A photograph of Arline Grimshaw at her former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Chris Paterson (left) and Helen Swain (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Barbara Townsend (right) and Jackson (left) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Gretta (left) and Brian Morris (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Willy (left) and Andrew Martin (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Mick (left) and Rose Mariner (right) in front of their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Fay (left), Glen (middle) and Max Happer (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Fred (left) and Bev Evans (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Lyn (left) and Tyla Carroll (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Shirley (left) and Peter Jenkins (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of the former Kaiapoi residence of Bob and Joan Cattermole (deceased). The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Bob (left) and Judy Hawker (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Jenny (back) and Pat Barker (front) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Claire (left) and Derek Woodward (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Ashleigh (left), Nigel (back), Chantal (front) and Kadyn Palmer (right) in front of their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Gillian Rayner (right) with her father Harry Stanton (left) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Dee (left), Nicole (middle-left), Marc (middle-right) and Thomas Brocherie (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Lana (middle), Dan (back-left) and the rest of the McLean family in front of their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Daniel (back-left), Keith (back-right), Roisin (left), Trish (middle) and Kelly Evans (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Kylee (left), Elmar (right) and the rest of the Vink family at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Talia (left), Ky'a (right) and Luana Belworthy (back-middle-left), Nico and Ezra Mataki (front-middle), and TeTumu Rolleston (back-middle-right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Daniel (back-left), Kristie (back-right), Clive (front-left) and Karen Lingley Richardson (front-right) in front of their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
Photograph captioned by BeckerFraserPhotos, "Here we can see why Redcliffs School is still closed".
A digital copy of a painting by Julia Holden. The painting is of a pile of building rubble.
A digital copy of a painting by Julia Holden. The painting is of road cones along Gloucester Street.
Photograph captioned by BeckerFraserPhotos, "Here we can see why Redcliffs School is still closed".
Photograph captioned by BeckerFraserPhotos, "Here we can see why Redcliffs School is still closed".
A digital copy of a painting by Julia Holden. The painting is of Colombo Street, looking north towards Cathedral Square.
A digital copy of a painting by Julia Holden. The painting is of vacant building sites on High Street.
A digital copy of a painting by Julia Holden. The painting is of vacant building sites on High Street.