Gayhurst Road. There are cracks in the asphalt in front, and liquefaction on the ground.
A photograph of a sign outside St Paul's Parish on Gayhurst Road. The sign reads, "St Paul's Parish Mass, Sunday 10am, Marian College Hall, North Parade". The church was damaged during the 4 September earthquake. Tape can be seen around the building in the background.
An aerial photograph of the Christchurch central city with Armagh Street in the foreground and Christ Church Cathedral in the centre.
Photograph captioned by BeckerFraserPhotos, "The view from the top of Alice in Videoland".
Earthquake Minister, Gerry Brownlee, speaking to Reverend Peter Beck at the Stronger Christchurch Infrastructure Rebuild Team (SCIRT) opening. The ceremony was held in Burwood Park. Workers in florescent vests are standing in the background.
Ngai Tahu elders performing a powhiri to welcome workers of the Stronger Christchurch Infrastructure Rebuild Team (SCIRT). Mayor Bob Parker is standing to the right. The ceremony was held in Burwood Park.
Shovels and wheelbarrows sitting in Burwood Park near students from the University of Canterbury who are enjoying a barbeque. The students have volunteered to dig up liquefaction as part of the Student Volunteer Army.
A story submitted by Jennifer to the QuakeStories website.
A story submitted by Tracy to the QuakeStories website.
A snapshot from GPS Boomerang's SmartBird flight over the Christchurch red zone on 23 December 2012, looking over Hereford Street with the Re:Start container mall visible in the bottom right, Oxford Terrace to the left. The buildings at the end of Cashel Street near Oxford Terrace have been demolished.
USCA President, Kohan McNab, and leader of the Student Volunteer Army, Sam Johnston, being filmed on top of the ENSOC fire engine. Below, students from the University of Canterbury are enjoying a barbeque lunch break. The students have volunteered to dig up liquefaction as part of the Student Volunteer Army.
A photograph of Ashleigh (left), Nigel (back), Chantal (front) and Kadyn Palmer (right) in front of their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Gillian Rayner (right) with her father Harry Stanton (left) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Arline Grimshaw at her former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Chris Paterson (left) and Helen Swain (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Dee (left), Nicole (middle-left), Marc (middle-right) and Thomas Brocherie (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Barbara Townsend (right) and Jackson (left) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Lana (middle), Dan (back-left) and the rest of the McLean family in front of their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Talia (left), Ky'a (right) and Luana Belworthy (back-middle-left), Nico and Ezra Mataki (front-middle), and TeTumu Rolleston (back-middle-right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Gretta (left) and Brian Morris (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Daniel (back-left), Keith (back-right), Roisin (left), Trish (middle) and Kelly Evans (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Willy (left) and Andrew Martin (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Mick (left) and Rose Mariner (right) in front of their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of a story about Bob Cattermole and Joan Cattermole's post-quake stress-related deaths in 2010. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.