Summary of oral history interview with Kirsty about her experiences of the Canterbury earthquakes.
Transcript of Leslie Llewellyn James Griffiths's earthquake story, captured by the UC QuakeBox project.
Transcript of Robin Robins's earthquake story, captured by the UC QuakeBox project.
Transcript of Participant number LY677's earthquake story, captured by the UC QuakeBox project.
Transcript of Bethan Yates's earthquake story, captured by the UC QuakeBox project.
Transcript of Tracey Adams's earthquake story, captured by the UC QuakeBox project.
Transcript of participant number LY193's earthquake story, captured by the UC QuakeBox project.
Transcript of Carol Anderson's earthquake story, captured by the UC QuakeBox project.
Summary of oral history interview with Hana about her experiences of the Canterbury earthquakes. Pseudonym used to identify interviewee.
Transcript of Denny O'Brien-Warriner's earthquake story, captured by the UC QuakeBox project.
A pdf transcript of Rosie Belton's earthquake story, captured by the UC QuakeBox project.
Transcript of Angela Hunt's earthquake story, captured by the UC QuakeBox project.
Transcript of Michelle Durham's earthquake story, captured by the UC QuakeBox project.
Summary of oral history interview with Joy Brownie about her experiences of the Canterbury earthquakes.
Transcript of Jan's earthquake story, captured by the UC QuakeBox project.
A pdf transcript of Andrew Oxenburgh's earthquake story, captured by the UC QuakeBox project.
An entry from Deb Robertson's blog for 20 September 2012 entitled, "A few snapshots of the residential red-zone....".
Building rubble from a partially-demolished building is piled behind and partly against a large display window.
An entry from Deb Robertson's blog for 29 February 2012 entitled, "In my kitchen...".
A photograph of Mike Hewson's installation 'Homage to the Lost Spaces' on the earthquake-damaged Cranmer Courts building.
Seen through the cordon fence is the damaged building that housed The Bicycle Thief Coffee Bar and Pizzeria.
Researchers Liz Toomey and Jeremy Finn, School of Law, in front of a damaged building in central Christchurch.
A photograph of Mike Hewson's installation 'Homage to the Lost Spaces' on the earthquake-damaged Cranmer Courts building.
A letter written by Roz Johnson to family members overseas.
Summary of oral history interview with Leanne Curtis about her experiences of the Canterbury earthquakes.
Broken windows on the Orion building on Manchester Street. The photographer comments, "Bob Brown's Hi-Fi was damaged, as you can see, in the Christchurch earthquake on the 22 February 2011. At lot of buildings in the area have been demolished, but this art deco style structure might have not have been put on the demolition list yet".
A digitally manipulated photograph of broken windows on Shadbolt House. The photographer comments, "This was close to the start of the demolition of the earthquake damaged Shadbolt House building in the Port of Lyttelton, New Zealand. In the bright sun the glass reflected the blue sky, but the broken windows only reflected the blackness of the interior of the empty broken building".
Earthquake Engineering is facing an extraordinarily challenging era, the ultimate target being set at increasingly higher levels by the demanding expectations of our modern society. The renewed challenge is to be able to provide low-cost, thus more widely affordable, high-seismic-performance structures capable of sustaining a design level earthquake with limited or negligible damage, minimum disruption of business (downtime) or, in more general terms, controllable socio-economical losses. The Canterbury earthquakes sequence in 2010-2011 has represented a tough reality check, confirming the current mismatch between societal expectations over the reality of seismic performance of modern buildings. In general, albeit with some unfortunate exceptions, modern multi-storey buildings performed as expected from a technical point of view, in particular when considering the intensity of the shaking (higher than new code design) they were subjected to. As per capacity design principles, plastic hinges formed in discrete regions, allowing the buildings to sway and stand and people to evacuate. Nevertheless, in many cases, these buildings were deemed too expensive to be repaired and were consequently demolished. Targeting life-safety is arguably not enough for our modern society, at least when dealing with new building construction. A paradigm shift towards damage-control design philosophy and technologies is urgently required. This paper and the associated presentation will discuss motivations, issues and, more importantly, cost-effective engineering solutions to design buildings capable of sustaining low-level of damage and thus limited business interruption after a design level earthquake. Focus will be given to the extensive research and developments in jointed ductile connections based upon controlled rocking & dissipating mechanisms for either reinforced concrete and, more recently, laminated timber structures. An overview of recent on-site applications of such systems, featuring some of the latest technical solutions developed in the laboratory and including proposals for the rebuild of Christchurch, will be provided as successful examples of practical implementation of performance-based seismic design theory and technology.
Summary of oral history interview with Netta about her experiences of the Canterbury earthquakes.
Summary of oral history interview with Rebecca Gordon about her experiences of the Canterbury earthquakes.