A PDF copy of an advertisement for the All Right? 'Compliments' campaign that appeared in The Christchurch Star on 4 December 2013. The advertisement reads, "You've got a lot to offer. Canterbury's been through a lot. Let's remember it's often the simple things that bring the most joy." The advertisement also includes the web address of the All Right? Facebook page.
A PDF copy of eight posters from phase 1 of the All Right? campaign, specifically targeting Waimakariri. Each poster seeks to normalise a different emotional experience, for example, "It's all right to feel blue now and then." Each poster also includes, "Waimakariri has changed a lot and we all see things a little differently. And that's all right".
A PDF copy of eight posters from phase 1 of the All Right? campaign, specifically targeting people in Christchurch. Each poster seeks to normalise a different emotional experience, for example, "It's all right to feel blue now and then." Each poster also includes, "Christchurch has changed a lot and we all see things a little differently. And that's all right".
A PDF copy of red-zoned Kaiapoi residents the Carroll family's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of a design for the side of an escalator near a Hoyts movie theatre. The file includes the precise measurements and specifications. The design depicts the 'Canterbury Rollercoaster' and reads, "Life's full of ups and downs. Where are you, your friends, and your whanau at? Visit allright.org.nz". The 'Canterbury Rollercoaster' was designed to raise awareness about emotional literacy in Canterbury.
An entry from Deb Robertson's blog for 20 May 2012 entitled, "Where you used to be, there is a hole in the world, which I find myself constantly walking around in the daytime, and falling in at night. I miss you like hell".
A PDF copy of eight posters from phase 1 of the All Right? campaign, specifically targeting Kaiapoi. Each poster seeks to normalise a different emotional experience, for example, "It's all right to feel blue now and then." Each poster also includes, "Kaiapoi has changed a lot and we all see things a little differently. And that's all right".
A PDF copy of red-zoned Kaiapoi residents the Evans family's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Derek Woodward and Claire Woodward's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of a design for CERA from All Right?'s 'Take a Breather' campaign. The design features a plethora of everyday images, including traffic, roadworks, work and leisure activities, and an image from phase 2 of the All Right? campaign. In the centre are the words, "Take a breather... Canterbury's a busy place. What could you do to recharge?".
A PDF copy of eight posters from phase 1 of the All Right? campaign, specifically targeting people in Akaroa. Each poster seeks to normalise a different emotional experience, for example, "It's all right to feel blue now and then." Each poster also includes, "Akaroa has changed a lot and we all see things a little differently. And that's all right".
A scanned copy of the cover page of a thesis written by David Lockwood for a PhD in Physics at the University of Canterbury. The thesis is titled "Solid State Studies: Raman Spectroscopy and the Lattice Vibrations of CdCl2 and CdBr2" and was submitted in 1969.
A PDF copy of eight posters from phase 1 of the All Right? campaign, specifically targeting Rangiora. Each poster seeks to normalise a different emotional experience, for example, "It's all right to feel blue now and then." Each poster also includes, "Rangiora has changed a lot and we all see things a little differently. And that's all right".
A PDF copy of red-zoned Kaiapoi resident Arline Grimshaw's story about her life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
This report provides information on the locations and character of active geological faults and folds in Ashburton District. The faults are mapped at a district scale and the information is intended to highlight areas where there is a risk of permanent fault movement at the ground surface, and where more detailed investigations should be done if development is proposed in that area (depending on the potential activity of the fault and the type of development proposed). See Object Overview for background and usage information. Most of the faults and folds identified at the ground surface in Ashburton District are in rural or very sparsely populated areas. In addition, most of the faults have relatively long recurrence intervals (long-term average time between fault movements) in the order of several thousand years. Following the Ministry for the Environment Active Fault Guidelines, normal residential development would be allowed on or near faults with recurrence intervals this long. There are no recommendations associated with this report. The information in the report will be reviewed as required, after the remaining district reports are completed in the region.
This report provides information on the locations and character of active geological faults and folds in Mackenzie District. The faults are mapped at a district scale and the information is intended to highlight areas where there is a risk of fault movement, and where more detailed investigations should be done if development is proposed in that area(depending on the potential activity of the fault and the type of development proposed). Most of the faults and folds identified at the ground surface in Mackenzie District are in rural or very sparsely populated areas. In addition, most of the faults have relatively long recurrence intervals (long-term average time between fault movements) in the order of several thousand years. Following the Ministry for the Environment Active Fault Guidelines, normal residential development would be allowed on or near faults with recurrence intervals this long. There are no recommendations associated with this report. The information in the report will be reviewed as required, after the remaining district reports are completed in the region. See Object Overview for background and usage information.
A PDF copy of red-zoned Kaiapoi residents the Rolleston-Belworthy-Mataki family's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Karen, Clive, Kirsty and Daniel Lingley Richardson's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Gillian Rayner and Harry Stanton's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Dee, Marc, Nicole and Thomas Brocherie's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Jenny Barker and Pat Barker's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi resident Barbara Townsend and Jackson's story about her life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Bev Evans and Fred Evans's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Bob Hawker and Judy Hawker's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of a story about Bob Cattermole and Joan Cattermole's post-quake stress-related deaths in 2010. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of four Adshel poster designs. Each poster features a Christchurch resident's response to the question, "What makes us feel all right?" For instance, the first poster reads, "What makes us feel all right? Spending quality tie with my family. Nicola, Aranui." Posters like these were used in Adshel bus stops around Christchurch as part of phase 3 of the All Right? campaign.
A PDF copy of six poster designs. Each poster features a Christchurch resident's response to the question, "What makes us feel all right?" For instance, the first poster reads, "What makes us feel all right? Making pikelets with my children after school and hearing about their day. Sarah, Ilam." Posters like these were used in Adshel bus stops around Christchurch as part of phase 3 of the All Right? campaign.
A PDF copy of four Adshel poster designs. Each poster features a Christchurch resident's response to the question, "What makes us feel all right?" For instance, the first poster reads, "What makes us feel all right? Spending quality tie with my family. Nicola, Aranui." Posters like these were used in Adshel bus stops around Christchurch as part of phase 3 of the All Right? campaign.
A PDF copy of red-zoned Kaiapoi residents Lana, Dan, Tori, Rico and Aria McLean's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Shirley Jenkin's and Peter Jenkin's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.