A wreath from the Singapore Contingent lying on a table in the memorial tent at the Botanic Gardens. The tent was set up for people who wanted to make a tribute to those who lost their lives during the Canterbury earthquakes. A note on the wreath reads, "The Singapore Contingent wishes to express our deepest sympathies and condolences to the people of Christchurch, New Zealand and all who have lost their lives during the 22nd February 2011 earthquake. Our hearts and thoughts are with you. From the men and women of the Singapore Contingent assisting with rescue and relief efforts in Christchurch".
A video about the ten most influential people in The Press 2013 Power List. The top ten are Prime Minister John Key, Canterbury Earthquake Recovery Minister Gerry Brownlee, Kaiwhakahaere of Te Runanaga o Ngai Tahu Mark Soloman, EQC Chief Executive Ian Simpson, Environment Canterbury Chairperson Dame Margaret Bazley, CERA Chief Executive Roger Sutton, The Press Editor Joanna Norris, IAG Chief Executive Jacki Johnson, Tertiary Education Minister Steven Joyce, and Minister of Education Hekia Parata.
A video of an interview with Alison Locke about the Elsie Locke Park in Christchurch which was created to honour her mother. Locke talks about finding out that the park will be replaced, her fears that other heritage sites in Christchurch will be lost, and her belief that her mother would have wanted the Centennial Swimming Pool to be saved. The park will be replaced with The Margaret Mahy Family Playground, which will include a mix of uniquely-designed playground equipment, recreational spaces, community gardens, art pieces, and water features.
The University of Canterbury's E-Learning team's temporary office in the James Hight building. The photographer comments, "First looks at our new temporary (maybe) office space. Our group will stay here until April or May 2011, then will move to another floor in the Central Library. My desk. I hope to get blinds to cover this internal window. Later - blinds are not allowed, so I rotated the desk 180 degrees. My back is now facing the window, but I'm far enough away that people won't be able to read my screens - and I don't have to look at people looking at me".
Members of the University of Canterbury's Digital Media Group in their temporary office in KB02 in Kirkwood Village, the complex of prefabs set up after the earthquakes to provide temporary office and classroom space for the university. The photographer comments, "The e-learning group and the video conferencing team are now located in the Kirkwood Village at the University of Canterbury. It's a very impressive project, about 60 buildings arranged in various configurations with some used for teaching or computer labs, and others as staff offices. We will probably stay here for several years now. Looking along the south wall, Herbert Thomas and Susan Tull already settled in and working".
Members of the University of Canterbury's Digital Media Group in their temporary office in KB02 in Kirkwood Village, the complex of prefabs set up after the earthquakes to provide temporary office and classroom space for the university. The photographer comments, "The e-learning group and the video conferencing team are now located in the Kirkwood Village at the University of Canterbury. It's a very impressive project, about 60 buildings arranged in various configurations with some used for teaching or computer labs, and others as staff offices. We will probably stay here for several years now. Nikki Saunders, Lei Zhang (on the far wall), Nathan Gardiner and Blair - unpacking and settling in".
An MC announces at the 'Awards' ceremony a special ward 'For a REAL leading role - Bob Parker!' Context -the Mayor of Christchurch has provided calm measured encouragement and support to the people of Christchurch in an exemplary way since the earthquake of 22 February 2011. Quantity: 1 digital cartoon(s).
Shows singer Elvis Presley wearing '2010' dark glasses and singing 'I'm all shook up!' Context - The Christchurch earthquake of 4 September 2010 and aftershocks which are continuing into 2011. Quantity: 1 digital cartoon(s).
Shows a hand lifting a house up from the ground, as the earth shakes and rumbles around it. A voice in the earth says, 'I'm still here'. Refers to ongoing earthquakes and aftershocks following the devastating 2010 and 2011 earthquakes in Canterbury. Quantity: 1 digital cartoon(s).
Two cowboys representing the CCC (Christchurch City Council) and 'protesters' are about to have a gun battle in a deserted street. Context: Relates to anger and a protest of 4000 people at what they see as poor performance by the City Council in dealing with earthquake issues. Quantity: 1 digital cartoon(s).
A Lotto game called 'Tremor Strike' invites people to 'Simply guess the magnitude of the next four consecutive aftershocks and WIN BIG!' Four differently coloured balls each with a tremor magnitude number bounce across the shaking ground. Refers to the earthquake of 4th September and the continuing aftershocks. Quantity: 1 digital cartoon(s).
A number of people standing on top of the huge letters 'EQC' (Earthquake Commission) scramble frantically to safety as an enormous wave representing 'Last minute claims' bears down on them. One of them shouts 'Forget earthquakes! There's something worse coming!' Refers to claims for damage after the Christchurch earthquake of 3rd September 2010. Quantity: 1 digital cartoon(s).
Shows the Mainzeal logo fractured and with an earthquake red sticker, with the comment 'Land seems ok... Not sure about the structure!'. Refers to the announcement on 6 February that Mainzeal, one of New Zealand's largest construction companies actively involved in the Christchurch, rebuild had been placed in receivership. Quantity: 1 digital cartoon(s).
Text reads 'Cantabrians' spirit, two weeks on-' The cartoon shows the wrecked Christchurch Cathedral which is its true 'appearance' after the 19th February earthquake. Behind the devastation rises the ghost of the spire which is described as 'reality.' Quantity: 1 digital cartoon(s).
A man reads a newspaper with a headline 'Aftershocks'. His wife thinks it refers to the Canterbury earthquake of 4th September but it actually refers to the implosion of the ACT Party. Quantity: 1 digital cartoon(s).
A house rocks in the night but the occupants are reassured that it is not 'another quake', only an aftershock, which although it causes the walls to crumble is nothing to worry about. Refers to the Canterbury earthquake of 4th September and the dozens of aftershocks that cause continuing tension and anxiety. Quantity: 1 digital cartoon(s).
The cartoon is drawn as a game of 'Quakeopoly' in which earthquakes, aftershocks, assessment waits, stress etc. allow one to move from one square to the next but players are always forced backwards and can never win. Context - The Canterbury earthquakes of 4 September 2010 and 22 February 2011 and the continuing aftershocks. Quantity: 1 digital cartoon(s).
A woman walks along a ruined road passing a broken sewer leaking raw sewage; rats abound and a voice from a nearby medical centre asks 'Got anything for cholera, Delhi belly and dysentery?' A sign offering 'Flu shots now' stands outside the centre. Context - Christchurch post earthquake of 22 February 2011. Quantity: 1 digital cartoon(s).
The cartoon shows the Christchurch Cathedral surrounded by rubble and with its steeple gone. The bell lies on the ground and pieces of broken stone form the word 'tragedy'. Context - The Christchurch earthquake 22 February 2011. Quantity: 1 digital cartoon(s).
Text reads 'AFTERSHOCK$$$$$$$$$$$ $2 billion $4 billion'. Refers to the estimated costs resulting from the Canterbury earthquake of 4th September 2010 - The '2' is crossed out and the 'Treasury' pen writes '4' in its place. Quantity: 1 digital cartoon(s).
A new gateway into Christchurch is named 'Highway to hell'. Context: describes the way many Christchurch people feel about their city after the earthquakes of 2010 and 2011. There is a high level of frustration and feelings of helplessness brought about by uncertainty about the future because of building and insurance problems. Quantity: 1 digital cartoon(s).
Shows a dragon labelled Alpine Fault asleep beneath mountains while mountaineers traverse the range. Context: scientific study shows South Island alpine fault could be 200 years away from generating its next earthquake of magnitude 8.0 (Stuff 3 April 2012) Quantity: 1 digital cartoon(s).
Shows a patched wind up heart labelled 'ChCh Central' with several tubes attached. Context: On 18 April 2012 Earthquake Minister Gerry Brownlee annnounced the establishment of Christchurch Central Development Unit focussing on the rebuilding of the Christchurch Central Business District (CBD) (Scoop website 18 April 2012). Quantity: 1 digital cartoon(s).
Shows various sized boats for the 'tsunami-conscious' as show homes in Christchurch. Context: There is anxiety about the potential for a local source tsunami but the Christchurch City Council says on its website that there will be no time to issue an official warning for a local source tsunami. Quantity: 1 digital cartoon(s).
Santa Claus drives his sleigh at great speed towards Christchurch shouting 'Hang on Christchurch we're on our way!' Context: concern about continuing trials and tribulations of Christchurch with continuing earthquakes and aftershocks. Colour and black and white versions available Quantity: 2 digital cartoon(s).
Shows Minister for Earthquake Recovery, Gerry Brownlee, telling a Christchurch couple that NZ on Air is funding a six part television drama about the Christchurch earthquakes. Context: the series will be directed by Gaylene Preston. Quantity: 1 digital cartoon(s).
The South Island is depicted as a punch bag which is reeling with the punishment inflicted after having been practised on by 'blizzards', 'earthquakes', 'disasters' and now 'drought'. Context; the Christchurch earthquake of 4 October and the Pike River Mine disaster of 19 November as well as some fairly extreme weather. Quantity: 1 digital cartoon(s).
In a series of four frames we see ideas for the latest in NZ Adventure tourism. They show 'Ride the twisters', 'Dodge the masonry', 'Survive the snow dumps' and 'brown water punting'. The cartoons refer to the wild spring weather and the Canterbury earthquake of 4th September. Quantity: 1 digital cartoon(s).
Bulk rock strength is greatly dependent on fracture density, so that reductions in rock strength associated with faulting and fracturing should be reflected by reduced shear coupling and hence S-wave velocity. This study is carried out along the Canterbury rangefront and in Otago. Both lie within the broader plate boundary deformation zone in the South Island of New Zealand. Therefore built structures are often, , located in areas where there are undetected or poorly defined faults with associated rock strength reduction. Where structures are sited near to, or across, such faults or fault-zones, they may sustain both shaking and ground deformation damage during an earthquake. Within this zone, management of seismic hazards needs to be based on accurate identification of the potential fault damage zone including the likely width of off-plane deformation. Lateral S-wave velocity variability provides one method of imaging and locating damage zones and off-plane deformation. This research demonstrates the utility of Multi-Channel Analysis of Surface Waves (MASW) to aid land-use planning in such fault-prone settings. Fundamentally, MASW uses surface wave dispersive characteristics to model a near surface profile of S-wave velocity variability as a proxy for bulk rock strength. The technique can aid fault-zone planning not only by locating and defining the extent of fault-zones, but also by defining within-zone variability that is readily correlated with measurable rock properties applicable to both foundation design and the distribution of surface deformation. The calibration sites presented here have well defined field relationships and known fault-zone exposure close to potential MASW survey sites. They were selected to represent a range of progressively softer lithologies from intact and fractured Torlesse Group basement hard rock (Dalethorpe) through softer Tertiary cover sediments (Boby’s Creek) and Quaternary gravels. This facilitated initial calibration of fracture intensity at a high-velocity-contrast site followed by exploration of the limits of shear zone resolution at lower velocity contrasts. Site models were constructed in AutoCAD in order to demonstrate spatial correlations between S-wave velocity and fault zone features. Site geology was incorporated in the models, along with geomorphology, river profiles, scanline locations and crosshole velocity measurement locations. Spatial data were recorded using a total-station survey. The interpreted MASW survey results are presented as two dimensional snapshot cross-sections of the three dimensional calibration-site models. These show strong correlations between MASW survey velocities and site geology, geomorphology, fluvial profiles and geotechnical parameters and observations. Correlations are particularly pronounced where high velocity contrasts exist, whilst weaker correlations are demonstrated in softer lithologies. Geomorphic correlations suggest that off-plane deformation can be imaged and interpreted in the presence of suitable topographic survey data. A promising new approach to in situ and laboratory soft-rock material and mass characterisation is also presented using a Ramset nail gun. Geotechnical investigations typically involve outcrop and laboratory scale determination of rock mass and material properties such as fracture density and unconfined compressive strength (UCS). This multi-scale approach is espoused by this study, with geotechnical and S-wave velocity data presented at multiple scales, from survey scale sonic velocity measurements, through outcrop scale scanline and crosshole sonic velocity measurements to laboratory scale property determination and sonic velocity measurements. S-wave velocities invariably increased with decreasing scale. These scaling relationships and strategies for dealing with them are investigated and presented. Finally, the MASW technique is applied to a concealed fault on the Taieri Ridge in Macraes Flat, Central Otago. Here, high velocity Otago Schist is faulted against low velocity sheared Tertiary and Quaternary sediments. This site highlights the structural sensitivity of the technique by apparently constraining the location of the principal fault, which had been ambiguous after standard processing of the seismic reflection data. Processing of the Taieri Ridge dataset has further led to the proposal of a novel surface wave imaging technique termed Swept Frequency Imaging (SFI). This inchoate technique apparently images the detailed structure of the fault-zone, and is in agreement with the conventionally-determined fault location and an existing partial trench. Overall, the results are promising and are expected to be supported by further trenching in the near future.
A PDF copy of four Adshel poster designs, each depicting a different way that people can improve their wellbeing. Three out of four designs depict different images and wellbeing tips from earlier posters promoting the Five Ways to Wellbeing. The slogans read, "What good things are you growing?", "Shown a mate you care lately?", "When was your last moment of wonder?" and "When did you last share your hidden talents?" The posters were from a later stage of phase 2 of the All Right? campaign, promoting the Five Ways to Wellbeing. The Five Ways to Wellbeing is a simple, evidence-based approach to improving wellbeing, promoted by the Mental Health Foundation.