A photograph of people watching a film projected on the side of a building. The outdoor cinema was part of Gap Filler's 'Film in the Gap' project.
A photograph of part of the display structure for the Info Gap temporary outdoor display space. The structure is sitting behind the Gap Filler headquarters in Sydenham.
A photograph of volunteers digging soil to construct a BMX track.
A photograph of dancers performing in Stand Your Ground. A film is being projected onto the wall behind the dancers, and their shadows are being cast onto the wall.
A photograph of dancers performing in Stand Your Ground. A film is being projected onto the wall behind the dancers, and their shadows are being cast onto the wall.
People walk down the newly re-opened Colombo Street. In the distance, Mike Hewson's installation "Deconstruction" can be seen on the walkway between Ballantynes and The Crossing. This artwork gives the illusion that the walkway has been removed.
People walk down the newly re-opened Colombo Street. In the distance, Mike Hewson's installation "Deconstruction" can be seen on the walkway between Ballantynes and The Crossing. This artwork gives the illusion that the walkway has been removed.
People walk down the newly re-opened Colombo Street. In the distance, Mike Hewson's installation "Deconstruction" can be seen on the walkway between Ballantynes and The Crossing. This artwork gives the illusion that the walkway has been removed.
A public walkway down Colombo Street to a viewing area in the Cathedral Square was opened up for a few weekends to allow the public to see inside the Red Zone. The Chalice sculpture and the Cathedral in Cathedral Square.
Damage to the the shops on the corner of Colombo Street and Bealey Avenue. The facade on the roof has crumbled, as well as the awning over the pharmacy. Road cones, tape and fences bar the public for their own safety.
A sign on a temporary fence erected across a garage entrance reads, "Danger, your house has a red placard. Do not enter. Please go to the Information Centre at the Old Christchurch Women's Hospital on Colombo Street (south of Bealey Ave)".
A sign on a temporary fence erected across a driveway reads, "Danger, your house has a red placard. Do not enter. Please go to the Information Centre at the Old Christchurch Women's Hospital on Colombo Street (south of Bealey Ave)".
Demolished buildings on Colombo Street, seen from the cordon fence on Moorhouse Avenue. The photographer comments, "Looking like a scene from a Terminator movie, this photo shows rubble from collapsed buildings on Moorhouse Avenue, next to Henry's and Pak'n'Save".
A photograph of children running across the site of Gap Filler's 'Film in the Gap' project. On the wall behind them is a chalkboard advertising upcoming events.
Damage to the the shops on the corner of Colombo Street and Bealey Avenue. The facade on the roof has crumbled, as well as the awning over the pharmacy. Road cones, tape and fences bar the public for their own safety.
A photograph of people creating silhouettes inside one of the tent-like sculptures of Silhouette Carnival at LUXCITY.
A photograph of a temporary installation titled Etch-A-Sketch. The installation is part of LUXCITY.
Photograph captioned by BeckerFraserPhotos, "The Forsyth Barr building and PricewaterhouseCoopers building. It was recently announced that PricewaterhouseCoopers will be demolished as it is uneconomic to restore, and we understand Forsyth Barr is still under discussion".
Photograph captioned by BeckerFraserPhotos, "One of the Army personnel who staff the cordon and check people and vehicles travelling in and out of the cordon standing in front of one of the cordon huts".
A photograph of Marie Hudson and Jonathan Hall helping to direct Crack'd for Christchurch's ottoman artwork as it is lowered onto a platform in the Green Room garden on Colombo Street.
Cars crushed between the collapsed levels of the Smiths City car park. The photographer comments, "Just after the aftershock settled on Tuesday afternoon, myself and colleagues fled our Tuam Street office to absolute devastation outside. We couldn't see more than a block in either direction due to the clouds of dust that had arisen from buildings that had just collapsed ... From here, we picked up our vehicles from the CCC car park and headed out to get out of the chaos to a position where we could check on loved ones ... eventually made it to Colombo Street where we slowly crawled past the horrific sight of the Colombo Street Smiths City over-bridge car park. Layers had collapsed onto each other and cars were sticking out of the gaps. Hopefully if anyone was inside they would have hit the ground and would be safe under the support of the cars either side of them".
Cars crushed between the collapsed levels of the Smiths City car park. The photographer comments, "Just after the aftershock settled on Tuesday afternoon, myself and colleagues fled our Tuam Street office to absolute devastation outside. We couldn't see more than a block in either direction due to the clouds of dust that had arisen from buildings that had just collapsed ... From here, we picked up our vehicles from the CCC car park and headed out to get out of the chaos to a position where we could check on loved ones ... eventually made it to Colombo Street where we slowly crawled past the horrific sight of the Colombo Street Smiths City over-bridge car park. Layers had collapsed onto each other and cars were sticking out of the gaps. Hopefully if anyone was inside they would have hit the ground and would be safe under the support of the cars either side of them".
A photograph of a camera operator from TVNZ filming the placement of Crack'd for Christchurch's artwork ottoman onto a platform. The platform is in the Green Room garden on Colombo Street.
A photograph of a camera operator from TVNZ filming the placement of Crack'd for Christchurch's ottoman artwork onto a platform. The platform is in the Green Room garden on Colombo Street.
A photograph of architecture students in hard hats and high-visibility vests, standing in front of Etch-A-Sketch at LUXCITY.
A photograph of two architecture students standing among large inflated white balls that are part of the In Your Face installation at LUXCITY.
A photograph of a model posing inside an inflated, transparent ball as part of the In Your Face installation at LUXCITY.
A photograph of a model posing inside an inflated, transparent ball as part of the In Your Face installation at LUXCITY.
A view from Colombo Street looking towards the overhead walkway that runs between the Crossing building and Ballantynes. A 'No entry' sign stands between orange barriers that are blocking off the road. To the right is a vacant demolition site.
A photograph of a model posing inside an inflated, transparent ball as part of the In Your Face installation at LUXCITY.
