A digitally manipulated image of a direction signpost, with every sign pointing to parking. The photographer comments, "With around 70% of the buildings to be demolished in the CBD, Christchurch, New Zealand will be the biggest parking lot in the world for a few years".
The Buzz Coffee mobile coffee vender at Gap Filler's cycle-powered cinema. A sign stands next to it, reading, "Please, no parking. Feb 9.1911 - 15 - 18. Outdoor cinema and Gap Filler event here after 7pm those days with landowers' permission. Thanks".
Flowers float down the Avon River during the River of Flowers memorial event. The photographer comments, "One year on, Riverside residents gather for a 2 minute silence and to cast flowers in the river. Riverside residents met at the Medway St bridge to commemorate the anniversary of the 22/2/11 quake".
Jess Hollis, a member of the University of Canterbury's E-Learning team in their temporary office in the James Hight building. The photographer comments, "Yet another change of workplace for our E-Learning group, as the University juggles people and buildings to carry out earthquake repairs. Jess, with my desk behind".
Looking across an empty site on the corner of Colombo and Hereford Streets where several buildings have been demolished, the Ibis Hotel and ANZ building are visible in the background. Taken on a day when a walkway was opened up between Re:Start Mall and Cathedral Square to allow temporary public access.
Summary of oral history interview with Janelle Mackie about her experiences of the Canterbury earthquakes.
Summary of oral history interview with Carol Hides about her experiences of the Canterbury earthquakes.
Transcript of Liz Grant's earthquake story, captured by the UC QuakeBox project.
Transcript of participant number UC208YW's earthquake story, captured by the UC QuakeBox project.
Summary of oral history interview with Loretta Rhodes about her experiences of the Canterbury earthquakes.
Summary of oral history interview with Alana Harvey about her experiences of the Canterbury earthquakes.
Transcript of Captain Long John Knickers's (alias Kerry McCammon) earthquake story, captured by the UC QuakeBox project.
Plastic and fabric sing and learn toy. The plastic and fabric doll is dressed in a yellow and orange suit with hood and ears and features a sound module set inside its tummy, a squeaker in its left arm and rustled plastic in its right arm.
One twisted rectangular metal sign engraved with the words 'Pyne Gould Corporation' in black. Recovered from the Pyne Gould Corporation Building following the 22 February earthquake. The Pyne Gould Corporation (PGC) building, which was located on Cambridge Terrace in central Christchurch, collapsed during the 22 February 2011 earthquake with 18...
A photograph submitted by Ginny Larsen to the QuakeStories website. The description reads, "Roadworks are a constant way of life in Christchurch post’quake. This is October 2012 – two weeks out from a major community event attended by over 1,000 people – imagine the organiser’s stress as they had moved right across the entrance to Redwood Place by the time it was happening!".
Two men discuss in a pub the problem that Christchurch has about how to house all the workers arriving to rebuild the city. One of them suggests the solution found for the workers on the Manapouri Dam which was housing them on cruise liners. Context: One solution has been provided by the Defence Force who are leasing 42 derelict NZDF houses next to Burnham Military Camp. Colour and black and white versions available Quantity: 2 digital cartoon(s).
The scale of damage from a series of earthquakes across Christchurch Otautahi in 2010 and 2011 challenged all networks in the city at a time when many individuals and communities were under severe economic pressure. Historically, Maori have drawn on traditional institutions such as whanau, marae, hapu and iwi in their endurance of past crises. This paper presents research in progress to describe how these Maori-centric networks supported both Maori and non-Maori through massive urban dislocation. Resilience to any disaster can be explained by configurations of economic, social and cultural factors. Knowing what has contributed to Maori resilience is fundamental to the strategic enhancement of future urban communities - Maori and non-Maori.
In the wake of a series of devastating earthquakes, Christchurch, New Zealand is faced with a long, complicated mourning and memorialisation process. The initial intention of this research was to comparatively examine memorial design theory with popular memorial sentiment as expressed in Christchurch City Council's 'Share an Idea' initiative. The outcome of such an investigation was hypothesized to reveal conflicting perspectives which may potentially be reconciled by the development of a series of schematic models for memorial design. As the research was carried out, it became clear that any attempt to develop such models is counter-intuitive. This position is reinforced by the literature reviewed and the data examined. Subsequently, a fundamentally different approach to memorialisation focused on an active participation process is suggested.
Ingham and Biggs were in Christchurch during the M6.3, 22 February 2011 earthquake and Moon arrived the next day. They were enlisted by officials to provide rapid assessment of buildings within the Central Business District (CBD). In addition, they were asked to: 1) provide a rapid assessment of the numbers and types of buildings that had been damaged, and 2) identify indicator buildings that represent classes of structures that can be used to monitor changing conditions for each class following continuing aftershocks and subsequent damage. This paper explains how transect methodology was incorporated into the rapid damage assessment that was performed 48 hours after the earthquake. Approximately 300 buildings were assessed using exterior Level 1 reporting techniques. That data was used to draw conclusions on the condition of the entire CBD of approximately 4400 buildings. In the context of a disaster investigation, a transect involves traveling a selected path assessing the condition of the buildings and documenting the class of each building, and using the results in conjunction with prior knowledge relating to the overall population of buildings affected in the area of the study. Read More: http://ascelibrary.org/doi/abs/10.1061/9780784412640.033
A panoramic photograph taken at the front of Christ Church Cathedral. The front of the cathedral has steel bracing against it to limit further damage. The upper part of the front wall has crumbled completely, exposing the inside space. The Chalice sculpture is to the right and the BNZ building can be seen in the background.
A photograph of a letter on display in the Canterbury Quakes exhibition at the Canterbury Museum. The letter was found in a time capsule in the plinth of the statue of John Robert Godley in Cathedral Square after the 22 February 2011 earthquake.
With many in Christchurch still living in earthquake damaged houses, the cold snap has prompted a call for temporary emergency shelters. Daphne Lewis-Mannix lives in a quake-damaged home in New Brighton. Her power was out last night, and she's been shivering overnight, already sick with a cold before the storm hit.
A PDF copy of a letter from the Anglican Advocacy (formerly the Anglican Life Social Justice Unit), to Christchurch City Council requesting exemption from parking requirements for inner city east landowners.
The song 'Antartica' is the latest offering from nine-year-old Christchurch songwriter Bob Gaudin. It's not the first song he's had released - in fact it's the third. He wrote his first song - a one minute thirty second symphony - when he was seven about the Christchurch earthquake, which was played and recorded by the NZ Symphony Orchestra!
A photograph of the Speaker's Chair on display in the Canterbury Quakes exhibition at the Canterbury Museum. The Speaker's Chair stood at the southern end of the Stone Chamber of the Canterbury Provincial Chambers, and survived the 22 February 2011 earthquake despite the damage to the chamber.
A photograph of the entrance to Gap Filler's temporary outdoor cinema on the corner of Madras and St Asaph Streets. The entranceway is made of lights on a steel frame, and leads to a painted "red carpet".
Buckled columns on a house in Wainoni. The photographer comments, "A Sunday afternoon ride to New Brighton, then back via Aranui, Wainoni, Dallington, and Richmond. Not a cheerful experience. 'We've decided you're a repair, not a rebuild after all'. Actually, I think these houses might be red zoned".
A photograph of 'We Won't Need Legs to Stand', an installation by Sam Eng. The installation was displayed in the window of the COCA gallery when the remainder of the building was yellow-stickered.
A photograph of an installation on the corner of Manchester Street and Gloucester Street. The installation is titled "60 Lights Market", and is part of the LUXCITY event.
A photograph of a sign describing the earthquake memorial created on the former site of St Luke's church. The memorial is in the form of 185 pieces of stone recovered from the church.