A PDF copy of red-zoned Kaiapoi residents Lana, Dan, Tori, Rico and Aria McLean's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Shirley Jenkin's and Peter Jenkin's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Chris Patterson and Nigel Swain's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A video telling the story of a Dallington house which was built by Bill Cooper in 1957. The house was demolished last month as part of the clearance of the Christchurch residential red zone. The story of the house is used to illustrate what is happening in many Christchurch suburbs. The video also includes the story of a sea elephant that lived in the Avon River in the 1970s and 1980s.
A PDF copy of red-zoned Kaiapoi residents Mick Mariner and Rose Mariner's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Willy and Andrew Martin's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Chantal, Nigel, Ashleigh and Kadyn Palmer's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Gretta Morris and Brian Morris's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Kylee, Elmar, Lucien, Alijah and Ebony Vink's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Fay, Glen and Max Harper's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
An advertisement calling for stories about people affected by the 4 September earthquake.
An advertisement calling for stories about people affected by the 4 September earthquake.
An advertisement calling for stories about people affected by the 4 September earthquake.
A pdf transcript of Participant number EG138's earthquake story, captured by the UC QuakeBox project.
Transcript of Leslie Llewellyn James Griffiths's earthquake story, captured by the UC QuakeBox project.
Transcript of Participant number LY677's earthquake story, captured by the UC QuakeBox project.
Transcript of participant number NB763's earthquake story, captured by the UC QuakeBox project.
Transcript of participant number LY193's earthquake story, captured by the UC QuakeBox project.
Transcript of Kim McDiarmid's earthquake story, captured by the UC QuakeBox project.
Transcript of Denny O'Brien-Warriner's earthquake story, captured by the UC QuakeBox project.
A front page graphic for The Press. The main headline reads, "East side story".
Children listening to a story during the teddy bears picnic at the Pallet Pavilion.
Children listening to a story during the teddy bears picnic at the Pallet Pavilion.
A web story about the return of the stone lions to the Memorial Arch.
An entry from Deborah Fitchett's blog for 13 June 2013, posted to Dreamwidth. The entry is titled, "In which the house next door is gone, and other stories".The entry was downloaded on 16 April 2015.
An entry from Deborah Fitchett's blog for 13 June 2013, posted to Livejournal. The entry is titled, "In which the house next door is gone, and other stories".The entry was downloaded on 13 April 2015.
Transcript of participant number SU976's earthquake story, captured by the UC QuakeBox project.
Transcript of Flora (Flo) McGregor's earthquake story, captured by the UC QuakeBox project.
A pdf transcript of participant number EG654's earthquake story, captured by the UC QuakeBox project.
The story of the city’s urban marae, Ngā Hau e Whā, built from 1981 onwards, begins in the migration of Māori from their tūrangawaewae to cities. The marae project is linked to a desire among city elders to move Māori out of the city centre to the east.