A graphic showing work done by volunteers in order to earn tickets to The Concert.
An artist's impression of the installation 'Archrobatics', created as part of the LUXCITY event. Tutors: David Turner, Lester Mismash
The "Lyttelton Review" newsletter for 12 December 2011, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 30 January 2012, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 19 December 2011, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Harbour Review" newsletter for 15 July 2013, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Harbour Review" newsletter for 22 April 2013, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Harbour Review" newsletter for 24 June 2013, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 20 February 2012, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 10 October 2011, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 30 July 2012, produced by the Lyttelton Harbour Information Centre.
Dr Dolly observes the devastation of Christchurch on television and falls into a philosophical reverie about the unfairness of fate. Context - The Christchurch earthquake 22 February 2011. Quantity: 1 digital cartoon(s).
A digger being loaded onto the back of a truck. The photographer comments, "After clearing away the remains of a building in Christchurch, New Zealand destroyed by the February 22 earthquake the digger can now be transported to its next destination for destruction".
A pile of liquefaction silt in Parklands has been decorated with a Santa hat, Christmas decorations and a pair of jandals to form a silt 'snowman'. The photographer comments, "Not the most welcome Santa to find on your doorstep on Xmas Eve. This was made out of damp liquefaction in Parklands".
A large pile of liquefaction silt in Parklands has been topped with a Christmas star. The photographer comments, "Not exactly the kind of sand castle you want to build on your Summer holidays. This is the biggest of several piles of liquefaction in just one street in Parklands/Queenspark".
A PDF copy of pages 104-105 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'SCAPE'. Image: Ash Keating, Gardensity, 2010/11, commissioned by SCAPE with generous support from Leighs Construction and Portabuild, installed outside Christchurch Art Gallery. Photo used with permission: SCAPE.
A photograph of the As Far As Eye Can See exhibition. On the left is a crocheted image of an eye, created by a group of women from Adelaide, and on the right are woven fabric artworks created by Christchurch craft artists in response.
A PDF copy of pages 170-171 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'As Far As Eye Can See'. Photos: Gap Filler
The entrance to the West Avon building on Montreal Street. The photographer comments, "This very wonderful Art Deco heritage building in Christchurch had residents living in it until another visit from the building engineers re-re-checking for earthquake damage. Now it is fenced off and on the list for possible demolition".
A PDF copy of pages 328-329 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Unsanctioned Graffiti Across the City'. Photo: Reuben Woods
A man wearing shorts and gumboots stands surrounded by liquefaction beside his collapsing house. He tries to phone the 'Quake helpline' for assistance and gets the response 'You have reached the quake helpline... If you're up to your knees in liquefaction... Press 1. If your house is down around your ears... Press 2. If you're looking for assistance or answers press on'. Context - The increasing frustration and misery of many Christchurch residents who are experiencing huge difficulty getting assistance after months of delays and continuing aftershocks following the Christchurch earthquakes of 4th September, 22 February and the two most recent ones on 13 June. Quantity: 1 digital cartoon(s).
Dried liquefaction silt in North New Brighton. The photographer comments, "This is the result of liquefaction which spewed out after the double earthquake in Christchurch. Having flowed into a shallow depression that was deep enough for a fair quantity of the silty liquid to settle and separate: the heavy sand below and a talcum powder like substance on top. Some of these are so delicate that a mouse crossing them would probably crack them. Here the sun has dried them out and they have contracted and curled up towards their centres".
A PDF copy of pages 326-327 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Sanctioned Graffiti Across the City'. Photos: Reuben Woods, Wongi FREAK Wilson (Deadpool Production, Graffalaphabet, BDS Full Production).
A photograph of an installation titled 'In Your Face'. The installation is part of the LUXCITY event. Tutor: Fraser Horton
An artist's impression of the installation 'eLITE', created as part of the LUXCITY event. Tutors: Cameron Rowe, Kate Rogan
A photograph of 'Screensaver', an installation by Ed Lust. The installation was displayed in the carport of the COCA gallery when the remainder of the building was yellow-stickered.
A PDF copy of pages 142-143 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Artbox'. Drawings and photos with permission: F3 Design
An artist's impression of the LUXCITY event. The image depicts installations on Gloucester and Colombo Streets. Student: Erica Austin
A photograph of crowds at the LUXCITY event.
An artist's impression of the installation 'In Your Face', created as part of the LUXCITY event. Tutor: Fraser Horton