A close-up photograph of a stuffed penguin that is being stored at the Canterbury Cultural Recovery Centre.
The crowd at the YMCA Carols by Candlelight event in Latimer Square.
Graffiti on the wall beside the site of a demolished building near the Casino reads "damaged".
A paper submitted by Andrew Moore in partial fulfilment of the degree of Bachelor of Music with Honours, covering the effects of the Canterbury earthquakes on the musical life of Christchurch. Dissertation supervised by Dr Elaine Dobson, University of Canterbury School of Music. All photographs from The Press are copyright Fairfax Media and are used with permission.
A busker in the Re:Start mall during the World Buskers Festival.
Mike Hewson's installation "Deconstruction" on the walkway between Ballantynes and The Crossing gives the illusion that the walkway has been removed.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Trinity Church 1874 (Octagon Restaurant)'.
A sign on the cordon fence around the Town Hall reads "Extreme Danger Keep Out".
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Warners Hotel, Cathedral Square (1920)'.
A photograph of Whole House Reuse item 493. This item was salvaged from 19 Admiral Way in New Brighton as part of the Whole House Reuse project.
A photograph of two lecterns and other furniture being stored at the Canterbury Cultural Recovery Centre.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Woolston Community Library, Ferry Road'.
Children play on street furniture on Gloucester Street, part of one of the Christchurch City Council's Transitional City projects. In the background is the facade of the Isaac Theatre Royal, protected by shipping containers.
A piece of personal experience writing about the Canterbury earthquakes, written by Jonathan.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Saggio de Vino'.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'McKenzie & Willis Store, Tuam Street'.
Cardboard inspiration boards hung on a fence at the LuxCity event, inviting the public to add their thoughts.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Devon Hotel'.
Children play on street furniture on Gloucester Street, part of one of the Christchurch City Council's Transitional City projects. In the background is the facade of the Isaac Theatre Royal, protected by shipping containers.
A colourful mural and patterns on the road brighten up an empty space on Oxford Terrace near the Re:Start mall.
'185 Empty Chairs', Pete Majendie's art installation commemorating those who died in the earthquake.
A piece of personal experience writing about the Canterbury earthquakes, written by Jake.
A piece of personal experience writing about the Canterbury earthquakes, written by Sam.
'185 Empty Chairs', Pete Majendie's art installation commemorating those who died in the earthquake.
A video of a presentation by Richard Conlin during the Community Resilience Stream of the 2016 People in Disasters Conference. The presentation is titled, "Resilience, Poverty, and Seismic Culture".The abstract for this presentation reads as follows: A strategy of resilience is built around the recognition that effective emergency response requires community involvement and mobilization. It further recognizes that many of the characteristics that equip communities to respond most effectively to short term emergencies are also characteristics that build strong communities over the long term. Building resilient communities means integrating our approaches to poverty, community engagement, economic development, and housing into a coherent strategy that empowers community members to engage with each other and with other communities. In this way, resilience becomes a complementary concept to sustainability. This requires an asset-based change strategy where external agencies meet communities where they are, in their own space, and use collective impact approaches to work in partnership. This also requires understanding and assessing poverty, including physical, financial, and social capital in their myriad manifestations. Poverty is not exclusively a matter of class. It is a complex subject, and different communities manifest multiple versions of poverty, which must be respected and understood through the asset-based lens. Resilience is a quality of a community and a system, and develops over time as a result of careful analysis of strengths and vulnerabilities and taking actions to increase competencies and reduce risk situations. Resilience requires maintenance and must be developed in a way that includes practicing continuous improvement and adaptation. The characteristics of a resilient community include both physical qualities and 'soft infrastructure', such as community knowledge, resourcefulness, and overall health. This presentation reviews the experience of some earlier disasters, outlines a working model of how emergency response, resilience, and poverty interact and can be addressed in concert, and concludes with a summary of what the 2010 Chilean earthquake tells us about how a 'seismic culture' can function effectively in communities even when government suffers from unexpected shortcomings.
A photograph of Mayor Lianne Dalziel holding a postcard depicting Julia Holden's painting 'Containers'.
A photograph of Julia Holden's painting 'Containers'.
A PDF version of the memento book created for those who contributed to the SCIRT programme.
A photograph of a postcard depicting Julia Holden's painting 'Containers'
A photograph of Julia Holden's painting 'Containers'.