A man wearing shorts and gumboots stands surrounded by liquefaction beside his collapsing house. He tries to phone the 'Quake helpline' for assistance and gets the response 'You have reached the quake helpline... If you're up to your knees in liquefaction... Press 1. If your house is down around your ears... Press 2. If you're looking for assistance or answers press on'. Context - The increasing frustration and misery of many Christchurch residents who are experiencing huge difficulty getting assistance after months of delays and continuing aftershocks following the Christchurch earthquakes of 4th September, 22 February and the two most recent ones on 13 June. Quantity: 1 digital cartoon(s).
The cartoon consists of the words 'More quACHES' drawn with a stencil. Context - Two more earthquakes rocked Christchurch on 13th June, following those of 4 September 2010 and 22 February 2011. The first magnitude 5.5 quake struck at 1pm, 10 kilometres east of Christchurch at Taylor's Mistake beach, at a depth of 11 kilometres, and sent people scrambling for cover. It was followed at 2.20pm by a more powerful magnitude 6 quake, centred 10 kilometres southeast of the city and 9km underground. There is a wordplay on 'quakes' and 'aches'. Quantity: 1 digital cartoon(s).
There is growing expectation that local volunteers will play a more integrated role in disaster response, yet emergent groups are often ‘outsiders’ to crisis management, prompting questions of the conditions and processes by which these groups can forge relationships with established response agencies, and the tensions which can arise those interactions. This article analyses how student-led volunteers, as an emergent group, nevertheless gained “authority to operate” in the aftermath of the 2010-2011 earthquakes in Canterbury, New Zealand. Our study demonstrates how established response agencies and emergent groups can form hugely impactful and mutually supportive relationships. However, our analysis also points to two interrelated tensions that can arise, regarding the terms by which emergent groups are recognised, and the ‘distance’ considered necessary between emergent groups and established response agencies. The discussion considers implications for inclusiveness, risk and responsibility if emergent volunteers are to be further integrated into disaster response.
To the casual observer, community gardens may look like places where people just come to grow fruit and vegetables. Through digging beneath surface appearances, however, the research literature suggests that there is more to the creation of and participation in community gardens than that which is immediately apparent. The overall aim of this research was to explore and interpret the meaning of community gardens in terms of the sought and experienced well-being of the individuals who participate, and their associated communities. This research was undertaken in the Christchurch/Selwyn district, in the aftermath of the Christchurch earthquakes of 2010-2011. This research utilised the technique of photo-elicitation interviews to study the meanings attributed to community gardening, in the post-earthquake environment. Five gardens were investigated. Results show that a range of meanings, and well-being outcomes are experienced through a combination of physical, educational, aesthetic appreciation, contemplative, creative and social connections within the garden and within the overall context of nature. Significantly, within the post-earthquake environment, the community gardens can offer participants the opportunity to appreciate life and what it means for them.
Batman is abroad in the night in 'Gotham City' and says 'Well we're all going batty down here!' Context: A reference to Christchurch, still struggling to recover from the earthquakes of 2010 and 2011. Quantity: 1 digital cartoon(s).
Shows as asterisks, stars etc a list of curses and swear words used to describe the EQC, delays, Roger Sutton, Gerry Brownlee and insurance companies. Context: The words describe the frustration and stress being experienced by many people in Canterbury post earthquake. Quantity: 1 digital cartoon(s).
Shows a huge glass bell representing a 'Cone of silence' over the City Council. Context: Refers to ructions in the City Council. Quantity: 1 digital cartoon(s).
A ghoul appears beside the bed of a sleeping couple. The man says to his wife 'Relax dear... That bump in the night wasn't an aftershock!' Context: the suggestion is that in Christchurch people are more worried about aftershocks than ghosts. Refers to the Christchurch earthquakes. Quantity: 1 digital cartoon(s).
A man and woman clutch each other in terror as their house rocks in an aftershake; the man grabs his phone and offers his land for sale adding that 'foreigners are welcome'. Refers to the Canterbury earthquake of 4th September 2010 which continues to experience aftershakes, some of them quite significant. Refers also to the debate about whether New Zealand should be selling land, particularly farms, to foreigners; one side of the debate considers the sale of land to foreigners to make economic sense while others feel that our heritage is being lost. Both colour and black and white versions of this cartoon are available Quantity: 2 digital cartoon(s).
Refers to the controversy over the decision to demolish the Christchurch Cathedral which was severely damaged in the earthquakes of 2010 and 2011. The Anglican Bishop of Christchurch Victoria Mathews says the decision to demolish the cathedral was reached through prayer, great deliberation and with the utmost concern for safety. The Bishop says a number of options were considered before deciding to bring the walls down but the turning point was 23 December 2011, when a series of strong quakes rocked the city. At that stage the Canterbury Earthquake Authority approached the church. "CERA told us that our plans for making safe and retrieving, and then stepping back and making further decisions were no longer adequate." Christchurch City council announced their support on Twitter this afternoon (17 May 2012) - tweeting an endorsement to an immediate pause on demolition of the Cathedral to enable deeper and more open consideration of options. Quantity: 1 digital cartoon(s).
A woman says to a builder 'Christchurch people will really appreciate your help to rebuild - What you construct looks like it's already been hit by an earthquake'. They are standing in front of a very shoddily-built cottage and the garden is festooned with litter. Context - After the Christchurch earthquakes there is a huge emphasis on fast rebuilding with the potential for below standard results.. Quantity: 1 digital cartoon(s).
Shows a man exhausted after a weekend of watching the All Blacks playing Ireland on TV. His wife understands the frustration of Christchurch residents waiting too long for repairs to properties. Context: Refers to frustrating delays in getting earthquake-related repairs done in Christchurch, this in large part due to slowness of insurance claims and permissions. Quantity: 1 digital cartoon(s).
The University of Canterbury is known internationally for the Origins of New Zealand English (ONZE) corpus (see Gordon et al 2004). ONZE is a large collection of recordings from people born between 1851 and 1984, and it has been widely utilised for linguistic and sociolinguistic research on New Zealand English. The ONZE data is varied. The recordings from the Mobile Unit (MU) are interviews and were collected by members of the NZ Broadcasting service shortly after the Second World War, with the aim of recording stories from New Zealanders outside the main city centres. These were supplemented by interview recordings carried out mainly in the 1990s and now contained in the Intermediate Archive (IA). The final ONZE collection, the Canterbury Corpus, is a set of interviews and word-list recordings carried out by students at the University of Canterbury. Across the ONZE corpora, there are different interviewers, different interview styles and a myriad of different topics discussed. In this paper, we introduce a new corpus – the QuakeBox – where these contexts are much more consistent and comparable across speakers. The QuakeBox is a corpus which consists largely of audio and video recordings of monologues about the 2010-2011 Canterbury earthquakes. As such, it represents Canterbury speakers’ very recent ‘danger of death’ experiences (see Labov 2013). In this paper, we outline the creation and structure of the corpus, including the practical issues involved in storing the data and gaining speakers’ informed consent for their audio and video data to be included.
The title is 'Main faultline to be probed'. The cartoon shows an image of Maori Party MP Hone Harawira with two small firemen on his shoulder squirting water into one ear so that it explodes out of the other. One of the firemen says 'I tell ya now the next quake will be an eight point four!' Context - The problem of criticism of his own party by maverick Maori Party MP Hone Harawira. Harawira says that many Maori believe the party has not been able to be an independent voice because of its government partnership and so Mr Harawira is calling for his party to consider its options at the next election. Mr Harawira said that the problem was exacerbated because when the Maori Party was going into coalition with National, the whole world was going into recession and when this happens their choice (National) is to help the rich guy, help the big business, on the basis that they will stay here and keep their business here and everybody will get a job He said the Maori Party needed to get back to supporting basic social policies to help the poor. There is a reference to the Christchurch earthquake of 4 September 2010 and the many strange ways of trying to predict the earthquakes and aftershocks that Christchurch has been experiencing.. (Stuff 18 January 2011) Quantity: 1 digital cartoon(s).
Prior to the devastating 2010 and 2011 earthquakes, parts of the CBD of Christchurch, New Zealand were undergoing revitalisation incorporating aspects of adaptive reuse and gentrification. Such areas were often characterised by a variety of bars, restaurants, and retail outlets of an “alternative” or “bohemian” style. These early 20th century buildings also exhibited relatively low rents and a somewhat chaotic and loosely planned property development approach by small scale developers. Almost all of these buildings were demolished following the earthquakes and a cordon placed around the CBD for several years. A paper presented at the ERES conference in 2013 presented preliminary results, from observation of post-earthquake public meetings and interviews with displaced CBD retailers. This paper highlighted a strongly held fear that the rebuild of the central city, then about to begin, would result in a very different style and cost structure from that which previously existed. As a result, permanent exclusion from the CBD of the types of businesses that previously characterised the successfully revitalised areas would occur. Five years further on, new CBD retail and office buildings have been constructed, but large areas of land between them remain vacant and the new buildings completed are often having difficulty attracting tenants. This paper reports on the further development of this long-term Christchurch case study and examines if the earlier predictions of the displaced retailers are coming true, in that a new CBD that largely mimics a suburban mall in style and tenancy mix, inherently loses some of its competitive advantage?
The world experiences a number of disasters each year. Following a disaster, the affected area moves to a phase of recovery which involves multiple stakeholders. An important element of recovery is planning the rebuild of the affected environment guided by the legislative framework to which planning is bound to (March & Kornakova, 2017). Yet, there appears to be little research that has investigated the role of planners in a recovery setting and the implications of recovery legislative planning frameworks. This study was conducted to explore the role of the planner in the Canterbury earthquake recovery process in New Zealand and the impact of the Canterbury Earthquake Recovery Act 2011 (CER Act) on planners’ roles and how they operated. The methodology comprised a combination of document analysis of legislation and related recovery material and 21 semi-structured interviews with key planners, politicians and professionals involved in the recovery. The results suggest that the majority of planners interviewed were affected by the CER Act in their role and how they operated, although institutional context, especially political constraints, was a key factor in determining the degree of impact. It is argued that planners played a key role in recovery and were generally equipped in terms of skills needed in a recovery setting. In order to better utilise planners in post-disaster recovery or disaster risk management, two suggestions are proposed. Firstly, better promote planners and their capabilities to improve awareness of what planners can do. Secondly, educate and build an understanding between central government politicians and planners over each others role to produce better planning outcomes.
When an “I thought I was going to die quake” occurs amidst four additional major earthquakes and 15,000 aftershocks during a sixteen-month period, it challenges people’s ability to cope and recover. Residents of Canterbury, New Zealand endured this extended, chaotic state in 2010/11; and continue to deal with lingering effects on their devastated central city, Christchurch. Stress and coping theory suggests that finding meaning in such situations can help people recover, and that religion and spirituality often play a role in post-disaster resilience. Despite this, there is very little research literature examining this phenomenon and even less that considers spirituality separate from religion. This research focuses on this underrepresented area by considering the personal spiritual or meaningful experiences of people in post-earthquake Canterbury. Data from sixteen in-depth, minimally directed interviews were thematically analyzed to understand each individual’s meaning construction and coping/recovery process and identify connective themes and patterns amongst their experiences. Four core elements of acceptance, clarity and choice, connection, and transcendence emerged from the thematic analysis to conceptualize a model of transcendent coping. Transcendent coping represents an additional type of coping in the transactional model of stress and coping, which serves to support the previous denoted problem-, emotion-, and meaning-focused coping approaches. Transcendent coping offers openness, empowerment, comfort and expansion not necessarily reliant upon theistic or religious beliefs and practices. Rather, this secular spiritual coping is inherent in everyday, mundane practices such as being in the moment, aligning to and acting from personal values, connecting to that and those who bring comfort, and experiencing transcendence in moments of awe and expansion. This research contributes to the growing interest in spirituality as an important facet of human nature that can support wellbeing in the face of stress.
Imagined landscapes find their form in utopian dreaming. As ideal places, utopias are set up according to the ideals of their designers. Inevitably, utopias become compromised when they move from the imaginary into the actual. Opportunities to create utopias rely largely on a blank slate, a landscape unimpeded by the inconveniences of existing occupation – or even topography. Christchurch has seen two utopian moments. The first was at the time of European settlement in the mid-nineteenth century, when imported ideals provided a model for a new city. The earthquakes of 2010 and 2011 provided a second point at which utopian dreaming spurred visions for the city. Christchurch’s earthquakes have provided a unique opportunity for a city to re-imagine itself. Yet, as is the fate for all imaginary places, reality got in the way.
This paper identifies and analyses the networks of support for tangata whaiora (mental health clients) utilising a kaupapa Mäori health service following the Ötautahi/Christchurch earthquakes in Aotearoa New Zealand from 2010 to 2012. Semi- structured interviews were undertaken with 39 participants, comprising clients (Mäori and Päkehä), staff, managers and board members of a kaupapa Mäori provider in the city. Selected quotes are presented alongside a social network analysis of the support accessed by all participants. Results show the signifi cant isolation of both Mäori and Päkehä mental health clients post- disaster and the complexity of individuals and collectives dealing with temporally and spatially overlapping hazards and disasters at personal, whänau and community level.
Increasingly, economic, political and human crises, along with natural disasters, constitute a recurrent reality around the world. The effect of large-scale disaster and economic disruption are being felt far and wide and impacting libraries in diverse ways. Libraries are casualties of natural disasters, from earthquakes to hurricanes, as well as civil unrest and wars. Sudden cuts in library budgets have resulted in severe staff reductions, privatization and even closures. The presenters share their experiences about how they have prepared for or coped with profound change.
A man carrying a life-saving ring printed with the words 'Marlborough Chamber of Commerce' that is attached to a rope labelled 'Business lifeline' shouts 'Ahoy Christchurch businesses!' Context - enticing Christchurch businesses to other places after the earthquake. Marlborough Chamber of Commerce general manager Brian Dawson said the chamber's first priority was supporting Christchurch businesses through their association with the Canterbury Chamber of Commerce. "When people start to weigh up their options, Marlborough has to be an option. We can show them Marlborough's an attractive place to do business." Residential development could also benefit from Christchurch arrivals, he said. (Stuff 2 March 2011) Quantity: 1 digital cartoon(s).
The arms of a woman who represents New Zealand reach out to a baby to whom she has just given birth. The baby represents '2011' and is a particularly hideous specimen. The doctor who holds the baby says 'He's cute now but wait 'til he gets older!' Outside the window is seen a cracked and damaged landscape and a storm rages; the headstone of a grave reads 'RIP 2010'. Context - Christchurch or maybe the South Island have had a bad year because of the Pike River Mine disaster and the earthquake of 4 September 2010. There is perhaps prescience in this cartoon because on 22 February 2011 a much worse earthquake hit Christchurch. Published in The Press Quantity: 1 digital cartoon(s).
Shows Minister for Christchurch Earthquake Recovery Gerry Brownlee as Pontius Pilate washing his hands of the rental crisis in Christchurch. In the background is Jesus burdened with the cross and representing the 'rental crisis'. Context: The rental housing situation in Christchurch is at crisis point and is causing huge stress for people unable to find suitable accommodation. Earthquake Recovery Minister Gerry Brownlee said last month that the rental housing crisis was best left to the market, but Gatonyi said his stance was "totally flawed". (Press 12 April 2012) Quantity: 1 digital cartoon(s).
A man reading a newspaper wails and sobs when he discovers that Christchurch will not be hosting any Rugby World Cup games. The newspaper is covered with real disaster news like the Japanese earthquake and potential nuclear disaster, economy problems , and 'aftershock anxiety'. Context - The Christchurch earthquakes of 4 September 2010 and 22 February 2011 that have led to the decision that because of the amount of damage to the venue plus infrastructures and accommodation for visitors the Rugby World Cup will not be played in Christchurch. Quantity: 1 digital cartoon(s).
Text above reads 'Prince William comes to Christchurch...' A special royal portaloo has been arranged for the visit of Prince William to Christchurch; it is built to resemble a castle and has gold door fittings. On either side of the portaloo stands a sentry guard. The prince who is inside whispers 'I can't find the royal flush button' (wordplay on 'royal flush' and the 'flush' of a toilet) Context - Prince William visited the Civil Defence headquarters in Christchurch with Earthquake Recovery Minister Gerry Brownlee and Christchurch Mayor Bob Parker on the 17th March to see the damage caused by the earthquakes of the 4th September 2010 and the 22 February 2011. Quantity: 1 digital cartoon(s).
The cartoon shows a caricature of Prince William accompanied by the words 'Good Wills'. A second version has the words 'GOOD WILLiam' and the third has the words 'Good Will'. Context - Prince William visited New Zealand, and Christchurch in particular, after the earthquakes of 4 September 2010 and 22 February 2011 in Christchurch. Quantity: 3 digital cartoon(s).
The three versions of this cartoon show words reading 'rumble' and 'crack' and refer to problems in relationships between the Christchurch City Council and the government about how to manage the rebuilding of Christchurch after the second most damaging earthquake that occured one year ago today (22 February 2011) Quantity: 3 digital cartoon(s).
The cartoon shows stenciled text in black and white that reads 'GRIEF THE PRICE WE PAY FOR LOVE'. Context - The earliest stages of the rebuilding of Christchurch after the earthquakes of 4 September 2010 and 22 February 2011. Quantity: 1 digital cartoon(s).
The cartoon depicts a little plant with two tiny leaves; text reads 'THE GARDEN CITY'. A second version includes the words 'Begins to grow again'. Context - The earliest stages of the rebuilding of Christchurch after the earthquakes of 4 September 2010 and 22 February 2011. Quantity: 2 digital cartoon(s).
The cartoon suggests that the Kiwi character has too much of a 'She'll be right' attitude. Refers to a 1996 documentary called 'Earthquake!' which outlined the effects of a major earthquake on Christchurch's eastern suburbs and heritage buildings. The director Grant Dixon says lives could have been saved if officials had heeded the film's warnings. (Stuff: 11 March 2011) Quantity: 1 digital cartoon(s).