A photograph of children playing musical instruments made out of PVC pipes, at Sound Garden. Sound Garden was a Greening the Rubble project created by local artist-musicians and launched as part of FESTA 2013.
A photograph of children playing a musical instrument constructed from empty fire extinguisher canisters, at Sound Garden. Sound Garden was a Greening the Rubble project created by local artist-musicians and launched as part of FESTA 2013.
A photograph of local musician Gemma Syme playing an instrument constructed from empty fire extinguisher canisters, at Sound Garden. Sound Garden was a Greening the Rubble project created by local artist-musicians and launched as part of FESTA 2013.
A photograph of Coralie Winn (right) and a young girl playing a large drum at the launch of Sound Garden, during FESTA 2013. Sound Garden was a Greening the Rubble project created by local artist-musicians from recycled materials.
A photograph of local artist Jason Ware (left) and others playing handmade instruments at the launch of Sound Garden, during FESTA 2013. Sound Garden was a Greening the Rubble project created by local artist-musicians from recycled materials.
A photograph of a young person wearing a jester hat, playing a large drum at the launch of Sound Garden, during FESTA 2013. Sound Garden was a Greening the Rubble project created by local artist-musicians from recycled materials.
A photograph of a young person playing a musical instrument created from street signs, at Sound Garden. Sound Garden was a Greening the Rubble project created by local artist-musicians from recycled materials and launched as part of FESTA 2013.
A photograph of performers in medieval costumes playing checkers outside a tent beside the Avon River. The game is part of the Canterbury Tales event. Canterbury Tales was created by Free Theatre Christchurch, and was the main event of FESTA 2013.
A photograph of Coralie Winn (right) and a young girl playing a large drum at the launch of Sound Garden, during FESTA 2013. Sound Garden was a Greening the Rubble project created by local artist-musicians from recycled materials.
A photograph of Coralie Winn (right) and a young girl playing a large drum at the launch of Sound Garden, during FESTA 2013. Sound Garden was a Greening the Rubble project created by local artist-musicians from recycled materials.
A photograph of a young person playing a musical instrument created from street signs, at Sound Garden. Sound Garden was a Greening the Rubble project created by local artist-musicians from recycled materials and launched as part of FESTA 2013.
A photograph of performers in medieval costumes playing checkers outside a tent beside the Avon River. The game is part of the Canterbury Tales event. Canterbury Tales was created by Free Theatre Christchurch, and was the main event of FESTA 2013.
A photograph of local musician Gemma Syme playing an instrument constructed from old street signs, at Sound Garden. Sound Garden was a Greening the Rubble project created by local artist-musicians and launched as part of FESTA 2013.
A photograph of a child playing with a large-scale puppet titled Wife of Bath in Cathedral Square, during the Meet the Puppets event. The puppets were created by Free Theatre Christchurch, for Canterbury Tales, which was the main event of FESTA 2013.
A photograph of performers in medieval costumes playing checkers outside a tent beside the Avon River. The game is part of the Canterbury Tales event. Canterbury Tales was created by Free Theatre Christchurch, and was the main event of FESTA 2013.
A photograph of a young child playing with a temporary sculpture titled Illuminate, on a vacant site on Worcester Street. The sculpture was created by students from Unitec's Architecture department for Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of a man playing a musical instrument created from empty fire extinguisher canisters, at the launch of Sound Garden. Sound Garden was a Greening the Rubble project created by local artist-musicians from recycled materials. It was launched as part of FESTA 2013.
A photograph of a young child playing with a temporary sculpture titled Illuminate, on a vacant site on Worcester Street. The sculpture was created by students from Unitec's Architecture department for Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of children in Cathedral Square, playing with one of the large-scale puppets titled The Friars. The puppet was created by Free Theatre Christchurch, for Canterbury Tales, which was the main event of FESTA 2013. It is on display for the Meet the Puppets event.
A photograph of children in Cathedral Square, playing with one of the large-scale puppets titled The Friars. The puppet was created by Free Theatre Christchurch, for Canterbury Tales, which was the main event of FESTA 2013. It is on display for the Meet the Puppets event.
A photograph of children in Cathedral Square, playing with one of the large-scale puppets titled The Friars. The puppet was created by Free Theatre Christchurch, for Canterbury Tales, which was the main event of FESTA 2013. It is on display for the Meet the Puppets event.
A photograph of children in Cathedral Square, playing with one of the large-scale puppets titled The Friars. The puppet was created by Free Theatre Christchurch, for Canterbury Tales, which was the main event of FESTA 2013. It is on display for the Meet the Puppets event.
A video of the reopening ceremony for the Heritage Hotel in Cathedral Square, which has been closed since the 22 February 2011 earthquake. The video shows Governor General Sir Jerry Mateparae opening the building while a string trio plays. It also includes footage of a speech by the Governor General, and a tour of the hotel.
A photograph of Donna Allfrey's house at 406 Oxford Terrace. Allfrey has placed a sign in the garden which reads, "It's been a lot of fun - yeah right!". The photographer comments, "'It's been a lot of fun' is a quote from John Key about the Canterbury earthquakes and the 'yeah right' is a play on the Tui Beer advertisements".
A photograph of a sign in the garden of Donna Allfrey's house at 406 Oxford Terrace. The sign reads, "It's been a lot of fun - yeah right!". The photographer comments, "'It's been a lot of fun' is a quote from John Key about the Canterbury earthquakes and the 'yeah right' is a play on the Tui Beer advertisements".
In the aftermath of the 2010 and 2011 earthquakes, Christchurch, New Zealand is framed as a ‘transi- tional’ city, moving from its demolished past to a speculative future. The ADA Mesh Cities project asks what role media art and networks may play in the transitional city, and the practices of remembering, and reimagining space.
A photograph of Donna Allfrey's house at 406 Oxford Terrace. A green sticker on the front door indicates that the house has been inspected and is safe to enter. A sign in the garden reads, "It's been a lot of fun - yeah right!". The photographer comments, "'It's been a lot of fun' is a quote from John Key about the Canterbury earthquakes and the 'yeah right' is a play on the Tui Beer advertisements".
Anyone keeping a global tally of recent disasters is likely to be asking: What role will the hazards and disasters of coastal plains play in the lives and economies of 21st century humanity? In this article, we reflect on this question using examples of how different types of coastal land performed during the Christchurch and other earthquake events to examine the complex of coastal-tectonic hazards that are being constructed in the Tokyo megacity
Fatal earthquakes such as that which occurred in Christchurch on February 22nd 2011, can result in survivors having difficulties with cognitively processing the event, which may be the precursor to posttraumatic stress symptoms. Trauma related dissociation has been proposed to be a mechanism related to these cognitive processing difficulties. Most research focusing on information processing and dissociation post-trauma has conducted controlled analogue studies or has not focused solely on information processing and dissociation. There is also scant research on these constructs across therapy. In response to this gap in research, two studies were developed. An association was proposed between dissociation and information processing as demonstrated by an increase in conceptual processing and a reduction in dissociation. It was predicted that an improvement in these constructs would be related to a reduction in PTSD symptoms over therapy. Study1 applied a case-study design to 5 individuals who were attending therapy for post-traumatic stress disorder in response to the trauma they had experienced from the Christchurch earthquakes. Study 2 assessed information processing and dissociation (via self and observer report) in 20 individuals who had direct exposure to the effects of the earthquake. Earthquake information processing and dissociation were assessed as they were happening nearly two year’s post-quake using correlation analyses and hierarchical regressions. The hypotheses were partially confirmed, in that an increase in conceptual processing was not shown to be associated with a reduction in dissociation. However, an increase in conceptual processing was shown to be related to trauma symptom improvement particularly for re-experiencing symptoms. In addition, study 2 demonstrated a possible relationship between trait dissociation and arousal symptoms. These findings partially support the proposed role information processing and dissociation play in the recovery from PTSD. The findings suggest that trauma related difficulties should be assessed as early as possible to resolve issues related to a delay in symptom reporting.
DAVID SHEARER to the Prime Minister: Does he stand by all his statements? TODD McCLAY to the Minister of Finance: What progress is the Government making in its share offer programme to reduce debt and free up capital for priority spending? Rt Hon WINSTON PETERS to the Prime Minister: Does he believe that he has met the requirements of the Cabinet Manual to behave in a way that upholds, and is seen to uphold, the highest ethical standards in his ministerial capacity, his political capacity and his personal capacity; if so, why? Hon PHIL HEATLEY to the Minister for Social Development: What reports has she received on the latest benefit figures? Hon DAVID PARKER to the Minister of Finance: Will the recent rise in the New Zealand dollar to a post-float high on the Trade Weighted Index cause job losses among non-primary exporters and import substitution businesses? JULIE ANNE GENTER to the Minister of Finance: Does he have a plan to fund the Auckland City rail link in the upcoming Budget given that public backing for the rail project is more than twice as strong as the Government's proposed new motorway north from Puhoi? Dr JIAN YANG to the Minister for Economic Development: How is the Government recognising the importance of China for New Zealand's trade, education and tourism sectors? Hon CLAYTON COSGROVE to the Minister for State Owned Enterprises: What responsibility, if any, does he take for Solid Energy's precarious financial position? NICKY WAGNER to the Minister of Housing: How will the $320 million settlement of Housing New Zealand's insurance claim for earthquake damaged properties help achieve the Government's priority of rebuilding Christchurch? GRANT ROBERTSON to the Prime Minister: What role, if any, did he play in recommending the appointment of Ian Fletcher as Director of the Government Communications Security Bureau? MIKE SABIN to the Associate Minister of Social Development: What early results can he report from the Government's efforts to deal with welfare fraud? GARETH HUGHES to the Minister of Energy and Resources: Will he recommend returning the Crown Minerals Amendment Bill to the select committee so that the public can have a say on the so-called "Anadarko Amendment"; if not, why not?