It is midday on the busy intersection of Manchester, High and Lichfield Streets when this photograph was taken from the corner of Bedford Row c. 1904. The street is full of activity as shoppers mak…
A digital photograph in PDF format with caption. Image looks south down Kingsford street. Port hills on the horizon with potholes in the foreground that progressively got worse after the Feburary 2011 earthquake.
A digital photograph in PDF format with caption. Image taken from within a Red Zoned home on Kingsford st. Residents still living here and have written poems on the walls of the lounge.
This intriguing photograph taken at the junction of Cashel and High Street draws us back to a typical summer day in Edwardian Christchurch in February 1913. A summer rain fall has just cleared, all…
A PDF copy of a document introducing All Right?. The document includes information about the origins and research of All Right?, as well as photographs from the campaign. The document was prepared in October 2013.
A photograph captioned, "After the September earthquake, it was more a simple case of something gets broken and it gets repaired. Then came February, and June as well, and suddenly it's just not so straightforward anymore".
A photograph captioned, "My daughter grew up in this house. She's 10 now. She is going to miss it - and Dallington. It's where she's grown up, what she knows. She'll miss it alright. Me too".
A photograph captioned, "I wonder what they're going to do with the land? We'd like a community garden. That's our aim, but I don't know what they're going to do. Seems like nobody does".
A photograph captioned, "Nobody’s trained for this, you go to your lawyer and they can’t give you an answer because they've never faced this before, so yeah, even they are scratching around trying to find out".
It’s that time of year again. Behold! Some of our favourite discoveries and images from 2015. It’s been an eventful twelve months. Archaeology happened. Sites were surveyed, excavated, photographed, investigated, disseminated and ruminated upon. Clues were followed and mysteries unrav...
Early photographs are the best. They encompass everything from the utterly absurd to the momentous to the mundane. They provide us with a window into the past that is rare and wonderful (especially from an archaeological perspective), putting faces to … Continue reading →
A PDF copy of pages 70-71 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Bandaid Artwork'. Photographs: Heather Hayward (top left), Reuben Woods (top right), Jenna Lynn Brown (bottom left and right)
A PDF copy of a 2016-2017 bicultural calendar published by All Right? for Matariki 2016. The calendar is dated according to the Maori year, is written in both English and Te Reo, and includes photographs of whānau around Christchurch.
This week’s post is a bit different. It’s not directly about Christchurch archaeology, but it is about an archaeologist working in Christchurch. We’ve taken a bunch of photographs of one of the desks in our office and we want you … Continue reading →
A photograph captioned, "So it's been an eventful couple of years. I think the first earthquake, it was just so totally unexpected. You went to bed one night and when you woke up - in just a few seconds- everything was different than it had been before".
Photograph captioned, "I'll have mixed feelings when I leave. I'll be sad to go - and sad to see my house go. But I hope it'll be a good feeling once it's over. I'll be pleased to get to that stage and feel like I'm finally moving on".
A document with photographs and details of the four researchers from the National Council of Women of New Zealand (NCWNZ) project, Women's Voices: Recording women's stories of the Canterbury earthquakes. The researchers include Amanda England (from 2011 - 2012), Elizabeth Ashby (from 2013 - 2014), Rosemary Baird (2012 - 2014) and Brigid Buckenham (2013 - 2014).
A document with a photograph and details of the Research Committee of the National Council of Women of New Zealand (NCWNZ) project, Women's Voices: Recording women's stories of the Canterbury earthquakes. The Research Committee consisted of Liz Gordon, Rosemary Du Plessis, Judith Sutherland, Helen Gibson, Maureen Fordham, and Cheryl Anderson.
A photograph captioned, "I was reading in the paper this morning about one of the people who was orange and then went red yesterday. They said they were really glad they'd gone red rather than green-blue. Green-blue is the one they're going to have problems with".
A photograph captioned, "In the 1930s the traffic in Gayhurst Road was so light that I can remember playing hockey and cricket with apple boxes for wickets. If a car or cart came along there was plenty of time to shift the boxes to let them past".
A photograph captioned, "I guess the only good thing that came out of the earthquake is that we know the residents better. It definitely bought people together, and the support was incredible. If you didn't know your neighbours before, you definitely knew them after the quake. We made friends out of this".
A PDF copy of an image created for 'Still Here - The Kaiapoi Portrait Project'. The image includes photographs of residents of Kaiapoi and their grandchildren with pictures they have drawn captioned by what makes them feel all right. The main text reads, "What makes Kaiapoi feel all right?".
A photograph captioned, "It feels like it has been a really on-going process. We weren't in the head space for it really, because when you retire, you think you're in your retirement home and you're there to stay. You don't expect to have to move on. To do all this".
A digital photograph in PDF format with caption. Image from the inside of a Red Zoned home in the Horseshoe Lake area. Image depicts the dining area where a poem had been written on the walls by a member of the family. Poem talks about the earthquake, living in Horseshoe Lake, and being Red Zoned and what that means.
Photograph captioned, "Dallington used to be the most popular suburb in New Zealand to live in. And that makes sense, because it's halfway between the beach and the city. It's close enough to town but far enough away, as well. There were good schools in the area. The mall was close. It's got the river and the tree lined sections, everything. It was special all right".
A PDF copy of red-zoned Kaiapoi resident Barbara Townsend and Jackson's story about her life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of a story about Bob Cattermole and Joan Cattermole's post-quake stress-related deaths in 2010. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents the Carroll family's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Willy and Andrew Martin's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents the Evans family's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.