Children watch as the fence of Estuary Road Preschool is decorated with a hand-painted paper heart and flowers for the anniversary of the 22 February 2011 earthquake.
A photograph of the temporary QuakeCity museum at Re:START mall.
A photograph of a sign giving information about consultation on the Avon Heathcote Estuary Ihutai Master Plan.
Photograph captioned by BeckerFraserPhotos, "Rydges Hotel, Oxford Terrace".
Bricks and salvaged building materials stacked on wooden pallets outside the Arts Centre on Hereford Street.
A photograph of a colourful painted wall in Re:START mall.
A photograph of Re:START Mall
Photograph captioned by BeckerFraserPhotos, "The Christ Church Cathedral".
A photograph of a sign giving information about consultation on the Avon Heathcote Estuary Ihutai Master Plan.
Within four weeks of the September 4 2010 Canterbury Earthquake a new, loosely-knit community group appeared in Christchurch under the banner of “Greening the Rubble.” The general aim of those who attended the first few meetings was to do something to help plug the holes that had already appeared or were likely to appear over the coming weeks in the city fabric with some temporary landscaping and planting projects. This article charts the first eighteen months of Greening the Rubble and places the initiative in a broader context to argue that although seismic events in Christchurch acted as a “call to palms,” so to speak, the city was already in need of some remedial greening. It concludes with a reflection on lessons learned to date by GTR and commentary on the likely issues ahead for this new mini-social-environmental movement in the context of a quake-affected and still quake-prone major New Zealand city. One of the key lessons for GTR and all of those involved in Christchurch recovery activities to date is that the city is still very much in the middle of the event and is to some extent a laboratory for seismic and agency management studies alike.
An aerial photograph looking west over the Christchurch CBD centred on Hereford Street with Latimer Square in the bottom right.
The demolition of the Cranmer Centre, formerly the Christchurch Girls High School, on the corner of Montreal and Armagh Streets.
A photograph of the Wizard of Christchurch in the Re:Start Mall during the Cashel Mall to Cathedral Square walk.
A photograph of the Wizard of Christchurch in the Re:Start Mall during the Cashel Mall to Cathedral Square walk.
A photograph of George Parker from Free Theatre Christchurch at the Canterbury Tales symposium, which was part of FESTA 2013.
A photograph of George Parker from Free Theatre Christchurch at the Canterbury Tales symposium, which was part of FESTA 2013.
The remains of a brick boundary wall which has collapsed and fallen in the garden of a property in Christchurch.
Photograph captioned by BeckerFraserPhotos, "Liquefaction almost one metre deep in the car park at 1070 Ferry Road, Christchurch".
Photograph captioned by BeckerFraserPhotos, "The rose window of the Christchurch Cathedral collapsed during the 13 June 2011 earthquake".
A photograph of street art on a wall in Sydenham. A message on the wall reads, "Christchurch, destined to rise".
An aerial photograph of the Christchurch central city with the intersection between Tuam and Colombo Street in the bottom centre.
Damage to the Music Centre of Christchurch. Leadlight windows are warped and broken, and bricks have fallen from the wall.
A document which outlines how SCIRT and the New Zealand Red Cross worked together to aid the recovery of Christchurch.
A photograph of members of the New Zealand USAR team examining the collapsed basement of a building in central Christchurch.
The demolition of the Cranmer Centre, formerly the Christchurch Girls High School, on the corner of Montreal and Armagh Streets.
A paper published in the Journal of Structural Integrity and Maintenance, 2016, Vol. 1, No. 2, 88-93, which outlines the importance of asset registers and level of service in the wake of a disaster.
Damage distribution maps from strong earthquakes and recorded data from field experiments have repeatedly shown that the ground surface topography and subsurface stratigraphy play a decisive role in shaping the ground motion characteristics at a site. Published theoretical studies qualitatively agree with observations from past seismic events and experiments; quantitatively, however, they systematically underestimate the absolute level of topographic amplification up to an order of magnitude or more in some cases. We have hypothesized in previous work that this discrepancy stems from idealizations of the geometry, material properties, and incident motion characteristics that most theoretical studies make. In this study, we perform numerical simulations of seismic wave propagation in heterogeneous media with arbitrary ground surface geometry, and compare results with high quality field recordings from a site with strong surface topography. Our goal is to explore whether high-fidelity simulations and realistic numerical models can – contrary to theoretical models – capture quantitatively the frequency and amplitude characteristics of topographic effects. For validation, we use field data from a linear array of nine portable seismometers that we deployed on Mount Pleasant and Heathcote Valley, Christchurch, New Zealand, and we compute empirical standard spectral ratios (SSR) and single-station horizontal-to-vertical spectral ratios (HVSR). The instruments recorded ambient vibrations and remote earthquakes for a period of two months (March-April 2017). We next perform two-dimensional wave propagation simulations using the explicit finite difference code FLAC. We construct our numerical model using a high-resolution (8m) Digital Elevation Map (DEM) available for the site, an estimated subsurface stratigraphy consistent with the geomorphology of the site, and soil properties estimated from in-situ and non-destructive tests. We subject the model to in-plane and out-of-plane incident motions that span a broadband frequency range (0.1-20Hz). Numerical and empirical spectral ratios from our blind prediction are found in very good quantitative agreement for stations on the slope of Mount Pleasant and on the surface of Heathcote Valley, across a wide range of frequencies that reveal the role of topography, soil amplification and basin edge focusing on the distribution of ground surface motion.
An article from the Media Studies Journal of Aotearoa New Zealand Volume 14, Number 1. The article is titled, "Social Media, Crisis Mapping and the Christchurch Earthquakes of 2011". It was written by Abi Beatson, Angi Buettner, and Tony Schirato.
An aerial photograph of the Christchurch City Council Civic Offices and surrounding buildings. The photograph has been captioned by BeckerFraserPhotos, "The River Avon runs through this photograph and marks the western edge of the red zone".
A photograph of the Observatory tower at the Christchurch Arts Centre. There are cracks in the masonry of the tower near where the two storeys join. The cracks formed as a result of the 4 September 2010 earthquake. Wire fencing has been placed at the entrance to the courtyard in front as a cordon.