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Images, UC QuakeStudies

A photograph of the earthquake damage to Quinns of Papanui Road. The front walls of the store have crumbled, exposing the rooms inside. Wire fencing and road cones have been placed around the building as a cordon.

Images, UC QuakeStudies

A crane dismantles the top storey of Fuze Restaurant and Cafe, which was formerly the Harbour Board Offices building. It was constructed in 1880 from brick and Quail Island stone. It stands on the corner of Oxford Street and Norwich Quay in Lyttelton.

Images, UC QuakeStudies

A photograph of a member of the Wellington Emergency Management Office Emergency Response Team standing in front of the earthquake-damaged Avonmore House on Hereford Street. Sections of the walls have crumbled, spilling bricks and masonry onto the footpath and street below. Many of the windows have warped, breaking the glass. USAR codes have been spray-painted on one of the columns. A red sticker taped to the door indicates that the building is unsafe to enter.

Images, UC QuakeStudies

A photograph of a member of the Wellington Emergency Management Office Emergency Response Team standing in front of the earthquake-damaged Avonmore House on Hereford Street. Sections of the walls have crumbled, spilling bricks and masonry onto the footpath and street below. Many of the windows have also warped, breaking the glass. USAR codes have been spray-painted on one of the columns. A red sticker taped to the door indicates that the building is unsafe to enter.

Images, UC QuakeStudies

A house on Avonside Drive showing damage from the 4 September 2010 earthquake. Numerous cracks in the masonry can be seen, and several sections of brick have fallen off the walls. The building's porch has also collapsed. A pile of dried liquefaction is visible in the driveway.

Images, UC QuakeStudies

Damage to the Crichton Cobbers Youth and Community Club. Large sections of the brick walls have collapsed, and two large beams lie across the rubble. Cordon fencing surrounds this and nearby buildings. The photographer comments, "A bike ride around the CBD. Old brewery, later a gym - Fitzgerald Ave".

Images, UC QuakeStudies

Damage to the Crichton Cobbers Youth and Community Club. Large sections of the brick walls have collapsed, and two large beams lie across the rubble. Cordon fencing surrounds this and nearby buildings. The photographer comments, "A bike ride around the CBD. Old brewery, later a gym - Fitzgerald Ave".

Images, UC QuakeStudies

A photograph of members of the Wellington Emergency Management Office Emergency Response Team standing in front of an earthquake-damaged building on Lichfield Street. A section of the roof and the façade on the top storey of the building have collapsed and the bricks and other rubble have spilled onto the footpath and street below. USAR codes have been spray-painted on one of the bottom-storey windows and the front door.

Images, UC QuakeStudies

A photograph captioned by BeckerFraserPhotos, "An old advertisments which was revealed on a building on Lichfield Street when its neighbour was demolished. The advertisement reads 'New Zealand Candle Co Ltd.' and then adds 'Five Medal, British Sperm', which are brands of candle".

Images, UC QuakeStudies

A photograph of the earthquake damage to the Knox Church on the corner of Bealey Avenue and Victoria Street. The gable walls have crumbled, exposing the wooden structure inside. Wire fencing, road cones and cordon tape have been placed around the building as a cordon.

Images, UC QuakeStudies

A house on Avonside Drive showing damage from the 4 September 2010 earthquake. Numerous cracks in the masonry can be seen, and several sections of brick have fallen off the walls. The building's porch has also collapsed. A pile of dried liquefaction is visible in the driveway.

Images, UC QuakeStudies

A photograph looking north up an alleyway on Tuam Street. The alleyway leads to Sol Square. There is a road cone in the middle of the alleyway. The message 'keep out' has been spray-painted on the ground on each side of the cone. In the distance there are bricks from several earthquake-damaged buildings in the alleyway.

Research papers, The University of Auckland Library

The connections between walls of unreinforced masonry (URM) buildings and flexible timber diaphragms are critical building components that must perform adequately before desirable earthquake response of URM buildings may be achieved. Field observations made during the initial reconnaissance and the subsequent damage surveys of clay brick URM buildings following the 2010/2011 Canterbury, New Zealand earthquakes revealed numerous cases where anchor connections joining masonry walls or parapets with roof or floor diaphragms appeared to have failed prematurely. These observations were more frequent for the case of adhesive anchor connections than for the case of through-bolt connections (i.e. anchorages having plates on the exterior façade of the masonry walls). Subsequently, an in-field test program was undertaken in an attempt to evaluate the performance of adhesive anchor connections between unreinforced clay brick URM walls and roof or floor diaphragm. The study consisted of a total of almost 400 anchor tests conducted in eleven existing URM buildings located in Christchurch, Whanganui and Auckland. Specific objectives of the study included the identification of failure modes of adhesive anchors in existing URM walls and the influence of the following variables on anchor load-displacement response: adhesive type, strength of the masonry materials (brick and mortar), anchor embedment depth, anchor rod diameter, overburden level, anchor rod type, quality of installation and the use of metal foil sleeve. In addition, the comparative performance of bent anchors (installed at an angle of minimum 22.5o to the perpendicular projection from the wall surface) and anchors positioned horizontally was investigated. Observations on the performance of wall-to-diaphragm connections in the 2010/2011 Canterbury earthquakes and a snapshot of the performed experimental program and the test results are presented herein. http://hdl.handle.net/2292/21050

Images, UC QuakeStudies

A photograph of the earthquake damage to the Cycle Trading store on Manchester Street. The gable of the store has collapsed, and bricks and other rubble have fallen onto the footpath in front. A car parked on the street has been crushed by the fallen rubble. The word "Clear" has been spray-painted on the front of the car. Wire fencing has been placed around the building as a cordon.

Images, UC QuakeStudies

A photograph of the earthquake damage to the Iconic Bar and the former Christchurch City Council offices on Manchester Street. The outer walls of the Council offices and the top storey of Iconic have collapsed, exposing the insides of the buildings. The bricks and other rubble have been cleared from the footpath in front. USAR codes have been spray-painted next to the entrance of Iconic.

Research papers, The University of Auckland Library

The seismic tremor that shook Christchurch on February 22, 2011, not only shattered buildings but also the spirit of the city’s residents. Amidst the ruins, this design-focused thesis unravels two intertwining narratives, each essential to the city’s resurrection. At its core, this thesis probes the preservation of Christchurch’s memory and character, meticulously chronicling the lost heritage architecture and the subsequent urban metamorphosis. Beyond bricks and mortar, it also confronts the silent aftershocks - the pervasive mental health challenges stemming from personal losses and the disfigured cityscape. As a native of Christchurch, intimately connected to its fabric, my lens reflects not just on the architectural reconstruction but also on the emotional reconstruction. My experience as an autistic individual, a recently discovered facet of my identity, infuses this design journey with a distinct prism through which I perceive and interact with the world. The colourful sketches that drive the design process aren’t mere illustrations but manifestations of my interpretation of spaces and concepts, evoking joy and vitality—a testament to embracing diversity in design. Drawing parallels between healing my own traumas with my colourful and joyful neurodivergent worldview, I’ve woven this concept into proposals aimed at healing the city through whimsy, joy, and vibrant colours. Personal experiences during and post-earthquakes profoundly shape my design proposals. Having navigated the labyrinth of my own mental health amid the altered cityscape, I seek avenues for reconciliation, both personal and communal. The vibrant sketches and designs presented in this thesis encapsulate this vision—a fusion of vivid, unconventional interpretations and a dedication to preserving the essence of the original cityscape while still encouraging movement into the future.