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Images, Canterbury Museum

One felted purple 'Heart for Christchurch' decorated with a pink rose with green leaves and an orange loop at the top centre so the item can be displayed. Faint stitched inscription 'we are / with you' on reverse. Made for the people of Christchurch following the 22 February earthquake. Jill Gunn contributed this ‘Heart for Christchurch’ as a g...

Images, Canterbury Museum

One cream, white and red fabric 'Heart for Christchurch' with white polka dots on red background on reverse; the front is decorated with the word 'Hope' and a bird in red stitching along with two red ribbon bows and a 'made with love' metal embellishment at the centre bottom; a red ribbon loop with a wooden button at the top centre is attached s...

Images, Canterbury Museum

One circular metal and plastic badge featuring an image of a girl and the words 'We [heart] you Weng'. This personalised badge featuring an image of a girl and a personal message of love, was left at the site of the Canterbury Television (CTV) building after the 22 February 2011 earthquake. It was most likely left in commemoration of someone wh...

Images, Canterbury Museum

One red cap with Hawkes Bay softball logo at centre front; cap has been has been decorated with signatures and messages from the Hawkes Bay Under-19s Softball Team. This red cap, featuring the logo of the Hawkes Bay under 19s softball team, has been decorated with signatures and messages. The cap was left at the Canterbury Television (CTV) site...

Images, Canterbury Museum

One pair of Mizuno track and field shoes, size UK 9 1/2, in blue, yellow and grey. Amongst the items left at the site of the Canterbury Television (CTV) building, which collapsed during the 22 February 2011 earthquake, was this pair of shoes. They may have been left in remembrance of someone who died in the building or perhaps for someone to us...

Images, Canterbury Museum

One round metal and plastic badge featuring a stylised image of a panda on a pink background; across the top runs the word 'love' and across the bottom the words 'Grand Ground Dreamu'. This metal and plastic badge featuring a stylised image of a panda on a pink background from the Japanese brand Grand Ground Dreamu, was left at the site of the ...

Images, Canterbury Museum

One round metal and plastic badge with a stylised image of a rabbit wearing a yellow and red bow on a green background; across the bottom are the words 'Grand Ground Dreamu' and in the background is a rainbow. This metal and plastic badge featuring a stylised image of a rabbit on a green background from the Japanese brand Grand Ground Dreamu, w...

Images, Canterbury Museum

One oblong perspex covered 3-D model of the fault plains that ruptured to cause the 22 February and 13 June 2011 earthquakes; top of the model also acts as a map overlay. This model provides a visual demonstration of the geological forces that caused the 22 February and 13 June 2011 earthquakes. These forces were so strong that parts of the Por...

Videos, UC QuakeStudies

A video made by Julian Vares about FESTA - the Festival of Transitional Architecture. The video includes explanations from FESTA director Jessica Halliday and key collaborators about what FESTA is about, and the important role it plays in the rebuild and recovery of Christchurch. It also includes a compilation of footage from the first three FESTA events of 2012, 2013 and 2014. This footage was shot by Rick Harvie (Belmont Productions), Peter Young (Fisheye Films), Ed Lust and John Chrisstoffels.

Audio, Radio New Zealand

A Taranaki business owner is warning leaseholders to read the fine print of their contracts after being asked to pay his rent in full despite a clause in his lease allowing for a rent cut if he couldn't legally access the property. Clause 27.5 was included in the Auckland District Law Society commercial lease in 2012 in response to the Canterbury earthquakes, when many leaseholders were barred from their businesses. RNZ reporter Robin Martin has more.

Research papers, The University of Auckland Library

Test results are presented for wall-diaphragm plate anchor connections that were axially loaded to rupture. These connection samples were extracted post-earthquake by sorting through the demolition debris from unreinforced masonry (URM) buildings damaged in the Christchurch earthquakes. Unfortunately the number of samples available for testing was small due to the difficulties associated with sample collection in an environment of continuing aftershocks and extensive demolition activity, when personal safety combined with commercial activity involving large demolition machinery were imperatives that inhibited more extensive sample collection for research purposes. Nevertheless, the presented data is expected to be of assistance to structural engineers undertaking seismic assessment of URM buildings that have existing wall-diaphragm anchor plate connections installed, where it may be necessary to estimate the capacity of the existing connection as an important parameter linked with determining the current seismic capacity of the building and therefore influencing the decision regarding whether supplementary connections should be installed.

Research papers, Lincoln University

The earthquake swarm that has struck Canterbury, New Zealand from September 2010 has led to widespread destruction and loss of life in the city of Christchurch. In response to this the New Zealand government convened a Royal Commission under the Commissions of Inquiry Act 1908. The terms of reference for this enquiry were wide ranging, and included inquiry into legal and best-practice requirements for earthquake-prone buildings and associated risk management strategies. The Commission produced a final report on earthquake-prone buildings and recommendations which was made public on the 7th December 2012. Also on the 7th of December 2012 the Ministry of Business, Innovation and Employment (MBIE) released a Consultation Document that includes many of the recommendations put forward by the Royal Commission. This paper examines the evidence presented to the Royal Commission and reviews their recommendations and those of MBIE in relation to the management of earthquake-prone buildings. An analysis of the likely impacts of the recommendations and proposals on both the property market and society in general is also undertaken.

Images, UC QuakeStudies

A proposed design by John Raven for a new cathedral, tied to a cordon fence. Clarendon Tower can be seen in the background. The photographer comments, "Someone is asking for designs for a new Christchurch Cathedral after it was announced that the old historical building will not be repaired, to be put on the fences through which people can see the de-construction of the old one. This design looks a great one to me".

Research papers, University of Canterbury Library

The objective of this project is to collect perishable seismic response data from the baseisolated Christchurch Women's Hospital. The strong and continuing sequence of aftershocks presents a unique opportunity to capture high-fidelity data from a modern base-isolated facility. These measurements will provide quantitative information required to assess the mechanisms at play in this and in many other seismically-isolated structures.

Research papers, University of Canterbury Library

This document reviews research-based understandings of the concept of resilience. A conceptual model is developed which identifies a number of the factors that influence individual and household resilience. Guided by the model, a series of recommendations are developed for practices that will support individual and household resilience in Canterbury in the aftermath of the 2010-2011 earthquakes.

Images, UC QuakeStudies

An access point into the CBD cordon at the corner of Gloucester and Oxford Terrace. Road cones and fencing can be seen in the background with a sign saying 'Access point. Hours of operation 6am-7pm daily. Outside this house use Manchester St/Cambridge Terrace access point'. Inside the cordon, a station can be seen on the left, as well as some workers and cars. The demolition site at the back is where the Brannigans Building used to be.

Images, UC QuakeStudies

A digitally manipulated photograph of a letterbox lying on the ground in front of a red-stickered house. The photographer comments, "An abandoned red stickered house just outside the four avenues that surround Christchurch CBD. The letterbox came down when the wall it was attached to collapsed. The occupants would have had strict instructions to stay out as the property is too dangerous to enter in case there is another earthquake or big aftershock".

Images, UC QuakeStudies

A bollard covered in tattered posters. The photographer comments, "After the Christchurch February 2011 earthquake no more adverts were pasted onto this advertising pillar. Over a year later the posters are starting to peel off and reveal older ones. It seems that the constant addition of new posters was keeping everything in equilibrium, but with no new posters everything is literally falling apart".

Images, UC QuakeStudies

Workers operate a drilling rig inside a Terra Probe truck, which has been raised on jacks to make it stable. The photographer comments, "Another completely different company testing what is below the surface to determine what type of foundations new houses will need. This is in one the blue/green area of earthquake shaken Christchurch. Strangely this is 3 metres away from where the other testing was done".

Images, UC QuakeStudies

A large chess board made from sand and broken shells, with a painted beach scene on the wall behind. The photographer comments, "After all the suggestions put on the wall on what to do in this area, which was once an earthquake damaged shop, they have made the chess board, painted a seaside scene on the wall and created a small wall of tyres".

Images, UC QuakeStudies

Broken windows on the Orion building on Manchester Street. The photographer comments, "Bob Brown's Hi-Fi was damaged, as you can see, in the Christchurch earthquake on the 22 February 2011. At lot of buildings in the area have been demolished, but this art deco style structure might have not have been put on the demolition list yet".

Images, UC QuakeStudies

A digitally manipulated image of furniture and machinery. The photographer comments, "This furniture restoration company got caught in the middle of the Christchurch earthquake and lost a whole wall. After constant exposure to the elements everything now needs a bit of restoration. They are now working in a different part of Christchurch, but their past can still be seen".

Images, UC QuakeStudies

A digitally manipulated image of Michael Parekowhai's scuplture 'On First Looking into Chapman's Homer' on Madras Street. The photographer comments, "One of the two bulls on pianos by Michael Parekowhai called 'On First Looking into Chapman's Homer'. They have been placed on the site of a building that was demolished after earthquake damage.

Images, UC QuakeStudies

A digitally manipulated image of a high-reach excavator demolishing a building. The photographer comments, "After the earthquakes in Christchurch, New Zealand the demolition of most of the City Centre began. After two years the government thought that the progress was far too slow, so began the start of the automatic demolition. Luckily when the solar powered demolition machines started to cause indiscriminate death and destruction they were isolated to the South Island and unable to cross the seas".

Images, UC QuakeStudies

A digitally manipulated photograph of the badly twisted Medway Street footbridge. The photographer comments, "This bridge over the Avon River in Christchurch, New Zealand has been left in place since the first major earthquake back in September 2010. Graffiti artists or taggers are still leaving their marks on it even though it is nearly twisted at 90 degrees at one point".

Images, UC QuakeStudies

The badly twisted Medway Street footbridge. The photographer comments, "The September 4th 2010 earthquake in Christchurch was so violent that the banks of the Avon River moved towards each other. This footbridge being metal had to twist sideways to release the pressure of being pushed from both river banks. It looked like it had been wrung out like a wet towel".