
A photograph of street art on the wall of the Calendar Girls building on Hereford Street. The artwork is by Australian artist Seb Humphreys, who works under the name 'Order 55'.
A photograph of street art on the public toilets on Shaw Avenue. The photograph believes that the artwork was created by the artist 'Minx'.
A photograph of a detail of street art on Fitzgerald Avenue. The work was created by DEOW on the back wall of AJ Glass, for the "From the Ground Up" project.
A photograph of street art on the side of a building between Brighton Mall and Hawke Street. At the base of the artwork is a block with the message "Sign of the Kiwi" painted on it.
A photograph of a section of a piece of street art on the side of a former railway-goods shed, near the Colombo Street overbridge. This section of the artwork depicts a woman with wings. It is signed by DTR FAT and Stacey Lee.
A photograph of street art on the old railway goods B Shed near the Colombo Street overbridge.The photographer attributes the work to Fat.
A photograph of a detail of street art on Fitzgerald Avenue. The work was created by DEOW on the back wall of AJ Glass, for the "From the Ground Up" project.
A photograph of street art on a wall facing onto a car park off Hawke Street. The artwork depicts a woman, and is signed, "Merry Xmas, from Stefan".
A photograph of street art on Fitzgerald Avenue. The work was created by DEOW on the back wall of AJ Glass, for the "From the Ground Up" project.
A photograph of a section of a piece of street art on the side of the Funky Pumpkin building in New Brighton. This section of the artwork includes the Funky Pumpkin logo and other symbols in bubbles.
Tsunami events including the 2004 Indian Ocean Tsunami and the 2011 Tohoku Earthquake and Tsunami confirmed the need for Pacific-wide comprehensive risk mitigation and effective tsunami evacuation planning. New Zealand is highly exposed to tsunamis and continues to invest in tsunami risk awareness, readiness and response across the emergency management and science sectors. Evacuation is a vital risk reduction strategy for preventing tsunami casualties. Understanding how people respond to warnings and natural cues is an important element to improving evacuation modelling techniques. The relative rarity of tsunami events locally in Canterbury and also globally, means there is limited knowledge on tsunami evacuation behaviour, and tsunami evacuation planning has been largely informed by hurricane evacuations. This research aims to address this gap by analysing evacuation behaviour and movements of Kaikōura and Southshore/New Brighton (coastal suburb of Christchurch) residents following the 2016 Kaikōura earthquake. Stage 1 of the research is engaging with both these communities and relevant hazard management agencies, using a survey and community workshops to understand real-event evacuation behaviour during the 2016 Kaikōura earthquake and subsequent tsunami evacuations. The second stage is using the findings from stage 1 to inform an agent-based tsunami evacuation model, which is an approach that simulates of the movement of people during an evacuation response. This method improves on other evacuation modelling approaches to estimate evacuation times due to better representation of local population characteristics. The information provided by the communities will inform rules and interactions such as traffic congestion, evacuation delay times and routes taken to develop realistic tsunami evacuation models. This will allow emergency managers to more effectively prepare communities for future tsunami events, and will highlight recommended actions to increase the safety and efficiency of future tsunami evacuations.
Plant beds made out of corrugated iron, greening the empty building sites along Colombo Street. These were placed here by Greening the Rubble, a community project in Christchurch to create temporary public parks and gardens on the sites of demolished buildings.
A Gap Filler mini-golf site made out of recycled materials. This hole was situated on Manchester Street on an empty demolition site. Gap Filler volunteers and community groups designed and installed mini-golf holes on vacant sites around the central business district.
A pdf copy of the One Voice Te Reo Kotahi organising group's submission on the Christchurch City Council's Long Term Plan.
A pdf copy of a post from the One Voice Te Reo Kotahi blog. The post is titled, "Notes from the most recent forum".
A pdf copy of a post from the One Voice Te Reo Kotahi blog. The post is titled, "CCC Long Term Plan Update".
An entry from Jennifer Middendorf's blog for 4 September 2010 entitled, "Just a quick note to say we're ok".
An entry from Jennifer Middendorf's blog for 10 September 2010 entitled, "Another step towards normality".
An entry from Jennifer Middendorf's blog for 24 February 2011 entitled, "Checking in".
A story submitted by Jeremy Ellen to the QuakeStories website.
A story submitted by Sarndra to the QuakeStories website.
A story submitted by Elizabeth to the QuakeStories website.
A photograph of Ronnie Van Hout's installation, 'Comin' Down', on the roof of the Alice in Videoland building.
A pdf copy of a post from the One Voice Te Reo Kotahi blog. The post is titled, "Pan-NGO delegate applications open today".
A pdf copy of the One Voice Te Reo Kotahi organising group's submission on the Greater Christchurch Earthquake Recovery Plan: Transition to Regeneration.
A pdf copy of a post from the One Voice Te Reo Kotahi blog. The post is titled, "UPDATED forum location and other announcements".
A photograph of street art on the side of the A1 Small Goods building located between Brighton Mall and Hawke Street.
A photograph of Wayne Youle's mural, 'I seem to have temporarily misplaced my sense of humour'. The photograph is captioned by Paul Corliss, "Colombo Street Gap Filler".
A photograph of a sign describing Wayne Youle's mural, 'I seem to have temporarily misplaced my sense of humour'. The photograph is captioned by Paul Corliss, "Colombo Street Gap Filler".
A photograph of Wayne Youle's mural, 'I seem to have temporarily misplaced my sense of humour'. The photograph is captioned by Paul Corliss, "Colombo Street Gap Filler".