A crane beside the boiler chimney in the University of Canterbury's Facilities Management yard. The photographer comments, "The University restarts its teaching, and the techies in e-learning move out of NZi3. Inspection and repairs to the University's boiler system. It's getting cooler, we'll need heat soon - but we need accessible buildings first".
Jess Hollis, a member of the University of Canterbury's E-Learning team in their temporary office in the James Hight building. The photographer comments, "Yet another change of workplace for our E-Learning group, as the University juggles people and buildings to carry out earthquake repairs. Jess, with my desk behind".
A photograph of Wayne Smith and Ken Vickery inside the Observatory at the Christchurch Arts Centre, taken in the 1970s. Smith and Vickery are pictured next to the Townsend Telescope, which they have just refurbished. No repair work was necessary during this process.
An entry from Jennifer Middendorf's blog for 21 October 2012 entitled, "Back by maternal demand".
Photograph captioned by BeckerFraserPhotos, "Demolition site of the Allan McLean building, on the corner of Colombo Street and Oxford Terrace. The PricewaterhouseCoopers building is behind. The green digger is feeding the yellow concrete muncher while the red digger redistributes the munched up concrete".
A photograph of Amanda from Halswell taking part in #FiveYearsOn. Evans holds a sign which reads, "Amanda Evans, Halswell Lyttelton areas// Five years on, I feel... Waiting to hear and wats our city had to Rebuild and feel Better to see our New City because No more Sad City either. Wants to feels happy and sleeping Much Better [sic]".
A video made by Julian Vares about FESTA - the Festival of Transitional Architecture. The video includes explanations from FESTA director Jessica Halliday and key collaborators about what FESTA is about, and the important role it plays in the rebuild and recovery of Christchurch. It also includes a compilation of footage from the first three FESTA events of 2012, 2013 and 2014. This footage was shot by Rick Harvie (Belmont Productions), Peter Young (Fisheye Films), Ed Lust and John Chrisstoffels.
A photograph of two 'All Righties' and a group of people dressed in pirate costumes, outside Future Christchurch's 'Visionarium' on Madras St. The Visionarium was a mobile hub in a shipping container for visitors to come and learn about the recovery and rebuild of Christchurch. All Right? posted the photograph on their Facebook page on 9 January 2015 at 11:07am.
Civil Defence staff walking down Durham Street, a fire engine behind them. Beside them, the damaged Provincial Council Legislative Chamber can be seen. The building's roof and walls have collapsed, as has the scaffolding that had been erected to repair it after the 4 September 2010 earthquake.
Photograph captioned by BeckerFraserPhotos, "Clarendon Tower (left), Westpac Bank (centre), Grant Thornton building (white right of the Westpac in the distance), ANZ Bank (white with vertical stripes below the Grant Thornton), BNZ bank (red), and Holiday Inn (right) all under demolition, viewed from Alice in Videoland".
A photograph of street art on Dyers Pass Road at the Bromley wood and demolition yard, Silvan Salvage. The artwork depicts a tree on the left and tag writing on the right. The blue text says "Teaching old logs new tricks" and the white text says "The Silvan Salvage".
Members of the University of Canterbury's E-Learning team Susan Tull and Nick Ford in their temporary office in the James Hight building. The photographer comments, "Yet another change of workplace for our E-Learning group, as the University juggles people and buildings to carry out earthquake repairs. Susan and Nick settle in".
Photograph captioned by BeckerFraserPhotos, "The city blocks encompassed by Manchester Street, Gloucester Street, Latimer Square and Hereford Street are amongst those with the most demolished buildings in the city centre at the moment".
An aerial photograph captioned by BeckerFraserPhotos, "Central city blocks bounded by Colombo Street, Hereford Street, Cashel Street, and High Streets".
A photograph captioned by BeckerFraserPhotos, "The basement of the Louis Vuitton Building on the corner of Colombo Street and Cathedral Square, exposed now the building has been demolished. The Christ Church Cathedral can be seen in the background".
Prior to the devastating 2010 and 2011 earthquakes, parts of the CBD of Christchurch, New Zealand were undergoing revitalisation incorporating aspects of adaptive reuse and gentrification. Such areas were often characterised by a variety of bars, restaurants, and retail outlets of an “alternative” or “bohemian” style. These early 20th century buildings also exhibited relatively low rents and a somewhat chaotic and loosely planned property development approach by small scale developers. Almost all of these buildings were demolished following the earthquakes and a cordon placed around the CBD for several years. A paper presented at the ERES conference in 2013 presented preliminary results, from observation of post-earthquake public meetings and interviews with displaced CBD retailers. This paper highlighted a strongly held fear that the rebuild of the central city, then about to begin, would result in a very different style and cost structure from that which previously existed. As a result, permanent exclusion from the CBD of the types of businesses that previously characterised the successfully revitalised areas would occur. Five years further on, new CBD retail and office buildings have been constructed, but large areas of land between them remain vacant and the new buildings completed are often having difficulty attracting tenants. This paper reports on the further development of this long-term Christchurch case study and examines if the earlier predictions of the displaced retailers are coming true, in that a new CBD that largely mimics a suburban mall in style and tenancy mix, inherently loses some of its competitive advantage?
Steel bracing on the front of the Worcester Street face of the Octagon Live Restaurant (formerly Trinity Church), which is being repaired. The scaffolding has been decorated with sculptures of people kayaking, cycling, climbing and bungee jumping. Some of the figures are wearing santa hats. A fence has been constructed at the base of the building.
Steel bracing on the front of the Worcester Street face of the Octagon Live Restaurant (formerly Trinity Church), which is being repaired. The scaffolding has been decorated with sculptures of people kayaking, cycling, climbing and bungee jumping. Some of the figures are wearing santa hats. A fence has been constructed at the base of the building.
Steel bracing on the front of the Worcester Street face of the Octagon Live Restaurant (formerly Trinity Church), which is being repaired. The scaffolding has been decorated with sculptures of people kayaking, cycling, climbing and bungee jumping. Some of the figures are wearing santa hats. A fence has been constructed at the base of the building.
Steel bracing on the front of the Worcester Street face of the Octagon Live Restaurant (formerly Trinity Church), which is being repaired. The scaffolding has been decorated with sculptures of people kayaking, cycling, climbing and bungee jumping. Some of the figures are wearing santa hats. A fence has been constructed at the base of the building.
Steel bracing on the front of the Worcester Street face of the Octagon Live Restaurant (formerly Trinity Church), which is being repaired. The scaffolding has been decorated with sculptures of people kayaking, cycling, climbing and bungee jumping. Some of the figures are wearing santa hats. A fence has been constructed at the base of the building.
Crack repairs on the Rendezvous Hotel in Gloucester Street. Cracks have been injected with epoxy resin using syringes. The epoxy resin leaves a peak around each hole which will be ground down to a smooth surface. The wall will then be repainted. This process actually makes the wall stronger than it was originally.
Steel bracing on the front of the Worcester Street face of the Octagon Live Restaurant (formerly Trinity Church), which is being repaired. The scaffolding has been decorated with sculptures of people kayaking, cycling, climbing and bungee jumping. Some of the figures are wearing santa hats. A fence has been constructed at the base of the building.
Photograph captioned by BeckerFraserPhotos, "People at the cordon on the corner of Durham and St Asaph Street, soldiers watching by. In the background is the Environment Court building at 83 Armagh Street, formerly the Canterbury Society of Arts. This building was added to the CERA demolitions list on 5 March 2012".
An entry from Jennifer Middendorf's blog for 23 December 2012 entitled, "Pallets and pop-up tearooms".
A post on the NZ Raw blog written by Mark Lincoln on 3 March 2011. Mark says, "Sydenham Church - this is the one that was demolished and then suddenly everyone started asking why it was demolished - somewhere along the line there was a communication error and a demolition company knocked down the church without speaking to the Heritage Trust".
Asset management in power systems is exercised to improve network reliability to provide confidence and security for customers and asset owners. While there are well-established reliability metrics that are used to measure and manage business-as-usual disruptions, an increasing appreciation of the consequences of low-probability high-impact events means that resilience is increasingly being factored into asset management in order to provide robustness and redundancy to components and wider networks. This is particularly important for electricity systems, given that a range of other infrastructure lifelines depend upon their operation. The 2010-2011 Canterbury Earthquake Sequence provides valuable insights into electricity system criticality and resilience in the face of severe earthquake impacts. While above-ground assets are relatively easy to monitor and repair, underground assets such as cables emplaced across wide areas in the distribution network are difficult to monitor, identify faults on, and repair. This study has characterised in detail the impacts to buried electricity cables in Christchurch resulting from seismically-induced ground deformation caused primarily by liquefaction and lateral spread. Primary modes of failure include cable bending, stretching, insulation damage, joint braking and, being pulled off other equipment such as substation connections. Performance and repair data have been compiled into a detailed geospatial database, which in combination with spatial models of peak ground acceleration, peak ground velocity and ground deformation, will be used to establish rigorous relationships between seismicity and performance. These metrics will be used to inform asset owners of network performance in future earthquakes, further assess component criticality, and provide resilience metrics.
Actor Tony Robinson at the "I hope Christchurch will..." blackboard, a mural on the corner of Colombo and Tuam Streets. Members of the public were invited to fill in the gaps with what they would like to see in the rebuilt city. Messages can be seen, such as, "I want sun!", "Embrace the new", "Retain its unique character", "Rise, and rise, and rise", "Rebuild to be better and stronger than before!" and "Environmentally friendly".
A photograph captioned by BeckerFraserPhotos, "Peter Majendie, in the middle of his installation '185 Empty Chairs', which remembers the 185 who died as a result of the 22nd February earthquake. The chairs are different so that you can find a chair to remind you in some way of the people who died. Peter told me about the important paintings of chairs, such as Van Gogh and Gaugin's paintings of chairs and the drawing of Dickens's Chair published above his obituary that influenced his decision to remember the lost lives with chairs".
A photograph of the former site of Westende Jewellers and Alva Rados, on the corner of Manchester Street and Worcester Street. The building was badly-damaged in the 4 September earthquake and was demolished soon afterwards. A two-storey building was built on the site and completed in July 2012. The building then had to be removed when the decision was made to widen Manchester Street as part of the draft transport plan for central Christchurch. The photograph was modelled after an image taken by Ian McGregor from Fairfax Media in September 2010.