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Images, UC QuakeStudies

The front of Christ Church Cathedral showing its broken tower. Bracing has been placed on the front wall to limit further damage. Security fences have been placed around the cathedral to restrict access.

Images, UC QuakeStudies

The front of Christ Church Cathedral showing its broken tower. Bracing has been placed on the front wall to limit further damage. Security fences have been placed around the cathedral to restrict access.

Images, UC QuakeStudies

The front of Christ Church Cathedral showing its broken tower. Bracing has been placed on the front wall to limit further damage. Security fences have been placed around the cathedral to restrict access.

Images, UC QuakeStudies

The front of Christ Church Cathedral showing its broken tower. Bracing has been placed on the front wall to limit further damage. Security fences have been placed around the cathedral to restrict access.

Images, UC QuakeStudies

The front of Christ Church Cathedral showing its broken tower. Bracing has been placed on the front wall to limit further damage. Security fences have been placed around the cathedral to restrict access.

Articles, UC QuakeStudies

Caption reads: "People brought food to the area and we were grateful. It was a disaster but we were coping. Our house was broken but that didn’t mean we had to be."

Articles, UC QuakeStudies

A photograph captioned, "After the September earthquake, it was more a simple case of something gets broken and it gets repaired. Then came February, and June as well, and suddenly it's just not so straightforward anymore".

Images, UC QuakeStudies

A pothole in a road surface, showing tyre marks where a vehicle has driven through the hole. The photographer comments, "After the earthquake in Christchurch in February 2011 burst underground pipes and liquefaction caused unseen hollows under the road surfaces. Occasionally after all the rest have been exposed by traffic someone would find 'discover' a new one".

Images, UC QuakeStudies

A photograph of Helen Campbell sitting on Crack'd for Christchurch's armchair artwork. The artwork had just been unveiled during the launch of the Green Room garden on Colombo Street.Crack'd for Christchurch comments, "Helen enjoying a well-deserved rest."

Images, UC QuakeStudies

A photograph of members of Crack'd for Christchurch cleaning their armchair mosaic.Crack'd for Christchurch comments, "Once the grout was complete, the whole chair had to be clean of excess grout, polished, and sealed. A dirty job done with dremmels and various scrapers. From left: Katherine O'Connor, Helen Campbell, and Sharon Wilson."

Images, UC QuakeStudies

A photograph of Sharon Wilson removing excess grout from Crack'd for Christchurch's armchair mosaic.Crack'd for Christchurch comments, "One the grout was complete, the whole chair had to be cleaned of excess grout, polished, and sealed. A dirty job with dremmels and various scrapers."

Images, UC QuakeStudies

A photograph of members of Crack'd for Christchurch cleaning their armchair mosaic.Crack'd for Christchurch comments, "Once the grout was complete, the whole chair had to be clean of excess grout, polished, and sealed. A dirty job done with dremmels and various scrapers. From left: Helen Campbell, Katherine O'Connor, and Sharon Wilson."

Images, UC QuakeStudies

Digitally manipulated image of graffiti on a brick building on St Asaph Street. The graffiti depicts a sticking plaster over a broken section of the wall, with the words "I'll kiss it better". The photographer comments, "After the 22 February 2011 earthquake in Christchurch band aid plasters starting to appear in different parts of the city on damaged buildings. A year later most can still be seen. This one was once a whole plaster, but it has slowly broken up where it crossed the gap. The red bricks seen to symbolise the terrible wounds caused to the City and it's people".

Research papers, The University of Auckland Library

This paper explores the responses by a group of children to an art project that was undertaken by a small school in New Zealand after the September 2010 and February 2011 Christchurch earthquakes. Undertaken over a period of two years, the project aimed to find a suitable form of memorialising this significant event in a way that was appropriate and meaningful to the community. Alongside images that related directly to the event of the earthquakes, the art form of a mosaic was chosen, and consisted of images and symbols that clearly drew on the hopes and dreams of a school community who were refusing to be defined by the disaster. The paper 'writes' the mosaic by placing fragments of speech spoken by the children involved in relation to ideas about memory, affect, and the 'sublime', through the work of Jean-Francois Lyotard. The paper explores the mosaic as constituted by the literal and metaphorical 'broken pieces' of the city of Christchurch in ways that confer pedagogic value inscribed through the creation of a public art space by children. AM - Accepted Manuscript

Images, UC QuakeStudies

Liquefaction and flooding in Waitaki Street, Bexley. The photographer comments, "Due to liquefaction and broken drains the water left by the liquefaction stayed in the area for over a week".

Images, UC QuakeStudies

A stall selling mosaics of broken mirrors in the shape of houses, crosses and cathedrals. The photographer comments, "The Quake Art on sale at the AandP Show in Christchurch".