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Images, UC QuakeStudies

Photograph captioned by BeckerFraserPhotos, "Painted advertising which was revealed when the Grumpy Mole was demolished on the Corner of Cashel and Manchester Streets. The text says 'Printer, lithographer, bookbinder, manufacturer of paper bags, tea packets and cardboard boxes. NZ Agent for making Stevenson's patent leatherboard boxes. Paper merchants, wholesale stationer, account books, Crown printing office'".

Images, UC QuakeStudies

A sign on a tent set up in the Arts car park at the University of Canterbury after the 22 February 2011 earthquake. The tents were used as temporary lecture rooms while the buildings were being checked for damage. The sign reads, "Clyde 4, ANTH 102 in E338 Drawing Room Mon 11Am, 155 Seat".

Images, UC QuakeStudies

A photograph of members of the Wellington Emergency Management Office at Cowles Stadium on Pages Road. The stadium was set up by Civil Defence as temporary accommodation for those displaced by the 4 September 2010 earthquake. In the background, members of Red Cross are working at the registration table.

Images, UC QuakeStudies

A photograph of six CPIT Architectural Studies students wearing orange high-vis vests and hard hats in Cathedral Square. They are about to start installing Urban RefleXion, a large-scale sculpture for Canterbury Tales. Canterbury Tales was a carnivalesque procession and the main event of FESTA 2013.

Images, UC QuakeStudies

A photograph of six CPIT Architectural Studies students wearing orange high-vis vests and hard hats in Cathedral Square. They are about to start installing Urban RefleXion, a large-scale sculpture for Canterbury Tales. Canterbury Tales was a carnivalesque procession and the main event of FESTA 2013.

Images, UC QuakeStudies

A photograph of volunteers from the Wellington Emergency Management Office working at the reception in Cowles Stadium on Pages Road. The stadium was set up by Civil Defence as temporary accommodation for citizens displaced by the 4 September 2010 earthquake. One of the volunteers is holding a cat in a carrier.

Images, UC QuakeStudies

A photograph of members of Civil Defence and other organisations helping with the emergency response to the Canterbury earthquakes. They are standing on the corner of Montreal and Gloucester Streets outside the Christchurch Art Gallery. The Art Gallery served as the headquarters for the Civil Defence after the 22 February 2011 earthquake.

Images, UC QuakeStudies

A photograph of members of the Wellington Emergency Management Office at a graduation ceremony in the Wellington Town Hall. The volunteers were awarded certificates of appreciation at the ceremony, for their work in the emergency response to the 22 February 2011 earthquake in Christchurch.

Images, UC QuakeStudies

A photograph of a temporary installation titled Antigravity, which was created by students from the University of Auckland, in partnership with Cakes by Anna. Antigravity was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.

Images, UC QuakeStudies

A photograph of six CPIT Architectural Studies students wearing orange high-vis vests and hard hats in Cathedral Square. They are about to start installing Urban RefleXion, a large-scale sculpture for Canterbury Tales. Canterbury Tales was a carnivalesque procession and the main event of FESTA 2013.

Images, UC QuakeStudies

A sign on the door of a shop reading, "I have been reclosed again by the Council due to buckled retaining wall in basement. My landlord is getting wall braced for all our safety. I hope to reopen in 2/3 weeks. I will try and keep you informed by note on shop glass. Ross".

Images, UC QuakeStudies

A photograph of a temporary, inflatable structure, titled Upload, which was created by students from the University of Auckland, in partnership with Chirney Coffee. Upload was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.

Images, UC QuakeStudies

A woman with a megaphone speaks to gathered residents at the River of Flowers memorial event. In the background, workers look on. The photographer comments, "One year on, Riverside residents gather for a 2 minute silence and to cast flowers in the river. Riverside residents met at the Medway St bridge to commemorate the anniversary of the 22/2/11 quake".

Images, UC QuakeStudies

A woman with a megaphone speaks to gathered residents at the River of Flowers memorial event. In the background, workers look on. The photographer comments, "One year on, Riverside residents gather for a 2 minute silence and to cast flowers in the river. Riverside residents met at the Medway St bridge to commemorate the anniversary of the 22/2/11 quake".

Images, UC QuakeStudies

A photograph captioned by BeckerFraserPhotos, "Latimer Square. The buildings may not have withstood the earthquakes well, but the large trees of Latimer Square seem to have done rather better. Despite being inside the red zone for a number of months, Latimer Square looks as green and well-kept as ever".

Images, eqnz.chch.2010

After my visit at the hospital for physiotherapy on my hand I took a walk around the city on my way home. Demolition of the Victoria Square apartments February 12, 2014 Christchurch New Zealand. www.s...

Images, eqnz.chch.2010

Friday 22 February 2013. Official Supported Site for River of Flowers: Horseshoe Lake Riverbank on Lake Terrace Road, opposite the bus stop between Oregon and Tangmere Places Hosted by: Burwood Primary School and Community. File reference: CCL-2013-02-22-River-of-FlowersDSC_03401.JPG From the collection of Christchurch City Libraries. ...

Images, eqnz.chch.2010

Laura Young and I tying down tarps over the hole in the roof. We did what we could to tie it down with tension and weigh it down with bricks tied to the tarps. Why? Because gale-force winds are predicted for tomorrow (Sunday) and rain on Tuesday.

Research papers, Victoria University of Wellington

On the 22nd of February, 2011 the city of Christchurch, New Zealand was crippled by a colossal earthquake. 185 people were killed, thousands injured and what remained was a city left in destruction and ruin. Thousands of Christchurch properties and buildings were left damaged beyond repair and the rich historical architecture of the Canterbury region had suffered irreparably.  This research will conduct an investigation into whether the use of mixed reality can aid in liberating Christchurch’s rich architectural heritage when applied to the context of destructed buildings within Christchurch.  The aim of this thesis is to formulate a narrative around the embodiment of mixed reality when subjected to the fragmentary historical architecture of Christchurch. Mixed reality will aspire to act as the defining ligature that holds the past, present and future of Christchurch’s architectural heritage intact as if it is all part of the same continuum.  This thesis will focus on the design of a memorial museum within a heavily damaged historical trust registered building due to the Christchurch earthquake. It is important and relevant to conceive the idea of such a design as history is what makes everything we know. The memories of the past, the being of the now and the projection of the future is the basis and fundamental imperative in honouring the city and people of Christchurch. Using the technologies of Mixed Reality and the realm of its counter parts the memorial museum will be a definitive proposition of desire in providing a psychological and physical understanding towards a better Christchurch, for the people of Christchurch.  This thesis serves to explore the renovation possibilities of the Canterbury provincial council building in its destructed state to produce a memorial museum for the Christchurch earthquake. The design seeks to mummify the building in its raw state that sets and develops the narrative through the spaces. The design intervention is kept at a required minimum and in doing so manifests a concentrated eloquence to the derelict space. The interior architecture unlocks the expression of history and time encompassed within a destructive and industrialised architectural dialogue. History is the inhabitant of the building, and using the physical and virtual worlds it can be set free.  This thesis informs a design for a museum in central Christchurch that celebrates and informs the public on past, present and future heritage aspects of Christchurch city. Using mixed reality technologies the spatial layout inside will be a direct effect of the mixed reality used and the exploration of the physical and digital heritage aspects of Christchurch. The use of technology in today’s world is so prevalent that incorporating it into a memorial museum for Christchurch would not only be interesting and exploratory but also offer a sense of pushing forward and striving beyond for a newer, fresher Christchurch. The memorial museum will showcase a range of different exhibitions that formulate around the devastating Christchurch earthquake. Using mixed reality technologies these exhibitions will dictate the spaces inside dependant on their various applications of mixed reality as a technology for architecture. Research will include; what the people of Canterbury are most dear to in regards to Christchurch’s historical environment; the use of mixed reality to visualise digital heritage, and the combination of the physical and digital to serve as an architectural mediation between what was, what is and what there could be.

Videos, UC QuakeStudies

A video montage of LUXCITY, a city of lights that existed for one night on Saturday 20 October 2012. LUXCITY was the main event of FESTA 2012 and included 16 interactive installations, designed and fabricated by architecture and design students from across New Zealand. The film depicts the construction and set up, through to the public event on Saturday night.

Images, UC QuakeStudies

A Christchurch City Council/Canterbury District Health Board/ECan sign on a tree next to the Heathcote River reads, "Warning, contaminated water. Due to sewage overflows this water is unsafe for human contact and activity and is a public health risk. Please keep all people and pets out of contact with the water and do not consume any seafood or shellfish collected from this area.".

Images, UC QuakeStudies

A photograph of a paste-up depicting Roger Sutton, the CEO of CERA, with a band-aid over his mouth; Warwick Isaacs, the Deputy Chief Executive of CERA, with hearing protection over his ears; and Jerry Brownlee, Minister for Canterbury Earthquake Recovery, with a blindfold over his eyes. The paste-up has been stuck on a bus stop timetable.

Images, UC QuakeStudies

A sculpture titled 'Passing Time' on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).

Images, UC QuakeStudies

A sculpture titled 'Passing Time' on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).

Images, UC QuakeStudies

A sculpture titled 'Passing Time' on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).

Images, UC QuakeStudies

A sculpture titled 'Passing Time' on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).