
This one was really flowing out of the ground.
None
These were scattered across the park.
Robbie watches a sand volcano smother his driveway.
Sand volcanoes put the silt all over the road.
The earthquake knocked over the bird bath.
Debra points at the beginnings of a sand volcano not long after the big earthquake.
An usual thing to see coming from the ground in Hoon Hay, Christchurch.
Laura, Nicola, and Debra watch a sand volcano build in the Wyn Street gutter.
(I righted the bird bath after the initial earthquake. None of the after-shocks were sufficient to knock it over again.)
Bruce and his cage were sitting on top of the small wooden table on the right before the earthquake. He was understandably alarmed.
One of the many sand volcanos erupting from the ground after the Christchurch earthquake.
Cleaning up the silt and sand from Hoon Hay properties. Here Laura, Robbie, and Ronny are part of the clean-up crew on Wyn Street.
And, yes, the newspaper always gets through! The Press newspapers were delivered in our area of Hoon Hay in the hours after the earthquake.
Laura and Max return to Christchurch from their holiday in California and inspect the earthquake-caused sand volcano in their front lawn.
Telegraph Road was a straight road before the recent 7.1 magnitude earthquake. The fault ran right through here and now the road has a dramatic kink in it.
This has made a huge mess for the residents to clean up. I heard on the news that homes have been damaged by subsidence in areas of earthquake-caused liquefaction like this.
Lots of people were out and about in the streets checking on everyone after the earthquake. When it was clear that everyone was OK, the sand volcanos became the feature of interest.
It would have been a glorious Spring day in Christchurch had it not been for the magnitude 7.1 earthquake at 4:30 am. All the water and silt you can see covering the street in this photo erupted from the ground following the earthquake.
Yes, it was a joke. The tours, that is, not the yard filled with earthquake-caused sand volcanos. They were very real. You can see one covering the driveway in this photo. The signs read as follows. "Tours run 1/2 hourly. $5.25 admission. Eftpos unavailable." "If you think this is bad... you should see the back!"
A report written by Christchurch East Youth MP Beth Walters in 2016. The purpose of the report is to present the views of young people from Eastern Christchurch. More than 50 young people from Aranui High School, Linwood College and Mairehau High School were surveyed on a range of questions related to living in the East: Use one word to describe how you feel about living in the Eastside of Christchurch What do you like about living in the Eastside of Christchurch? What don't you like about your community? What do you think can be done to change it? If you had the option would you stay? The report contains raw data, themes and overall findings from the survey.
On the 22nd of February, 2011 the city of Christchurch, New Zealand was crippled by a colossal earthquake. 185 people were killed, thousands injured and what remained was a city left in destruction and ruin. Thousands of Christchurch properties and buildings were left damaged beyond repair and the rich historical architecture of the Canterbury region had suffered irreparably. This research will conduct an investigation into whether the use of mixed reality can aid in liberating Christchurch’s rich architectural heritage when applied to the context of destructed buildings within Christchurch. The aim of this thesis is to formulate a narrative around the embodiment of mixed reality when subjected to the fragmentary historical architecture of Christchurch. Mixed reality will aspire to act as the defining ligature that holds the past, present and future of Christchurch’s architectural heritage intact as if it is all part of the same continuum. This thesis will focus on the design of a memorial museum within a heavily damaged historical trust registered building due to the Christchurch earthquake. It is important and relevant to conceive the idea of such a design as history is what makes everything we know. The memories of the past, the being of the now and the projection of the future is the basis and fundamental imperative in honouring the city and people of Christchurch. Using the technologies of Mixed Reality and the realm of its counter parts the memorial museum will be a definitive proposition of desire in providing a psychological and physical understanding towards a better Christchurch, for the people of Christchurch. This thesis serves to explore the renovation possibilities of the Canterbury provincial council building in its destructed state to produce a memorial museum for the Christchurch earthquake. The design seeks to mummify the building in its raw state that sets and develops the narrative through the spaces. The design intervention is kept at a required minimum and in doing so manifests a concentrated eloquence to the derelict space. The interior architecture unlocks the expression of history and time encompassed within a destructive and industrialised architectural dialogue. History is the inhabitant of the building, and using the physical and virtual worlds it can be set free. This thesis informs a design for a museum in central Christchurch that celebrates and informs the public on past, present and future heritage aspects of Christchurch city. Using mixed reality technologies the spatial layout inside will be a direct effect of the mixed reality used and the exploration of the physical and digital heritage aspects of Christchurch. The use of technology in today’s world is so prevalent that incorporating it into a memorial museum for Christchurch would not only be interesting and exploratory but also offer a sense of pushing forward and striving beyond for a newer, fresher Christchurch. The memorial museum will showcase a range of different exhibitions that formulate around the devastating Christchurch earthquake. Using mixed reality technologies these exhibitions will dictate the spaces inside dependant on their various applications of mixed reality as a technology for architecture. Research will include; what the people of Canterbury are most dear to in regards to Christchurch’s historical environment; the use of mixed reality to visualise digital heritage, and the combination of the physical and digital to serve as an architectural mediation between what was, what is and what there could be.