A photograph of a flower mosaic on Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "A lovely detail from the chair, with the opus outline but no grout yet."
A photograph of Jennie Cooper polishing one of Crack'd for Christchurch's mosaic flowers. The flower has been attached to their armchair artwork.Crack'd for Christchurch comments, "And each flower is polished."
A photograph of a flower mosaic on Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "A lovely detail from the chair, with the opus outline but no grout yet."
A photograph of a flower mosaic on Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "A lovely detail from the chair, with the opus outline but no grout yet."
A photograph of a flower mosaic on Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "A lovely detail from the chair, with the opus outline but no grout yet."
A red-stickered building on Canterbury Street in Lyttelton. The building's facade has been propped up with timber, steel and concrete block bracing, and one of its windows has been weather proofed with plywood. Wire fencing has been place around the building as a cordon.
The steps from Cambridge Terrace up to the Bridge of Remembrance. The terracotta tiles on the highest step have chipped off. The gaps that can be seen on the concrete wall to the right shows how far the steps have moved from their original position.
The driveway of a house on Avonside Drive. One of the concrete slabs has lifted and the owner has tried to fill the gap with blocks of wood. Unfortunately, these have come loose and are sticking out of the hole.
A photograph of signs under the rear section of the Forsyth Barr building. The signs reads, "Danger drop zone". In the background is rubble from an earthquake-damaged building . Steel bracing has been constructed around a concrete pillar to the right.
A photograph of Marie Hudson attaching a flower mosaic to Crack'd for Christchurch's armchair artwork. Below, Jenny Cooper is polishing another flower mosaic.Crack'd for Christchurch comments, "Marie makes it look easy."
A photograph of Marie Hudson attaching a flower mosaic to Crack'd for Christchurch's armchair artwork. Below, Jennie Cooper is polishing another flower mosaic.Crack'd for Christchurch comments, "Marie makes it look easy."
The top of a corner tower from St John the Baptist Church in Latimer Square that has been set between two buttresses at the church's base. Bracing made of steel beams and concrete blocks can be seen fixed to the wall on the right of the photograph.
During the 2010/2011 Canterbury earthquakes, several reinforced concrete (RC) walls in multi-storey buildings formed a single crack in the plastic hinge region as opposed to distributed cracking. In several cases the crack width that was required to accommodate the inelastic displacement of the building resulted in fracture of the vertical reinforcing steel. This type of failure is characteristic of RC members with low reinforcement contents, where the area of reinforcing steel is insufficient to develop the tension force required to form secondary cracks in the surrounding concrete. The minimum vertical reinforcement in RC walls was increased in NZS 3101:2006 with the equation for the minimum vertical reinforcement in beams also adopted for walls, despite differences in reinforcement arrangement and loading. A series of moment-curvature analyses were conducted for an example RC wall based on the Gallery Apartments building in Christchurch. The analysis results indicated that even when the NZS 3101:2006 minimum vertical reinforcement limit was satisfied for a known concrete strength, the wall was still susceptible to sudden failure unless a significant axial load was applied. Additionally, current equations for minimum reinforcement based on a sectional analysis approach do not adequately address the issues related to crack control and distribution of inelastic deformations in ductile walls.
The Williams Street Bridge in Kaiapoi. This part of the footpath was damaged when the concrete abutment rose during the earthquake, forcing its way through the pavement and into the open. Fencing has been placed around this section of the bridge until work can be done to make it safe to walk on.
A photograph of plants in a raised garden bed at Agropolis, an urban farm on the corner of High Street and Tuam Street. In the background, people are filling in the base of a shed with concrete. Agropolis was the venue for several events throughout FESTA 2013.
A photograph captioned by BeckerFraserPhotos, "The failed column near the south-east corner of the ground floor of the Hotel Grand Chancellor. This corner of the building slumped 700mm when this column and a nearby sheer wall failed. Scaffolding was erected all around it and then sprayed with concrete to stabilise the building".
In front of the Williams Street Bridge in Kaiapoi. This part of the footpath was damaged when the concrete abutment rose during the earthquake, forcing its way through the pavement and into the open. Fencing has been placed around this section of the bridge until work can be done to make it safe to walk on.
A photograph of members of Crack'd for Christchurch attaching one of the flower mosaics to their armchair artwork.Crack'd for Christchurch comments, "Mosaic adhesive goes on to the concrete chair (which has been sealed and primed). We also put mosaic adhesive on the back of each flower."
A photograph captioned by BeckerFraserPhotos, "The failed column near the south-east corner of the ground floor of the Hotel Grand Chancellor. This corner of the building slumped 700mm when this column and a nearby sheer wall failed. Scaffolding was erected all around it and then sprayed with concrete to stabilise the building".
The current seismic design practice for reinforced concrete (RC) walls has been drawn into question following the unsatisfactory performance of several RC wall buildings during the Canterbury earthquakes. An overview of current research being undertaken at the University of Auckland into the seismic behaviour of RC walls is presented. The main objectives of this research project are to understand the observed performance of RC walls in Christchurch, quantify the seismic loads on RC walls, and developed improved design procedures for RC walls that will assist in revisions to the New Zealand Concrete Structures Standard. A database summarising the performance of RC wall buildings in the Christchurch CBD was collated to identify damage modes and case-study buildings. A detailed investigation is underway to verify the seismic performance of lightly reinforced concrete walls and initial numerical modeling and small-scale tests are presented in addition to details of planned experimental tests of RC walls. Numerical modelling is being used to understand the potential influence that interactions between walls and other structural elements have on the seismic response of buildings and the loads generated on RC walls. The results from finite element analysis of a severely damaged RC wall in Christchurch highlighted the effect that the floor diaphragms have on the distribution of shear stains in the wall.
A photograph of street art on a building in New Brighton. The artwork consists of political and earthquake-related newspaper clippings and leaflets pasted to a concrete block wall. At the bottom of the piece is a leaflet with the word "You" written in blue, capital letters.
A photograph of the Cranmer Centre on Armagh Street. Bricks have fallen off one of the gables onto the concrete below. The remaining gables have been braced with wood to limit further damage. A cherry picker can be seen below, and there is fencing around the building.
A photograph of Helen Campbell preparing to attach one of the flower mosaics to Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "Mosaic adhesive goes on to the concrete chair (which has been sealed and primed). We also put mosaic adhesive on the back of each flower."
Samo Coffee Lounge signs decorate the front of The Loons Circus Theatre Company building on Canterbury Street in Lyttelton. The facade of the building is propped up by a timber frame and concrete blocks. Samo Coffee Lounge was run inside the Loons building by a group of former Lyttelton Coffee Company staff.
A photograph of members of Crack'd for Christchurch preparing to attach one of the flower mosaics to their armchair artwork.Crack'd for Christchurch comments, "Mosaic adhesive goes on to the concrete chair (which has been sealed and primed). We also put mosaic adhesive on the back of each flower."
Internal damage to a house in Richmond. A doorframe has visibly warped, leaving a gap between the frame and the door. Outside, cracks can be seen in the concrete patio. The photographer comments, "Sunroom - bifold doors are now separated from the frame. The doors on the left blew right out in a strong wind 2 weeks after the quake".
A pile of bricks, mortar, concrete and rusty metal constituting the remains of Beckenham Baptist Church on Colombo Street. A white sign has been erected outside the church reading, "Our church is still meeting. Please join us on Sunday. We gather in the youth hall, access is from #7 Percival St. (Turn left on Tennyson then left again on Percival)".
A photograph of members of Crack'd for Christchurch attaching one of the flower mosaics to their armchair artwork.Crack'd for Christchurch comments, "Mosaic adhesive goes on to the concrete chair (which has been sealed and primed). We also put mosaic adhesive on the back of each flower. From left: Marie Hudson, Helen Campell, and Jennie Cooper."
A photograph of a detail of street art on a building in New Brighton. The artwork consists of political and earthquake-related newspaper clippings and leaflets pasted to a concrete block wall. At the bottom of the piece is a leaflet with the word "You" written in blue, capital letters.
Damage to a house in Richmond. Bricks have fallen from the walls onto the driveway, and a large gap between the concrete foundation and the wooden framing shows how much the house has moved. The photographer comments, "The foundations and brick cladding moved, but the timber wall remained in position. The gap grew to over 400mm by the time the house was demolished.