A sign on the side of one of the containers in Re:Start mall reads, "Re:Start, proudly supported by Christchurch Earthquake Appeal. Tomorrow starts here".
Photograph captioned by the New Zealand Defence Force, "Chief of Defence Force, Major General Rhys Jones on an operational tour of earthquake affected areas of Christchurch".
A photograph of an earthquake damaged building in the Christchurch central city. Some of the windows have broken and have been covered with plastic and tape.
A photograph of volunteers from the Wellington Emergency Management Office standing on a pile of bricks from an earthquake-damaged building in the Christchurch central city.
Aerial image of the Christchurch central city taken by the Royal New Zealand Air Force for the Earthquake Commission. The Hotel Grand Chancellor can be seen.
Medics from the New Zealand Army checking on rest home residents on an aircraft. The residents were evacuated from Christchurch after the 22 February 2011 earthquake.
The Canterbury earthquake series of 2010/2011 has turned the city of Christchurch into a full scale natural laboratory testing the structural and non-structural response of buildings under moderate to very severe earthquake shaking. The lessons learned from this, which have come at great cost socially and economically, are extremely valuable in increasing our understanding of whole building performance in severe earthquakes. Given current initiatives underway on both sides of the Tasman towards developing joint Australasian steel and composite steel/concrete design and construction standards that would span a very wide range of geological conditions and seismic zones, these lessons are relevant to both countries. This paper focusses on the performance of steel framed buildings in Christchurch city, with greatest emphasis on multi-storey buildings, but also covering single storey steel framed buildings and light steel framed housing. It addresses such issues as the magnitude and structural impact of the earthquake series, importance of good detailing, lack of observed column base hinging, the excellent performance of composite floors and it will briefly cover research underway to quantify some of these effects for use in design.
The Canterbury earthquake sequence of 2010-2011 wrought ruptures in not only the physical landscape of Canterbury and Christchurch’s material form, but also in its social, economic, and political fabrics and the lives of Christchurch inhabitants. In the years that followed, the widespread demolition of the CBD that followed the earthquakes produced a bleak landscape of grey rubble punctuated by damaged, abandoned buildings. It was into this post-earthquake landscape that Gap Filler and other ‘transitional’ organisations inserted playful, creative, experimental projects to bring life and energy back into the CBD. This thesis examines those interventions and the development of the ‘Transitional Movement’ between July 2013 and June 2015 via the methods of walking interviews and participant observation. This critical period in Christchurch’s recovery serves as an example of what happens when do-it-yourself (DIY) urbanism is done at scale across the CBD and what urban experimentation can offer city-making. Through an understanding of space as produced, informed by Lefebvre’s thinking, I explore how these creative urban interventions manifested a different temporality to orthodox planning and demonstrate how the ‘soft’ politics of these interventions contain the potential for gentrification and also a more radical politics of the city, by creating an opening space for difference.
The US Aid tent in Latimer Square. After the 22 February 2011 earthquake, emergency service agencies set up their headquarters in Latimer Square.
A photograph of All Right? flags in road cones on Deans Avenue. The flags include simple messages beginning with, "It's All Right if..." or "It's All Right to...", which sought to normalise Cantabrians' various emotional responses to the earthquakes. The flags were distributed at various locations around the city, enabling a 'flag hunt' for Cantabrians.
A copy of the poster used to advertise screenings of Elizabeth Guthrey's film series 'Dancing Through Impermanent Spaces'. The films are a creative response to the earthquakes in Christchurch and were shown as part of the Christchurch Body Festival 2014.
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The CTV collapse is the worst and most devastating, from what I saw of the CBD yesterday.
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Photos taken at Gap Filler fair on April 9 following the February 22 earthquake. www.gapfiller.org.nz/ File reference: CCL-2011-04-08-Addington-Gapfiller-003.jpg From the collection of Christchurch City Libraries
Photos taken at Gap Filler fair on April 9 following the February 22 earthquake. www.gapfiller.org.nz/ File reference: CCL-2011-04-08-Addington-Gapfiller-005.jpg From the collection of Christchurch City Libraries
Photos taken at Gap Filler fair on April 9 following the February 22 earthquake. www.gapfiller.org.nz/ File reference: CCL-2011-04-08-Addington-Gapfiller-007.jpg From the collection of Christchurch City Libraries
Photos taken in Lyttelton on April 20 showing the demolitions on London Street following the February 22 earthquake. File reference: CCL-2011-04-20-Lyttelton-Demolitions-P1120071 From the collection of Christchurch City Libraries
Photos taken at Gap Filler fair on April 9 following the February 22 earthquake. www.gapfiller.org.nz/ File reference: CCL-2011-04-08-Addington-Gapfiller-002.jpg From the collection of Christchurch City Libraries
Photos taken at Gap Filler fair on April 9 following the February 22 earthquake. www.gapfiller.org.nz/ File reference: CCL-2011-04-08-Addington-Gapfiller-004.jpg From the collection of Christchurch City Libraries
Photos taken at Gap Filler fair on April 9 following the February 22 earthquake. www.gapfiller.org.nz/ File reference: CCL-2011-04-08-Addington-Gapfiller-008.jpg From the collection of Christchurch City Libraries
Photos taken in Lyttelton on April 20 showing the demolitions on London Street following the February 22 earthquake. File reference: CCL-2011-04-20-Lyttelton-Demolitions-P1120095 From the collection of Christchurch City Libraries
Photos taken at Gap Filler fair on April 9 following the February 22 earthquake. www.gapfiller.org.nz/ File reference: CCL-2011-04-08-Addington-Gapfiller-001.jpg From the collection of Christchurch City Libraries
Photos taken at Gap Filler fair on April 9 following the February 22 earthquake. www.gapfiller.org.nz/ File reference: CCL-2011-04-08-Addington-Gapfiller-006.jpg From the collection of Christchurch City Libraries
PTE Sony Watson, from the 3rd Catering and Supply Company, cleaning a helmet in the decontamination area. The area was set up after the 22 February 2011 earthquake in order to decontaminate equipment used in Operation Christchurch Quake.
PTE Sony Watson, from the 3rd Catering and Supply Company, cleaning a helmet in the decontamination area. The area was set up after the 22 February 2011 earthquake in order to decontaminate equipment used in Operation Christchurch Quake.
PTE Sony Watson, from the 3rd Catering and Supply Company, cleaning a helmet in the decontamination area. The area was set up after the 22 February 2011 earthquake in order to decontaminate equipment used in Operation Christchurch Quake.
PTE Sony Watson, from the 3rd Catering and Supply Company, cleaning a helmet in the decontamination area. The area was set up after the 22 February 2011 earthquake in order to decontaminate equipment used in Operation Christchurch Quake.
A photograph looking south down Colombo Street towards the earthquake-damaged ChristChurch Cathedral. A crane is sitting on the road in front of the Cathedral. In the background is a pile of rubble from the partially-demolished tower.
LCPL Ryan Dempsey, from the 3rd Catering and Supply Company, photographed in the NZ Army's decontamination area. The area was set up after the 22 February 2011 earthquake in order to decontaminate equipment used in Operation Christchurch Quake.