A photograph of an earthquake-damaged house. A large section of the house has collapsed, the bricks spilling into the garden in front.
A photograph of the earthquake damage to a building in the Christchurch central city. Some of the windows have been broken, and blinds are hanging out of them.
A photograph of an earthquake-damaged house in Christchurch. The bricks on the side of the house have crumbled, exposing the inside.
A photograph of volunteers working in a temporary emergency management centre set up after the 22 February 2011 earthquake.
A photograph of members of the New Zealand USAR team examining the collapsed basement of a building in central Christchurch.
A photograph of a sign indicating that the Civil Defence centre is closed. Information about other agencies is listed.
A photograph of bricks from an earthquake-damaged house that have fallen against a fence.
A photograph of a red sticker on the side of a building. The sticker indicates that the building is unsafe to enter.
A photograph of an excavator clearing rubble on the corner of Manchester and Lichfield Street.
A photograph of an emergency management member photographing the interior of an earthquake-damaged building.
A photograph of the earthquake damage to a store on Colombo Street. The front wall of the top two storeys has collapsed into the street, exposing the inside.
A photograph of the earthquake damage to a letter box on a residential property in Christchurch.
Political Editor Brent Edwards reports live from parliament on the implications of the rising costs of the Christchurch earthquake for the EQC and the Government's finances.
A photograph of felled trees in Hagley Park.
A photograph of campervans parked in Hagley Park.
As a 90s baby millennial, Helen Clark was Prime Minister from the time I started primary school to the time I started high school. I grew up in a world where in the eyes of a child there was never … Continue reading →
This article is a critical commentary of how political documentary embodies the traits and functions of alternative journalism. I explore this notion through Obrero (‘worker’) my independent documentary project about the labour migration of Filipino workers to Christchurch, Aotearoa New Zealand, after the earthquake in 2011. This article maps out the points at where the theories and practices of alternative media and documentary intersect. Analysing political documentary as a format of alternative journalism has links to the long tradition of film and video production as a tool for social critique. As a form of practice-based research, Obrero falls under the rubric of alternative journalism—able to represent the politically marginal sectors of the polity and report on issues underreported in the mainstream press. This article concludes that a distribution plan that is responsive to fragmenting audiences works best when alternative journalism no longer targets a niche but transborder audiences.
Object Overview of 'Christchurch liquefaction study: Stage IV.'
Object Overview for 'Liquefaction hazard in Hurunui District'
Object Overview of 'Christchurch liquefaction study – Stage II (Beca, 2002).'
Lyttelton Harbour at dusk.
A photograph of cracks and liquefaction in Hagley Park.
A photograph of the Mainland Foundation Ball Park in Christchurch.
A photograph of rubble outside a store on Victoria Street.
A photograph of cracks and liquefaction in Hagley Park.
A photograph of a lamp post in Cranmer Square.
A photograph taken inside the tunnel between Christchurch and Lyttelton.
A photograph of closed shops on Hampshire Street in Wainoni.
An article from Army News, March 2011 titled, "Transport".
A photograph of an excavator demolishing a building on Armagh Street.