One rectangular A4 landscape artwork by Aaliyah [Jack-Midgley?] depicting a boat on one side and a multi-coloured image on reverse, for her Uncle, Kyle Jack-Midgley. Drawn for
One rectangular A4 landscape multicoloured artwork by Trinity [Jack-Midgley?] for her Uncle, Kyle Jack-Midgley. Drawn for
One mixed media artwork by Katie Spragg titled "Save Our Dux" depicting felt cut outs of people pasted onto an oil background, a black cardboard message reading "Save ou[r] Dux" is pasted letter by letter onto the felt. "Dux Lux" is painted below the felt and cardboard elements. Work was tied to the security fence surrounding the Dux de Lux rest...
One metal chair with fabric components that has been painted white. This chair was part of the 185 Empty Chairs art installation which consisted of 185 different white chairs that represented those who died as a result of the Christchurch earthquake on 22nd February 2011.
One rectangular A4 landscape artwork by Nathan Jack-Midgley depicting an aeroplane, animals and people at a memorial service for Kyle Brandon Jack-Midgley, June 2013. Drawn for
Lydia Baxendell checks an artwork in the library.
Lydia Baxendell checks an artwork in the library.
A map showing the location of damaged public artworks.
Ballantynes on Rt. Illusionist Artwork on side of over ramp
Painted artwork on the front of the 'Book Discussion Scheme (BDS)' office on Colombo Street.
A scanned copy of an artwork from the University of Canterbury Students' magazine, Canta, in 1972.
An exhibition of artworks on the cordon fence. This was a project by the Linwood Community Art Centre.
This artwork is a legal graffiti work, part of Project Legit which is run by the Christchurch City Council.
A photograph of people examining the artworks at the opening of the As Far As Eye Can See exhibition.
A photograph of people examining the artworks at the opening of the As Far As Eye Can See exhibition.
Photograph captioned by Fairfax, "Mosaic artist Sarah Rutland creates artwork from broken objects and hopes to create art from Canterbury's rubble".
Photograph captioned by Fairfax, "Mosaic artist Sarah Rutland creates artwork from broken objects and hopes to create art from Canterbury's rubble".
A photograph of a group of people plaiting fabric strips to create artworks for the As Far As Eye Can See exhibition.
A view down High Street looking towards the Holiday Inn building and the Westpac building (right). The 'Flour Power' artwork by Regan Gentry stands in the foreground.
A view down High Street looking towards the Holiday Inn building and the Westpac building (right). The 'Flour Power' artwork by Regan Gentry stands in the foreground.
Detail of the artwork 'Homage To The Lost Spaces (Government Life Building Studio Series' by Mike Hewson. These were installed on damaged buildings, this one being the Cranmer Courts.
A group of bleary-eyed people is admiring a work of abstract art that is framed by what appears to be marijuana. The artwork is signed 'Cera'. Refers to ongoing zoning plans for quake-stricken Christchurch.
Quantity: 1 digital cartoon(s).
Detail of the artwork 'Tony De In The Door (Government Life Building Studio Series' by Mike Hewson. These were installed on damaged buildings, this one being a building opposite the Cranmer Courts.
A photograph of the 'End of the Line' performance artwork. One of the artists is pushing a trolley along the tram lines in Cashel Mall, while two others string 'red tape' in front of it.
A photograph of the 'End of the Line' performance artwork. One of the artists is pushing a trolley along the tram lines in Cashel Mall, while two others string 'red tape' in front of it.
A photograph of the 'End of the Line' performance artwork. One of the artists is pushing a trolley along the tram lines in Cashel Mall, while two others string 'red tape' in front of it.
A photograph of the 'End of the Line' performance artwork. One of the artists is pushing a trolley along the tram lines in Cashel Mall, while two others string 'red tape' in front of it.
A photograph of Doug Sexton holding a memento created by artist Sarah Brown for the Shared Lines Sendai/Christchurch Art Exchange. Brown used found objects from Doug Sexton's house to create this artwork in a tobacco tin.
Pipes lead into a shipping container. The photographer comments, "In Christchurch containers are so very versatile: They are used as barricades, supports, homes, shops, art galleries, artworks, Malls, pubs and bars, Thai takeaways and now sewage works".
The empty space where the Fishers' Building previously was, on the corner of Litchfield and Hereford Streets. In the background are cranes, and the Holiday Inn building (centre) with the Westpac building on the right. Also on the right is the 'Flour Power' artwork by Regan Gentry.
