A PDF copy of pages 216-217 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Foamapalooza'. Photos: Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation.
A PDF copy of pages 40-41 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Temporary City Libraries'. Photo: Tim Church. With permission: Christchurch City Council.
A PDF copy of pages 64-65 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Life in Vacant Spaces HQ'. Photos: Tim Bishop and LiVS
A video of a play produced and performed by students from Avonside Girls' High School. The play was created for the Theater Federation One Act Play Festival, on the topic of the Christchurch rebuild. The students modeled the play on the epic theatre style, aiming to emotionally affect and enact change in their audience.
A photograph of a camera operator filming members of Crack'd for Christchurch as they work on their armchair artwork.Crack'd for Christchurch comments, "August 2014. Mike Thorpe and camera man filming Flora for Seven Sharp in anticipation of the launch. Only 4 weeks to go. No grout on the chair yet. From left: Sharon Wilson, Marie Hudson, and Jennie Cooper."
A PDF copy of pages 112-113 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'On First Looking Into Chapman's Homer'. Image: Michael Parekowhai Chapman's Homer 2011. Bronze, stainless steel. Courtesy of the artist and Michael Lett, Auckland. Photo with permission: Christchurch Art Gallery Te Puna o Waiwhetu. Photo: John Collie.
A pdf copy of panel 14 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Gerard Smythe about his experiences of the 2010 and 2011 Canterbury earthquakes. Above this is an image of Smythe sitting outside the Cathedral of the Blessed Sacrament.
A photograph of a camera operator filming members of Crack'd for Christchurch as they work on their armchair artwork.Crack'd for Christchurch comments, "August 2014. Mike Thorpe and camera man filming Flora for Seven Sharp in anticipation of the launch. Only 4 weeks to go. No grout on the chair yet. From left: Helen Campbell, Jennie Cooper, and Marie Hudson."
A photograph of a camera operator filming Marie Hudson as she works on Crack'd for Christchurch's armchair mosaic.Crack'd for Christchurch comments, "August 2014. Mike Thorpe and camera man filming Flora for Seven Sharp in anticipation of the launch. Only 4 weeks to go. No grout on the chair yet."
A photograph of a camera operator filming Sharon Wilson and Jennie Cooper as they work on Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "August 2014. Mike Thorpe and camera man filming Flora for Seven Sharp in anticipation of the launch. Only 4 weeks to go. No grout on the chair yet."
A photograph of the front of Crack'd for Christchurch's partially-completed armchair artwork.Crack'd for Christchurch comments, "We took quotes from some of the letters sent to us and a local ceramicist, Cecelia Freire De Mance, donated her time and wonderful skills to turn these into ceramic tiles to be broken up for the chair. This one reads, 'treasures in our everyday living...'."
A PDF copy of pages 274-275 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Central City Plan (Draft Central City Recovery Plan for Ministerial Approval, December 2011)'. Photos with permission: CCC
A PDF copy of pages 106-107 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'COCA Windows Project'. Photos: Ed Lust, Chloe Geoghegan. With permission: COCA Gallery.
A PDF copy of pages 212-213 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project '500 Days: Churchill Park'. Photos: Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation.
A photograph of crowds at the LUXCITY event. The photograph shows installations on the corner of Gloucester Street and Colombo Street. In the foreground is the installation titled "In Your Face", and to the right is the installation titled "Etch-a-Sketch".
A photograph of the As Far As Eye Can See exhibition. On the left is a crocheted image of an eye, created by a group of women from Adelaide, and on the right are woven fabric artworks created by Christchurch craft artists in response.
A PDF copy of pages 58-59 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Port-A-Loos on the Pine Mound'. Photo: Elizabeth Peacock
A PDF copy of pages 170-171 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'As Far As Eye Can See'. Photos: Gap Filler
A PDF copy of pages 42-43 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Oxford Terrace Temporary Streetscape and Interpretation'. Photo: Tim Church. With permission: Christchurch City Council.
A photograph of Crack'd for Christchurch's partially-constructed armchair artwork. The armchair is on a pallet in Greening the Rubble's workshop. Jonathan Hall has moulded polystyrene, wood, mesh, and concrete over the steel frame to construct the armchair. Two cast-iron bath feet have attached to the front legs.
A photograph of Crack'd for Christchurch's partially-constructed armchair artwork. The armchair is on a pallet in Greening the Rubble's workshop. Jonathan Hall has moulded polystyrene, wood, mesh, and concrete over the steel frame to construct the armchair. Two cast-iron bath feet have been attached to the front legs.
A photograph of Crack'd for Christchurch's partially-constructed armchair artwork. The armchair is on a pallet in Greening the Rubble's workshop. Jonathan Hall has moulded polystyrene, wood, mesh, and concrete over the steel frame to construct the armchair. Two cast-iron bath feet have been attached to the front legs.
A photograph of Crack'd for Christchurch's partially-constructed armchair artwork. The armchair is on a pallet in Greening the Rubble's workshop. Jonathan Hall has moulded polystyrene, wood, mesh, and concrete over the steel frame to construct the armchair. Two cast-iron bath feet have been attached to the front legs.
A photograph of a TVNZ camera operator filming the members of Crack'd for Christchurch during the launch of the Green Room garden. The members have gathered around their armchair and ottoman artwork. The armchair and ottoman are covered in white sheets and tied with a blue bow. They will be unveiled for the first time during the launch.Crack'd for Christchurch comments, "The whole team together."
A PDF copy of pages 214-215 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Christchurch: A Board Game'. Photo (top): Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation. Photo (bottom): Irene Boles.
A PDF copy of pages 116-117 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'I Seem to Have Temporarily Misplaced My Sense of Humour'. Photos with permission: Gap Filler
A PDF copy of pages 50-51 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'LUXCITY'. Photographs: Bridget Anderson and Douglas Horrell
A photograph of Sarah Campagnolo, Project Co-ordinator for Greening the Rubble, speaking at the opening of the Green Room garden. In the background, members of Crack'd for Christchurch have gathered around their armchair and ottoman artworks. The artworks are wrapped in white sheets and tied with a bow. They will be unveiled for the first time during the launch. To the right, a camera operator from One News is filming the speech.
A photograph of members of the public examining Crack'd for Christchurch's armchair mosaic. The armchair and ottoman artworks have just been unveiled during the launch of the Green Room garden on Colombo Street. In the foreground are several members of Crack'd for Christchurch. A camera operator from One News is also filming the event.
A PDF copy of pages 206-207 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Fulton Hogan BMX Pump Track'. Page 206 photos: Irene Boles. Page 207 photos: Peter Walker, Three Chairs Photography. With permission from Student Volunteer Army Foundation.