Time Capsule from the Oxford Terrace Baptist Church investigated by left to right Rev Chris Chamberlain, Senior Minister OTBC. Mike Crudge, Minister OTBC Lynn Campbell, Paper Conservator Christchurch Art Gallery Jeff Palmer, archivist Jill Durney from the Macmillan Brown library. 15.7.11
Time Capsule from the Oxford Terrace Baptist Church investigated by left to right Rev Chris Chamberlain, Senior Minister OTBC. Mike Crudge, Minister OTBC Lynn Campbell, Paper Conservator Christchurch Art Gallery Jeff Palmer, archivist Jill Durney from the Macmillan Brown library. 15.7.11
Time Capsule from the Oxford Terrace Baptist Church investigated by left to right Rev Chris Chamberlain, Senior Minister OTBC. Mike Crudge, Minister OTBC Lynn Campbell, Paper Conservator Christchurch Art Gallery Jeff Palmer, archivist Jill Durney from the Macmillan Brown library. 15.7.11
Time Capsule from the Oxford Terrace Baptist Church investigated by left to right Rev Chris Chamberlain, Senior Minister OTBC. Mike Crudge, Minister OTBC Lynn Campbell, Paper Conservator Christchurch Art Gallery Jeff Palmer, archivist Jill Durney from the Macmillan Brown library. 15.7.11
A video of members of the public burning the 'Temple for Christchurch' art piece at the Motukara Raceway. The art piece was designed by artist Hippathy Valentine to provide a mechanism for emotional healing alongside the physical rebuilding of Christchurch. People were encouraged to visit the temple and to write stories and leave memorabilia. The piece is being burned to signify the release of these stories.
A small boy proudly tells his father 'Next month our class is donating all our pocket money to the quake fund'. His father, who is sitting in an armchair reading a newspaper with a headline that says 'Brownlee lavishes top dollar pay on quake panel' is so furious that steam pours out of his head. Context - The public has been very generous with donations to victims of the Christchurch earthquakes. Questions are now being asked about the Christchurch City Council's handling of consultants' contracts (to do with the rebuilding of the city after the earthquakes). City councillors have been questioning the council's awarding of more than $2.8 million of contracts to consultants. Quantity: 1 digital cartoon(s).
A PDF copy of pages 48-49 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Reconstruction: Conversations on a City'. Photo: Tim Church. With permission: Christchurch City Council.
The old Christchurch Railway Station Clock Tower was damaged during the 7.1 magnitude quake on 4 September 2010 and was braced by the wooden sleeve until repaired. However, although the sleeve did its job during the 6.3 magnitude quake on 22 February 2011, the lower part of the tower started to break away.
A digitally manipulated image of a damaged bridge in Lake Terrace Road in Burwood. The photographer comments, "After the September earthquake this bridge was a little wonky, but you would cross it, possibly without fear, now though it is too far gone".
Cracking below the window of the former Lyttelton Fire Station and Public Library. The photographer comments, "The building at 2 Sumner Road has been sadly damaged by the quake. I was unsure of its future, but now this building has been demolished".
A digger demolishing the former Ozone Hotel in New Brighton. The photographer comments, "The bulldozers are starting circling the Ozone in New Brighton, Christchurch. Taking bits of flesh from the mortally wounded building".
A black and white photograph of a pile of rubble in front of a window. In the background behind the window a gap in the building can be seen. The photographer comments, "The result of the Christchurch earthquakes".
An infographic showing estimated repair costs for major Christchurch City Council facilities.
A video compilation of visitors to the opening night of Julia Holden's Inconvenience Store exhibition on Tuesday 8 April 2014, talking about their favourite paintings.
An entry from Ruth Gardner's blog for 12 March 2011 entitled, "Day 19, 10am - inside the red zone".
A photograph of an installation titled 'Halo', which is part of the LUXCITY event.
A photograph of a lipstick print left by artist Audrey Baldwin on the Kissing Booth during her performance at the Addington Fun Fair.
The "Lyttelton Review" newsletter for 13 February 2012, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 27 February 2012, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 25 July 2011, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 29 August 2011, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 12 September 2011, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 15 August 2011, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 22 August 2011, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Harbour Review" newsletter for 21 January 2013, produced by the Lyttelton Harbour Information Centre.
Shows a fish wondering about the difference between an insurer delaying earthquake-damage settlements and a scavenging groper. Context: refers to the unacceptable and hugely damaging delays in the provision of earthquake damage settlements by insurance companies after the Christchurch earthquakes of 2010 and 2011. Quantity: 1 digital cartoon(s).
A PDF copy of pages 112-113 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'On First Looking Into Chapman's Homer'. Image: Michael Parekowhai Chapman's Homer 2011. Bronze, stainless steel. Courtesy of the artist and Michael Lett, Auckland. Photo with permission: Christchurch Art Gallery Te Puna o Waiwhetu. Photo: John Collie.
A red double-decker tour bus sits outside the former Registry building of the Christchurch Arts Centre. A broken window has been boarded up and security fencing has been placed around the building. A sign pointing towards the Christchurch Art Gallery is attached to the fence.
A photograph of Doug Sexton holding a memento created by artist Sarah Brown for the Shared Lines Sendai/Christchurch Art Exchange. Brown used found objects from Doug Sexton's house to create this artwork in a tobacco tin.
Pipes lead into a shipping container. The photographer comments, "In Christchurch containers are so very versatile: They are used as barricades, supports, homes, shops, art galleries, artworks, Malls, pubs and bars, Thai takeaways and now sewage works".