A photograph of Sharon Wilson removing excess adhesive from between the tiles of a flower mosaic. The flower mosaic is part of Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "A tedious process."
A photograph of Jayne White preparing lunch for the Crack'd for Christchurch team. The team are working on their armchair artwork in a garage.Crack'd for Christchurch comments, "February 2014. The work continues through the summer and into winter."
A photograph of Sharon Wilson removing excess adhesive from between the tiles of a flower mosaic. The flower mosaic is part of Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "A tedious process."
A photograph of a flower which is part of Crack'd for Christchurch's armchair mosaic.Crack'd for Christchurch comments, "Grout still wet around a flower. Ungrouted area to the right."
A digital copy of a concept drawing of Crack'd for Christchurch's armchair and ottoman artworks. The drawing is of an armchair and an ottoman. A written note near the bottom of the drawing reads, "Cast iron legs sources from Victorian bath tubs".
A photograph of members of Crack'd for Christchurch working to attach the flower mosaics to their armchair artwork.Crack'd for Christchurch comments, "From left: Jennie Cooper, Helen Campbell, Jayne White, and Marie Hudson."
A photograph of the partially-completed mosaic on the arm of Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "The debate over opus goes on and we settle for flowing lines in the end."
A photograph of lines drawn on the arm of Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "The debate over opus goes on and we settle for flowing lines in the end."
A photograph of members of Crack'd for Christchurch removing the excess adhesive from a mosaic flower on their armchair artwork.Crack'd for Christchurch comments, "...and only 59 to go."
A photograph of members of Crack'd for Christchurch working on their armchair artwork.Crack'd for Christchurch comments, "Most of the pattern is in place, and the opus is slowly being put around each flower. From top: Jennie Cooper and Katherine O'Connor."
A photograph of members of Crack'd for Christchurch working on their armchair artwork.Crack'd for Christchurch comments, "Most of the pattern is in place, and the opus is slowly being put around each flower. From left: Marie Hudson, Jennie Cooper, and Katherine O'Connor."
A photograph of Marie Hudson lifting a tarpaulin to examine Crack'd for Christchurch's armchair artwork in the Green Room garden on Colombo Street. The armchair has just been lowered onto a platform in the garden.
A photograph of members of Crack'd for Christchurch working on their armchair artwork.Crack'd for Christchurch comments, "Once the opus starts to go on, things speed up. We have a September deadline for the big reveal. Here we are in July. From left: Helen Campbell, Jennie Cooper, and Sharon Wilson."
A PDF copy of pages 216-217 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Foamapalooza'. Photos: Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation.
A poster advertising the launch of Greening the Rubble's Green Room on Colombo Street. The poster also advertises the unveiling of Crack'd for Christchurch's armchair and ottoman artworks.
A photograph of Jennie Cooper polishing one of Crack'd for Christchurch's mosaic flowers. The flower has been attached to their armchair artwork.Crack'd for Christchurch comments, "And each flower is polished."
A photograph of Crack'd for Christchurch's armchair artwork being lowered onto a platform in the Green Room garden on Colombo Street. The armchair is wrapped in a tarpaulin.
A photograph of Crack'd for Christchurch's armchair artwork being lowered onto a platform in the Green Room garden on Colombo Street. The armchair is wrapped in a tarpaulin.
A photograph of Crack'd for Christchurch's armchair artwork being lowered onto a platform in the Green Room garden on Colombo Street. The armchair is wrapped in a tarpaulin.
A photograph of Crack'd for Christchurch's armchair artwork being lowered onto a platform in the Green Room garden on Colombo Street. The armchair is wrapped in a tarpaulin.
A photograph of Crack'd for Christchurch's armchair artwork being lowered onto a platform in the Green Room garden on Colombo Street. The armchair is wrapped in a tarpaulin.
A photograph of Crack'd for Christchurch's armchair artwork being lowered onto a platform in the Green Room garden on Colombo Street. The armchair is wrapped in a tarpaulin.
A PDF copy of pages 234-235 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'SVA - The Concert'. Photos: Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation.
A photograph of Marie Hudson attaching a flower mosaic to Crack'd for Christchurch's armchair artwork. Below, Jenny Cooper is polishing another flower mosaic.Crack'd for Christchurch comments, "Marie makes it look easy."
A photograph of Marie Hudson attaching a flower mosaic to Crack'd for Christchurch's armchair artwork. Below, Jennie Cooper is polishing another flower mosaic.Crack'd for Christchurch comments, "Marie makes it look easy."
A PDF copy of pages 212-213 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project '500 Days: Churchill Park'. Photos: Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation.
A PDF copy of pages 232-233 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'SVA - The Clean Up'. Photos: Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation.
A video of an address by Evan Smith, Co-Chair of the Avon-Otakaro Network and Programme Manager of Eastern Vision, at the 2015 Seismics and the City forum. The talk is about providing opportunities for input and feedback.
A photograph of emergency management personnel examining a building on New Regent Street. Pavers on either side of the tramline have risen and shifted out of place. Many tables and chairs from cafes and restaurants are still sitting outside.
David Caygill, the Deputy Chair of ECan, briefing members of Civil Defence in the Christchurch Art Gallery a few hours after the 22 February 2011 earthquake. The Christchurch Art Gallery served as the headquarters for Civil Defence after the 22 February 2011 earthquake.