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Images, UC QuakeStudies

A photograph of members of the Wellington Emergency Management Office Emergency Response Team examining the path between two houses in Christchurch. The path is covered in rubble from the collapsed house to the right. A dog is walking through the rubble.

Research papers, Lincoln University

Creativity that is driven by a need for physical or economic survival, which disasters are likely to inspire, raises the question of whether such creativity fits with conventional theories and perspectives of creativity. In this paper we use the opportunity afforded by the 2010-2013 Christchurch, New Zealand earthquakes to follow and assess the creative practices and responses of a number of groups and individuals. We use in-depth interviews to tease out motivations and read these against a range of theoretical propositions about creativity. In particular, we focus on the construct of “elite panic” and the degree to which this appeared to be evident in the Christchurch earthquakes context. Bureaucratic attempts to control or limit creativity were present but they did not produce a completely blanket dampening effect. Certain individuals and groups seemed to be pre-equipped to navigate or ignore potential blocks to creativity. We argue, using Geir Kaufmann’s novelty-creativity matrix and aspects of Teresa Amabile’s and Michael G. Pratt’s revised componential theory of creativity that a special form of disaster creativity does exist.

Images, UC QuakeStudies

A photograph of the earthquake damage to the Chinese Methodist Church on Papanui Road. The bricks at the top of the tower have crumbled, and the wooden bracing is hanging half off the building. The spire of the tower can be seen to the left where it was moved to following the 4 September 2010 earthquake.

Research papers, Lincoln University

Prior to the devastating 2010 and 2011 earthquakes, parts of the CBD of Christchurch, New Zealand were undergoing revitalisation incorporating aspects of adaptive reuse and gentrification. Such areas were often characterised by a variety of bars, restaurants, and retail outlets of an “alternative” or “bohemian” style. These early 20th century buildings also exhibited relatively low rents and a somewhat chaotic and loosely planned property development approach by small scale developers. Almost all of these buildings were demolished following the earthquakes and a cordon placed around the CBD for several years. A paper presented at the ERES conference in 2013 presented preliminary results, from observation of post-earthquake public meetings and interviews with displaced CBD retailers. This paper highlighted a strongly held fear that the rebuild of the central city, then about to begin, would result in a very different style and cost structure from that which previously existed. As a result, permanent exclusion from the CBD of the types of businesses that previously characterised the successfully revitalised areas would occur. Five years further on, new CBD retail and office buildings have been constructed, but large areas of land between them remain vacant and the new buildings completed are often having difficulty attracting tenants. This paper reports on the further development of this long-term Christchurch case study and examines if the earlier predictions of the displaced retailers are coming true, in that a new CBD that largely mimics a suburban mall in style and tenancy mix, inherently loses some of its competitive advantage?

Images, UC QuakeStudies

Photograph captioned by BeckerFraserPhotos, "Close up of the cranes working on the Clarendon Tower. Big Red behind is now the crane in Christchurch capable of lifting the largest load. The yellow crane is a tower crane which is still being assembled".

Images, UC QuakeStudies

A photograph submitted by Ginny Larsen to the QuakeStories website. The description reads, "I work for Neighbourhood Trust in Mairehau/Shirley. In April 2011 a group of people from Liberty Church came down to Christchurch to gift 100s of Easter boxes to residents – lots of treats to bring a smile.".

Images, UC QuakeStudies

A photograph submitted by Sarndra to the QuakeStories website. The description reads, "Cracks clearly seen in the old nurses home [since demolished], next to Christchurch Women’s hospital. Photograph taken 24 February 2011 on way to birthing unit for the imminent arrival of my first grandchild Joseph, born 25th February.".

Images, UC QuakeStudies

A photograph of road works on a bridge in Christchurch. An excavator has been parked on the left side of the bridge. Road cones have been placed around it. A sign at the entrance to the bridge reads, "No entry to vehicles over 3500kg".