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Images for 2013; more images...

Images, UC QuakeStudies

Pallet Golf', a Gap Golf course on a the site of a demolished building. It has been built by Gap Filler to look like a journey through Christchurch. A plastic road cone as well as mini road cones, road signs, tunnels and rivers can be seen. The course has been built using green felt, wooden pallets, tyres, planks of wood and bricks.

Images, UC QuakeStudies

A photograph of students participating in a Youthtown workshop at Eastgate Mall. The students are painting rocks for the Rock on Eastside outdoor lounge and art space which is facilitated by Gap Filler and Youthtown. The rocks will be used to create artworks on the site on the corner of Aldwins Road and Linwood Avenue.

Articles, UC QuakeStudies

A PDF copy of a small advertisement from the All Right? 'Compliments' campaign that appeared in The Press on 4, 6, 9, 11, 14, 19 and 23 December 2013. The advertisement reads, "You're amazing (even if you don't think so). Let's remember it's often the simple things that bring the most joy." The advertisement also includes the web address of the All Right? Facebook page and encourages the viewer to cut the compliment out to keep or share.

Images, UC QuakeStudies

A photograph of Red Cross NZ volunteers in Cathedral Square holding All Right? corflute signs. The Christchurch Cathedral is in the background. The All Right? corflute signs are from phase 2 of the All Right? campaign, which sought to promote the 'Five Ways To Wellbeing' by asking simple, open-ended questions related to wellbeing. All Right? posted the photograph on their Facebook page on 4 November 2013 at 9.59am. This was captioned, "Our awesome Red Cross volunteers at the Square".

Articles, UC QuakeStudies

A PDF copy of a small advertisement from the All Right? 'Compliments' campaign that appeared in The Press on 4, 9, 14, 17, 19 and 23 December 2013. The advertisement reads, "You're strong (even if you don't always think so). Let's remember it's often the simple things that bring the most joy." The advertisement also includes the web address of the All Right? Facebook page and encourages the viewer to cut the compliment out to keep or share.

Images, UC QuakeStudies

A photograph of boxes of flowers ready to be given out during All Right?'s 'Flower Bombing' project on 4 September 2013. Moffatts Flower Company donated thousands of flowers for the All Right? 'Flower Bombing' project. With the assistance of BNZ 'Closed for Good' staff, flowers were given out at the EQC call centre, Lyttelton Main, Lyttelton West and Phillipstown Schools, Eastgate Mall, and SCIRT rebuild sites. All Right? posted the photograph on their Facebook page on 21 February 2014 at 3:05pm.

Images, UC QuakeStudies

A photograph of a single rose with a tag around the stem which reads, "When did you last show a little love?" Moffatts Flower Company donated thousands of flowers for the All Right? 'Flower Bombing' project. With the assistance of BNZ 'Closed for Good' staff, flowers were given out at the EQC call centre, Lyttelton Main, Lyttelton West and Phillipstown Schools, Eastgate Mall, and SCIRT rebuild sites. All Right? posted the photograph on their Facebook page on 3 September 2013 at 3:26pm.

Images, UC QuakeStudies

A residential property in Bexley with an overgrown garden. A wheelbarrow has been abandoned in the garden, and the garage door is tagged with graffiti. Dried liquefaction silt still covers the ground. The photographer comments, "Today I took a drive around the residential area between Bexley and New Brighton. It was a stark reminder to be thankful for the situation we're in and perhaps not complain too much that our garden wall hasn't yet been rebuilt".

Images, UC QuakeStudies

A photograph of All Right? advertisements on the back of a bus at the Red Bus depot on Ferry Road. The advertisement depicts an 'All Rightie' trimming a hedge and reads, "When did you last show a little love?" The posters are part of a set of advertisements which ask a question of the viewer, related to their mental health and wellbeing.

Images, UC QuakeStudies

A photograph of students from the University of Canterbury Student Volunteer Army at Rock on Eastside. Rock on Eastside was an outdoor lounge and art space facilitated by Gap Filler and Youthtown. The students helped other students from local high schools to build the site, which was on the corner of Aldwins Road and Linwood Avenue.

Images, UC QuakeStudies

A photograph of students in Eastgate Mall with a trolley full of painted rocks. The students are participating in a workshop facilitated by Gap Filler and Youthtown where they painted these rocks. The rocks will be used to create Rock on Eastside, an outdoor lounge and art space on the corner of Aldwins Road and Linwood Avenue.

Images, UC QuakeStudies

A photograph of the potato stamps which were created by Jen McBride for Gap Filler's Have a Steak in Your City project. The potato stamps were used to create the poster for the event and to decorate the paper napkins which people used to eat their steak. A number of these paper napkins are in the background of the photograph.

Articles, UC QuakeStudies

A PDF copy of a poster like those created on the All Right? Poster Generator. The poster features the responses from a number of Christchurch residents about what makes them feel good, such as "When I see the remarkable creative spirit and energy in my quake-damaged seaside suburb. Andrew, New Brighton." The posters were placed around the city at locations such as cafes, doctors surgeries and fish and chip shops. All Right? posted this poster on their Facebook Timeline on 10 May 2013 at 4:06pm.

Images, UC QuakeStudies

Actor Tony Robinson at the "I hope Christchurch will..." blackboard, a mural on the corner of Colombo and Tuam Streets. Members of the public were invited to fill in the gaps with what they would like to see in the rebuilt city. Messages can be seen, such as, "I want sun!", "Embrace the new", "Retain its unique character", "Rise, and rise, and rise", "Rebuild to be better and stronger than before!" and "Environmentally friendly".

Images, UC QuakeStudies

The "Tree of Hope" at the River of Flowers event held in Riccarton Bush, commemorating the second anniversary of the 22 February earthquake. The photographer comments, "Luggage labels and pens were supplied, and people were encouraged to write a message of hope for Christchurch and tie it to the tree. Although the turn-out this year was just as big as last year's, there were not as many messages tied to the tree - perhaps we're all feeling less hopeful this year".

Images, UC QuakeStudies

People write messages for the "Tree of Hope" at the River of Flowers event held in Riccarton Bush, commemorating the second anniversary of the 22 February earthquake. The photographer comments, "Luggage labels and pens were supplied, and people were encouraged to write a message of hope for Christchurch and tie it to the tree. Although the turn-out this year was just as big as last year's, there were not as many messages tied to the tree - perhaps we're all feeling less hopeful this year".

Images, UC QuakeStudies

A photograph of staff from Abseil Access in the car park outside their office on Quakers Quay in Woolston. The staff are standing next to a trailer full of rocks which they have gathered from the Port Hills. The rocks will be painted and used to define the boundaries of Rock on Eastside, an outdoor lounge and art space on the corner of Linwood Avenue and Aldwins Road.

Images, UC QuakeStudies

A photograph of students enjoying Rock on Eastside, an outdoor lounge and art space on the corner of Aldwins Road and Linwood Avenue. The students have decorated the site by painting rocks they found throughout Christchurch and laying them out in patterns. There is also furniture made out of pallets in the background and 'Rock on Eastside' has been painted on the wall of a building.

Images, UC QuakeStudies

Volunteers photographed with one of Gap Filler's painted pianos. The piano has been set up at the demolished site of the Crowne Plaza Hotel. In the background, Gap Filler's Pallet Pavilion can be seen. The back of the piano has been covered by plastic sheeting with a picture of a dog. A wooden structure has also been built around the piano with Perspex and corrugated iron on top and plastic sheeting to the left and right. This is to protect the piano and pianist from wind and rain.

Images, UC QuakeStudies

A photograph of a sofa made out of car tyres and a pallet at Rock on Eastside on the corner of Aldwins Road and Linwood Avenue. Rock on Eastside was a outdoor lounge and art space facilitated by Gap Filler and Youthtown. The sofa was made by students from the University of Canterbury Student Volunteer Army. Painted rocks have been placed in front of the sofa as decoration.

Research papers, Victoria University of Wellington

Measurement of basement seismic resonance frequencies can elucidate shallow velocity structure, an important factor in earthquake hazard estimation. Ambient noise cross correlation, which is well-suited to studying shallow earth structure, is commonly used to analyze fundamental-mode Rayleigh waves and, increasingly, Love waves. Here we show via multicomponent ambient noise cross correlation that the basement resonance frequency in the Canterbury region of New Zealand can be straightforwardly determined based on the horizontal to vertical amplitude ratio (H/V ratio) of the first higher-mode Rayleigh waves. At periods of 1-3 s, the first higher-mode is evident on the radial-radial cross-correlation functions but almost absent in the vertical-vertical cross-correlation functions, implying longitudinal motion and a high H/V ratio. A one-dimensional regional velocity model incorporating a ~ 1.5 km-thick sedimentary layer fits both the observed H/V ratio and Rayleigh wave group velocity. Similar analysis may enable resonance characteristics of other sedimentary basins to be determined. © 2013. American Geophysical Union. All Rights Reserved.

Research papers, University of Canterbury Library

The University of Canterbury is known internationally for the Origins of New Zealand English (ONZE) corpus (see Gordon et al 2004). ONZE is a large collection of recordings from people born between 1851 and 1984, and it has been widely utilised for linguistic and sociolinguistic research on New Zealand English. The ONZE data is varied. The recordings from the Mobile Unit (MU) are interviews and were collected by members of the NZ Broadcasting service shortly after the Second World War, with the aim of recording stories from New Zealanders outside the main city centres. These were supplemented by interview recordings carried out mainly in the 1990s and now contained in the Intermediate Archive (IA). The final ONZE collection, the Canterbury Corpus, is a set of interviews and word-list recordings carried out by students at the University of Canterbury. Across the ONZE corpora, there are different interviewers, different interview styles and a myriad of different topics discussed. In this paper, we introduce a new corpus – the QuakeBox – where these contexts are much more consistent and comparable across speakers. The QuakeBox is a corpus which consists largely of audio and video recordings of monologues about the 2010-2011 Canterbury earthquakes. As such, it represents Canterbury speakers’ very recent ‘danger of death’ experiences (see Labov 2013). In this paper, we outline the creation and structure of the corpus, including the practical issues involved in storing the data and gaining speakers’ informed consent for their audio and video data to be included.

Images, UC QuakeStudies

A residential property in Bexley has an offensive message spray-painted on the garage door warning off intruders. The photographer comments, "Today I took a drive around the residential area between Bexley and New Brighton. It was a stark reminder to be thankful for the situation we're in and perhaps not complain too much that our garden wall hasn't yet been rebuilt ... Saddest of all are the messages that have been scrawled on walls and garage doors by departing locals. At one end of the scale, thanking the family home for the memories, and at the other end of the scale cursing the looters which have made a bad situation that much more unbearable".

Research papers, University of Canterbury Library

Based on a qualitative study of four organisations involving 47 respondents following the extensive 2010 – 2011 earthquakes in Christchurch, New Zealand, this paper presents some guidance for human resource practitioners dealing with post-disaster recovery. A key issue is the need for the human resource function to reframe its practices in a post-disaster context, developing a specific focus on understanding and addressing changing employee needs, and monitoring the leadership behaviour of supervisors. This article highlights the importance of flexible organisational responses based around a set of key principles concerning communication and employee perceptions of company support.

Images, UC QuakeStudies

A residential property in Bexley with an overgrown garden. A spray-painted message on the wall of the house reads, "Thanks 4 the memories, 1997-2012, kia kaha". The photographer comments, "Today I took a drive around the residential area between Bexley and New Brighton. It was a stark reminder to be thankful for the situation we're in and perhaps not complain too much that our garden wall hasn't yet been rebuilt ... Saddest of all are the messages that have been scrawled on walls and garage doors by departing locals. At one end of the scale, thanking the family home for the memories, and at the other end of the scale cursing the looters which have made a bad situation that much more unbearable".

Research papers, University of Canterbury Library

Disasters are rare events with major consequences; yet comparatively little is known about managing employee needs in disaster situations. Based on case studies of four organisations following the devastating earthquakes of 2010 - 2011 in Christchurch, New Zealand, this paper presents a framework using redefined notions of employee needs and expectations, and charting the ways in which these influence organisational recovery and performance. Analysis of in-depth interview data from 47 respondents in four organisations highlighted the evolving nature of employee needs and the crucial role of middle management leadership in mitigating the effects of disasters. The findings have counterintuitive implications for human resource functions in a disaster, suggesting that organisational justice forms a central framework for managing organisational responses to support and engage employees for promoting business recovery.

Research papers, University of Canterbury Library

A large number of businesses that used to be in the centre of Christchurch relocated after the earthquakes. Are they satisfied with their new locations and do they intend to return to the central city? We questioned 209 relocated businesses about their relocation history, present circumstances and future intentions. Many businesses were content with their new premises, despite having encountered a range of problems; those businesses that were questioned later in our survey period were more content. The average business in our sample rated the chances of moving back to the central city as around 50 %, but this varies with the type of business. Building height did not emerge as a major issue, but rents may be. The mix of types of business is likely to be different in the new city centre.

Videos, UC QuakeStudies

A video showing brass players from the Christchurch Symphony Orchestra performing an impromptu concert at PAK'nSAVE Wainoni on March 27 2014. The video captures customers' reactions as the players set up and perform. Customers are also shown receiving PAK'nSAVE shopping vouchers, donated by PAK'nSAVE, by three dancing 'All Righties'. The video and impromptu concert were organised for the 'Outrageous Burst of All Right: BYO CSO'. All Right? encouraged their Facebook followers to share the video on social media and enter the prize-draw for eight $250 PAK'nSAVE vouchers. The Press published the video on 28 March 2013 at 5:45pm. All Right? uploaded the video to their YouTube account on 31 March 2014. The video was shared more than 400 times on social media by the time of the prize-draw on 8 April 2014.

Research Papers, Lincoln University

Creativity that is driven by a need for physical or economic survival, which disasters are likely to inspire, raises the question of whether such creativity fits with conventional theories and perspectives of creativity. In this paper we use the opportunity afforded by the 2010-2013 Christchurch, New Zealand earthquakes to follow and assess the creative practices and responses of a number of groups and individuals. We use in-depth interviews to tease out motivations and read these against a range of theoretical propositions about creativity. In particular, we focus on the construct of “elite panic” and the degree to which this appeared to be evident in the Christchurch earthquakes context. Bureaucratic attempts to control or limit creativity were present but they did not produce a completely blanket dampening effect. Certain individuals and groups seemed to be pre-equipped to navigate or ignore potential blocks to creativity. We argue, using Geir Kaufmann’s novelty-creativity matrix and aspects of Teresa Amabile’s and Michael G. Pratt’s revised componential theory of creativity that a special form of disaster creativity does exist.

Research papers, University of Canterbury Library

1. Background and Objectives This poster presents results from ground motion simulations of small-to-moderate magnitude (3.5≤Mw≤5.0) earthquake events in the Canterbury, New Zealand region using the Graves and Pitarka (2010,2015) methodology. Subsequent investigation of systematic ground motion effects highlights the prediction bias in the simulations which are also benchmarked against empirical ground motion models (e.g. Bradley (2013)). In this study, 144 earthquake ruptures, modelled as point sources, are considered with 1924 quality-assured ground motions recorded across 45 strong motion stations throughout the Canterbury region, as shown in Figure 1. The majority of sources are Mw≥4.0 and have centroid depth (CD) 10km or shallower. Earthquake source descriptions were obtained from the GeoNet New Zealand earthquake catalogue. The ground motion simulations were performed within a computational domain of 140km x 120km x 46km with a finite difference grid spacing of 0.1km. The low-frequency (LF) simulations utilize the 3D Canterbury Velocity Model while the high-frequency (HF) simulations utilize a generic regional 1D velocity model. In the LF simulations, a minimum shear wave velocity of 500m/s is enforced, yielding a maximum frequency of 1.0Hz.