University of Canterbury students watching a local musician perform inside the UCSA's "Big Top" tent. The tent was erected in the UCSA car park to provide support for students in the aftermath of the 22 February 2011 earthquake. The students have spent the day clearing liquefaction from Christchurch properties as part of the Student Volunteer Army.
A photograph of audience members watching Freedom Preston-Clarke speak about some ideas for the upcoming All Right? campaign. Donovan Ryan (left) and Ciaran Fox (right) are also onstage with campaign launch posters. The photograph was taken at the All Right? Campaign Launch at the Pallet Pavilion.
A photograph of a section of a piece of street art on the side of a building between Brighton Mall and Hawke Street. This section of the artwork has been painted around a sign which warns that the building is under electronic surveillance. It also includes the Japanese characters for "mother" and "child".
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of kapa haka practitioner Whaea Tihi Puanaki. The caption reads, "Kapa haka is wellbeing for the soul. Te kapa haka te oranga o te tinana, te wairua, te hinengaro, te katoa o te tinana".
A PDF copy of an advertisement for the All Right? 'Compliments' campaign that appeared in The Christchurch Star on 2 December 2013. The advertisement reads, "You're a wee Canterbury Gem. Canterbury's been through a lot. Let's remember it's often the simple things that bring the most joy." The advertisement also includes the web address of the All Right? Facebook page.
A PDF copy of eight postcards created in collaboration with New Zealand Red Cross. The front of each postcard is an image beginning with the phrase, "It's All Right...". On the reverse is list of six wellbeing tips by Dr Rob Gordon and the contact details for the Canterbury Support Line.
A local musician entertaining University of Canterbury students inside the UCSA's "Big Top" tent. The tent was erected in the UCSA car park to provide support for students in the aftermath of the 22 February 2011 earthquake. The students have spent the day clearing liquefaction from Christchurch properties as part of the Student Volunteer Army.
A photograph of two large signs at Re:START Mall that are part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.
An PDF copy of a poster featuring Riccarton resident Ema Tabukovu. The poster quotes Tabukovu: "I am guided by my spiritual values and my family who look out for me." The poster is from the All Right? I am ... Identity project, which sought to celebrate identity and its importance to Pacific youth and their wellbeing.
A photograph of an ICOM IDAS Repeater next to the information for the Civil Defence Response Team networks. The IDAS is a digital land mobile radio system which retransmits radio signals. It was used by the Civil Defence to extend the range of their digital radios during the emergency response to the 22 February 2011 earthquake.
Workers repairing the James Hight building at the University of Canterbury, seen from inside the library. The photographer comments, "Yet another change of workplace for our E-Learning group, as the University juggles people and buildings to carry out earthquake repairs. Our area looks over a central roof space that has seating areas. It may be a while before we're allowed out there though".
UCSA President Kohan McNab addressing students inside the UCSA's "Big Top" tent. The tent was erected in the UCSA car park to provide support for students in the aftermath of the 22 February 2011 earthquake. The students have spent the day clearing liquefaction from Christchurch properties as part of the Student Volunteer Army.
A photograph of two people wearing neon lights. They are standing under The Arcades Project at The Commons, during Light Up Your Life - a youth-focused procession of glowing activity and wearable art. Light Up Your Life was organised by Gap Filler and was part of the public programme for FESTA 2014.
A PDF copy of a brochure about the All Right? campaign. The brochure includes introductory information about All Right?, a message from Dr Rob Gordon, the Five Ways to Wellbeing, infographics based on findings from research on wellbeing in post-quake Canterbury, and contact details for All Right? and the Canterbury Support Line.
UCSA President Kohan McNab introducing a musician inside the UCSA's "Big Top" tent. The tent was erected in the UCSA car park to provide support for students in the aftermath of the 22 February 2011 earthquake. The students have spent the day clearing liquefaction from Christchurch properties as part of the Student Volunteer Army.
A PDF copy of an advertisement for the All Right? 'Compliments' campaign that appeared in The Christchurch Star on 5 December 2013. The advertisement reads, "Your aroha really helps. Canterbury's been through a lot. Let's remember it's often the simple things that bring the most joy." The advertisement also includes the web address of the All Right? Facebook page.
A PDF copy of a notice of motion to the Spreydon-Heathcote Community Board on 21 October 2011 regarding hydraulic fracturing (fracking) in the Canterbury region. The speaker requested that the community board "go further than this motion as a board and call on the council, to call for a moratorium on fracking around Canterbury until a full independent review has taken place from PCE".
University of Canterbury Vice-Chancellor Rod Carr addressing students inside the UCSA's "Big Top" tent. The tent was erected in the UCSA car park to provide support for students in the aftermath of the 22 February 2011 earthquake. The students have spent the day clearing liquefaction from Christchurch properties as part of the Student Volunteer Army.
A photograph of four Chisnallwood Intermediate pupils painting a bench seat beside the Avon-Otakaro River. The pupils are preparing for the opening of the Chisnallwood Trail. The trail is part of the AWA Trails project. All Right? posted the photograph on their Facebook page on 2 September 2015 at 3:58pm.
A photograph of colourful street art by the DTR crew between Aldwins Road and Linwood Avenue. The artwork depicts an orange cityscape behind purple tag art. The wall with the artwork on it, is hidden behind billboards for Smart Real Estate and CPIT. Street lights and a car with a "V" advertisement on it are in the foreground.
A photograph of a floating installation on the Avon River. The installation consists of dresser, stool and lamp, situated on a grass-covered platform, with net curtains hanging from the frame. It was created by students from Lincoln University's School of Landscape Architecture for Canterbury Tales, a carnivalesque procession and the main event of FESTA 2013.
A warning sign posted on River Road beside the Avon River reads "Health warning, contaminated water. Due to sewage overflows this water is unsafe for human contact and activity and is a public health risk. Please keep all people and pets out of contact with the water and do not cosume and seafood or shellfish collected from this area." The photographer comments, "A bike ride around the CBD. River Rd subsidence".
A piper stands beside the twisted Medway Street Bridge during the River of Flowers memorial event. A concrete barrier blocking off the bridge is adorned with flowers. The photographer comments, "One year on, Riverside residents gather for a 2 minute silence and to cast flowers in the river. Riverside residents met at the Medway St bridge to commemorate the anniversary of the 22/2/11 quake".
Flowers float under the twisted Medway Street Bridge during the River of Flowers memorial event. A colourful cross has been attached to the centre of the bridge. The photographer comments, "One year on, Riverside residents gather for a 2 minute silence and to cast flowers in the river. Riverside residents met at the Medway St bridge to commemorate the anniversary of the 22/2/11 quake".
This has made a huge mess for the residents to clean up. I heard on the news that homes have been damaged by subsidence in areas of earthquake-caused liquefaction like this.
A tribute taped to a window of a house on Tasman Place. The tribute reads, "Our red zoned house. When we bought you years ago, you looked a bit tired and sad, but overall you weren't too bad. We spruced you up with paint and love and asked for a blessing from above. The years went by, family and friends celebrations under your roof, your 'veggie' garden gave us kai. We felt safe within your wall, then one dreadful September night, the shaking earth made you fall. You tried with all your groaning might to keep us from harm. Because you were strongly built we held onto the door, while a wave of terror buckled the floor and outside the garden flooded with silt. Now you are near the end, sunken walls and windows bend. We say goodbye today and let you go, Our spirit and heart feels low. You are more than just mortar and brick. For us you were a gift, a safe haven where we once lived".
Five years after the devastating series of earthquakes in Christchurch, New Zealand, the structural engineering community is now focussing on low damage design by either proactively reducing the possibility of significant damage to primary steel members (i.e. developing seismic resisting systems that will deliver a high damage threshold in severe earthquakes) or by improved detailing of the primary steel members for rapid replacement. This paper presents a development of Eccentrically Braced Frames (EBFs) with replaceable active links. It uses the bolted flange- and web splicing concept to connect the active link to the collector beam or column. Finite element analyses have been performed to investigate the behaviour and reliability of EBFs with this new type replaceable active link. The results show a stable hysteretic behaviour and more significantly easier replacement of the damaged active link in comparison with conventional EBFs.
Tsunami events including the 2004 Indian Ocean Tsunami and the 2011 Tohoku Earthquake and Tsunami confirmed the need for Pacific-wide comprehensive risk mitigation and effective tsunami evacuation planning. New Zealand is highly exposed to tsunamis and continues to invest in tsunami risk awareness, readiness and response across the emergency management and science sectors. Evacuation is a vital risk reduction strategy for preventing tsunami casualties. Understanding how people respond to warnings and natural cues is an important element to improving evacuation modelling techniques. The relative rarity of tsunami events locally in Canterbury and also globally, means there is limited knowledge on tsunami evacuation behaviour, and tsunami evacuation planning has been largely informed by hurricane evacuations. This research aims to address this gap by analysing evacuation behaviour and movements of Kaikōura and Southshore/New Brighton (coastal suburb of Christchurch) residents following the 2016 Kaikōura earthquake. Stage 1 of the research is engaging with both these communities and relevant hazard management agencies, using a survey and community workshops to understand real-event evacuation behaviour during the 2016 Kaikōura earthquake and subsequent tsunami evacuations. The second stage is using the findings from stage 1 to inform an agent-based tsunami evacuation model, which is an approach that simulates of the movement of people during an evacuation response. This method improves on other evacuation modelling approaches to estimate evacuation times due to better representation of local population characteristics. The information provided by the communities will inform rules and interactions such as traffic congestion, evacuation delay times and routes taken to develop realistic tsunami evacuation models. This will allow emergency managers to more effectively prepare communities for future tsunami events, and will highlight recommended actions to increase the safety and efficiency of future tsunami evacuations.
This thesis is a creative and critical exploration of how transmedia storytelling meshes with political documentary’s nature of representing social realities and goals to educate and promote social change. I explore this notion through Obrero (“worker”), my independently produced transmedia and transjournalistic documentary project that explores the conditions and context of the Filipino rebuild workers who migrated to Christchurch, New Zealand after the earthquake in 2011. While the project should appeal to New Zealanders, it is specifically targeted at an audience from the Philippines. Obrero began as a film festival documentary that co-exists with strategically refashioned Web 2.0 variants, a social network documentary and an interactive documentary (i-doc). Using data derived from the production and circulation of Obrero, I interrogate how the documentary’s variants engage with differing audiences and assess the extent to which this engagement might be effective. This thesis argues that contemporary documentary needs to re-negotiate established film aesthetics and practices to adapt in the current period of shifting technologies and fragmented audiences. Documentary’s migration to new media platforms also creates a demand for filmmakers to work with a transmedia state of mind—that is, the capacity to practise the old canons of documentary making while comfortably adjusting to new media production praxis, ethics, and aesthetics. Then Obrero itself, as the creative component of this thesis, becomes an instance of research through creative practice. It does so in two respects: adding new knowledge about the context, politics, and experiences of the Filipino workers in New Zealand; and offering up a broader model for documentary engagement, which I analyse for its efficacy in the digital age.
In the last two decades, the retail sector has experienced unprecedented upheaval, having severe implications for economic development and sustenance of traditional inner-city retail districts. In the city of Christchurch, New Zealand, this effect has been exacerbated by a series of earthquakes in 2010/2011 which destroyed much of the traditional retail precinct of the city. After extensive rebuild activity of the city’s infrastructure, the momentum of retailers returning to the inner city was initially sluggish but eventually gathered speed supported by increased international visitation. In early 2020, the return to retail normality came to an abrupt halt after the emergence of the COVID-19 pandemic. This study uses spending and transaction data to analyze the compounding impact of the earthquake’s aftermath, shift to online shopping, and the retail disruption in the Christchurch central retail precinct because of COVID-19. The findings illustrate how consumers through their spending respond to different types of external shocks, altering their consumption patterns and retail mode (offline and online) to cope with an ever-changing retail landscape. Each event triggers different spending patterns that have some similarities but also stark differences, having implications for a sustainable and resilient retail industry in Christchurch. Implications for urban retail precinct development are also discussed.