A photograph of street art on a wall along Oxford Street in Lyttelton. The street art depicts buildings that were lost in Lyttelton after the 2010 and 2011 Canterbury earthquakes.
A photograph of street art on a wall along Oxford Street in Lyttelton. The street art depicts buildings that were lost in Lyttelton after the 2010 and 2011 Canterbury earthquakes.
A photograph of volunteers fron the Wellington Emergency Management Office walking down an earthquake damaged street in Christchurch. In the background, one of the houses has a yellow sticker, indicating that access is restricted.
A photograph of an earthquake-damaged house in Christchurch. The bricks on the side of the house have crumbled and damaged the fence. A red sticker on the front window indicates that the building is unsafe to enter.
A photograph of USAR codes spray painted on the window of Kebab Masters on Cashel Street. In the foreground, a road sign indicates that the road is closed ahead.
A photograph of USAR codes spray-painted on Grenadier House on Madras Street. A red sticker taped to the glass above indicates that the building is unsafe to enter.
A photograph of a road cone on Kingsford Street that has been wrapped in tinsel and decorated for Christmas. A Santa hat and glasses have also been used to decorate it.
A photograph of a man inflating one of the paper origami balloons of Halo. Halo is a temporary installation that is part of LUXCITY.
The A and T Burt building on Ferry Road in Woolston. Bricks that have collapsed from the top section of the building have been cleared from the footpath below, and the building has been cordoned off with a safety fence.
A photograph of street art on the partially-demolished wall of the Odeon Theatre. The photograph believes that the artwork was created by the artist Owen Dippie.
The door of Knox Presbyterian Church on Bealey Avenue. A red sticker has been taped to the door, indicating that the building is unsafe to enter. USAR codes have also been spray painted below.
Photograph captioned by BeckerFraserPhotos, "One of the many tents that have been set up around Christchurch, provided by KOICA, Korea International Cooperation Agency to provide shelter for staff and cordon personnel".
A photograph of street art on a brick wall near the corner of Alfred Street and Fitzgerald Avenue. The photographer believes that the artwork was created by the artist 'Paulie'.
A photograph of street art on a wall along Oxford Street in Lyttelton. The street art depicts buildings that were lost in Lyttelton after the 2010 and 2011 Canterbury earthquakes.
A photograph of street art above the Hereford Street entrance of the YMCA. The photographer believes that the artworks were created by (from left to right) Sofles, Paulie, and Quench/Drapl.
A photograph of street art on a brick wall near the corner of Alfred Street and Fitzgerald Avenue. The photographer believes that the artwork was created by the artist 'Paulie'.
Liquefaction-induced lateral spreading during earthquakes poses a significant hazard to the built environment, as observed in Christchurch during the 2010 to 2011 Canterbury Earthquake Sequence (CES). It is critical that geotechnical earthquake engineers are able to adequately predict both the spatial extent of lateral spreads and magnitudes of associated ground movements for design purposes. Published empirical and semi-empirical models for predicting lateral spread displacements have been shown to vary by a factor of <0.5 to >2 from those measured in parts of Christchurch during CES. Comprehensive post- CES lateral spreading studies have clearly indicated that the spatial distribution of the horizontal displacements and extent of lateral spreading along the Avon River in eastern Christchurch were strongly influenced by geologic, stratigraphic and topographic features.
Existing unreinforced masonry (URM) buildings are often composed of traditional construction techniques, with poor connections between walls and diaphragms that results in poor performance when subjected to seismic actions. In these cases the application of the common equivalent static procedure is not applicable because it is not possible to assure “box like” behaviour of the structure. In such conditions the ultimate strength of the structure relies on the behaviour of the macro-elements that compose the deformation mechanisms of the whole structure. These macroelements are a single or combination of structural elements of the structure which are bonded one to each other. The Canterbury earthquake sequence was taken as a reference to estimate the most commonly occurring collapse mechanisms found in New Zealand URM buildings in order to define the most appropriate macroelements.
The latest two great earthquake sequences; 2010- 2011 Canterbury Earthquake and 2016 Kaikoura Earthquake, necessitate a better understanding of the New Zealand seismic hazard condition for new building design and detailed assessment of existing buildings. It is important to note, however, that the New Zealand seismic hazard map in NZS 1170.5.2004 is generalised in effort to cover all of New Zealand and limited to a earthquake database prior to 2001. This is “common” that site-specific studies typically provide spectral accelerations different to those shown on the national map (Z values in NZS 1170.5:2004); and sometimes even lower. Moreover, Section 5.2 of Module 1 of the Earthquake Geotechnical Engineering Practice series provide the guidelines to perform site- specific studies.
Photograph captioned by BeckerFraserPhotos, "The future of Calendar Girls is uncertain, because although it survived the earthquakes well, it is now within the zone called 'The Frame' and may not be deemed to be a suitable use for that zone".
An abandoned residential property at 22 Seabreeze Close in Bexley. Weeds are growing through the cracks in the ground and the yard has become overgrown. A sticker has been placed on the power meter to indicate that the power has been turned off.
A photograph captioned by BeckerFraserPhotos, "The clock tower of Science Alive, formerly the Christchurch Railway Station, on Moorhouse Road. The clock has stopped at 4.36 am on 4 September 2010 and has been left that way".
Components of the Durham Street Methodist Church's historic and valuable organ, which have been labelled and stacked inside the church. Workers from the South Island Organ Company have been deconstructing the organ so that it can be removed.
The lid of a septic tank that has been buried in the ground beside the footpath on Robson Avenue in Avonside. These tanks were installed in front of Avonside properties to allow residents to use their toilets after the 4 September 2010 earthquake.
A stack of letter tiles resting on a bench inside the Durham Street Methodist Church. The bench and the floor around it has been covered with dust and chips of plaster that have come off the building's walls.
A photograph of street art on a shipping container behind the Embassy clothing store on Colombo Street. The photographer believes that the artwork was created by the artists 'Resto' and 'Paulie'.
A photograph of street art on a shipping container behind the Embassy clothing store on Colombo Street. The photographer believes that the artwork was created by the artist 'Paulie'.
A photograph of street art on a shipping container behind the Embassy clothing store on Colombo Street. The photographer believes that the artwork was created by the artist 'Paulie'.
A photograph of street art on the back wall of the AJ Creative Glass building on Fitzgerald Avenue. The photographer believes that the artwork was created by the artist 'Paulie'.
A photograph of street art on the wall of a building on Manchester Street. The artwork depicts four elephants. The photograph believes that the artwork was created by the artist Owen Dippie.